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<i>Quid est sacramentum?</i>最新文献

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‘In the Flesh a Mirror of Spiritual Blessings’: Calvin’s Defence of the Lord’s Supper as a Visual Accommodation “肉体是属灵祝福的镜子”:加尔文为圣餐的视觉适应辩护
Pub Date : 2019-10-03 DOI: 10.1163/9789004408944_005
AnnMarie M. Bridges
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引用次数: 1
Seeing beyond Signs: Allegorical Explanations of the Mass in Medieval Dutch Literature 超越符号:中世纪荷兰文学中弥撒的寓言解释
Pub Date : 2019-10-03 DOI: 10.1163/9789004408944_009
A. Dlabačová
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引用次数: 2
Christ Child Creator 基督之子创造者
Pub Date : 2019-10-03 DOI: 10.1163/9789004408944_017
David S. Areford
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引用次数: 1
Staging Sacramental Consolation in Vienna 在维也纳上演圣礼安慰
Pub Date : 2019-10-03 DOI: 10.1163/9789004408944_008
R. Kendrick
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引用次数: 0
Hoc Est Corpus Meum: Whole-Body Catacomb Saints and Eucharistic Doctrine in Baroque Bavaria 特设圣体博物馆:巴伐利亚巴洛克时