Pub Date : 2013-02-13DOI: 10.1002/9781118601938.CH11
A. Gentès
{"title":"The Design of Emotions: How the Digital is Making Us More Emotional","authors":"A. Gentès","doi":"10.1002/9781118601938.CH11","DOIUrl":"https://doi.org/10.1002/9781118601938.CH11","url":null,"abstract":"","PeriodicalId":286209,"journal":{"name":"Emotion-Oriented Systems","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125534914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-02-13DOI: 10.1002/9781118601938.CH9
D. Glowinski, A. Camurri
Daniela Willimek, who was born in 1962, studied music in Karlsruhe and Vienna with a major in piano performance. She completed her degree with honors. She has received scholarships from the German National Academic Foundation, the Richard Wagner Scholarship Foundation of Bayreuth and the Brahms Society of Baden-Baden. Winner of prizes and awards in national and international competition. Initiator of a series of CDs entitled Faszination Frauenmusik featuring piano music by female composers. Lecturer at the Karlsruhe University of Music. Bernd Willimek, born in 1954, studied math and physics at the University of Karlsruhe before studying music at the Karlsruhe University of Music, where he completed a graduate degree in music theory and composition under Eugen Werner Velte. Freelance work as a music theory expert and composer. Author of the Theory of Musical Equilibration. In conjunction with his wife, Daniela Willimek, he designed and conducted international study on the emotional perception of musical harmonies. 1. 1.5 For psychologists: how do the musical effects of the leading note develop? 7 1.2 The emotional character of musical harmonies 8 1.2.1 The character of tonic in major chords 8 1.2.2 Why do minor chords sound sad? 9 1.2.3 The secondary dominant chord as an expression of being emotionally moved 10 1.2.4 Why is it that major chords sometimes sound as sad as minor chords? 11 1.2.5 The dominant chord in major brings motion into music 12 1.2.6 The major subdominant expresses tranquility 13 1.2.7 Natural minor goes with tension, courage and adventure 14 1.2.8 The subdominant with a major seventh conveys wistfulness 15 1.2.9 The seventh chord was part of the countercultural revolution 16 1.2.10 The added sixth in a major chord as an expression of warmth and security 17 1.2.11 The added sixth in a minor chord represents heartbreak and loneliness 18 1.2.12 The Neapolitan sixth chord as a symbol of death 18 1.2.13 Fright and despair in the diminished seventh chord 20 1.2.14 Astonishment and amazement in an augmented chord 21 IV 1.2.15 Floating weightlessly: the whole-tone scale 22 1.2.16 The minor sixth is full of fear 22 1.2.17 An overview of the emotional nature of harmonies 24 2 Empirical observations: the tests 25 2.1 The goal, designing the tests, and early models 26 2.1.1 Goal of the research 26 2.1.2 Inspiration for the research 26 2.1.3 The impetus and the tests' theoretical foundation 26 2.1.4 Challenges in designing the tests …
{"title":"Music and Emotions","authors":"D. Glowinski, A. Camurri","doi":"10.1002/9781118601938.CH9","DOIUrl":"https://doi.org/10.1002/9781118601938.CH9","url":null,"abstract":"Daniela Willimek, who was born in 1962, studied music in Karlsruhe and Vienna with a major in piano performance. She completed her degree with honors. She has received scholarships from the German National Academic Foundation, the Richard Wagner Scholarship Foundation of Bayreuth and the Brahms Society of Baden-Baden. Winner of prizes and awards in national and international competition. Initiator of a series of CDs entitled Faszination Frauenmusik featuring piano music by female composers. Lecturer at the Karlsruhe University of Music. Bernd Willimek, born in 1954, studied math and physics at the University of Karlsruhe before studying music at the Karlsruhe University of Music, where he completed a graduate degree in music theory and composition under Eugen Werner Velte. Freelance work as a music theory expert and composer. Author of the Theory of Musical Equilibration. In conjunction with his wife, Daniela Willimek, he designed and conducted international study on the emotional perception of musical harmonies. 1. 1.5 For psychologists: how do the musical effects of the leading note develop? 7 1.2 The emotional character of musical harmonies 8 1.2.1 The character of tonic in major chords 8 1.2.2 Why do minor chords sound sad? 9 1.2.3 The secondary dominant chord as an expression of being emotionally moved 10 1.2.4 Why is it that major chords sometimes sound as sad as minor chords? 11 1.2.5 The dominant chord in major brings motion into music 12 1.2.6 The major subdominant expresses tranquility 13 1.2.7 Natural minor goes with tension, courage and adventure 14 1.2.8 The subdominant with a major seventh conveys wistfulness 15 1.2.9 The seventh chord was part of the countercultural revolution 16 1.2.10 The added sixth in a major chord as an expression of warmth and security 17 1.2.11 The added sixth in a minor chord represents heartbreak and loneliness 18 1.2.12 The Neapolitan sixth chord as a symbol of death 18 1.2.13 Fright and despair in the diminished seventh chord 20 1.2.14 Astonishment and amazement in an augmented chord 21 IV 1.2.15 Floating weightlessly: the whole-tone scale 22 1.2.16 The minor sixth is full of fear 22 1.2.17 An overview of the emotional nature of harmonies 24 2 Empirical observations: the tests 25 2.1 The goal, designing the tests, and early models 26 2.1.1 Goal of the research 26 2.1.2 Inspiration for the research 26 2.1.3 The impetus and the tests' theoretical foundation 26 2.1.4 Challenges in designing the tests …","PeriodicalId":286209,"journal":{"name":"Emotion-Oriented Systems","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125224423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-02-13DOI: 10.1002/9781118601938.CH8
V. Maffiolo, M. Ochs
{"title":"The Role of Emotions in Human-Machine Interaction","authors":"V. Maffiolo, M. Ochs","doi":"10.1002/9781118601938.CH8","DOIUrl":"https://doi.org/10.1002/9781118601938.CH8","url":null,"abstract":"","PeriodicalId":286209,"journal":{"name":"Emotion-Oriented Systems","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126350051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-02-13DOI: 10.1002/9781118601938.CH5
C. Clavel, G. Richard
{"title":"Recognition of Acoustic Emotion","authors":"C. Clavel, G. Richard","doi":"10.1002/9781118601938.CH5","DOIUrl":"https://doi.org/10.1002/9781118601938.CH5","url":null,"abstract":"","PeriodicalId":286209,"journal":{"name":"Emotion-Oriented Systems","volume":"87 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132501808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-02-13DOI: 10.1002/9781118601938.CH2
Andy Christen, D. Grandjean
{"title":"Emotion and the Brain","authors":"Andy Christen, D. Grandjean","doi":"10.1002/9781118601938.CH2","DOIUrl":"https://doi.org/10.1002/9781118601938.CH2","url":null,"abstract":"","PeriodicalId":286209,"journal":{"name":"Emotion-Oriented Systems","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129787880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-02-13DOI: 10.1002/9781118601938.CH6
S. Hyniewska, Radoslaw Niewiadomski, C. Pelachaud
As users’ expectations grow in terms of friendliness of human-machine interfaces, the ubiquitous and affective computing domains investigate the use of embodied conversational agents (ECAs) that can express emotion. ECAs are virtual agents that can autonomously communicate verbally and non-verbally with a user. Focus on this area of research is driven by a desire to improve human–machine interactions through the use of social and emotional signals. To express emotions, the agent needs to have access to a model that identifies a method of communication that can be understood by humans and also be endowed with non-verbal communication means.
{"title":"Modeling Facial Expressions of Emotions","authors":"S. Hyniewska, Radoslaw Niewiadomski, C. Pelachaud","doi":"10.1002/9781118601938.CH6","DOIUrl":"https://doi.org/10.1002/9781118601938.CH6","url":null,"abstract":"As users’ expectations grow in terms of friendliness of human-machine interfaces, the ubiquitous and affective computing domains investigate the use of embodied conversational agents (ECAs) that can express emotion. ECAs are virtual agents that can autonomously communicate verbally and non-verbally with a user. Focus on this area of research is driven by a desire to improve human–machine interactions through the use of social and emotional signals. To express emotions, the agent needs to have access to a model that identifies a method of communication that can be understood by humans and also be endowed with non-verbal communication means.","PeriodicalId":286209,"journal":{"name":"Emotion-Oriented Systems","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131492980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：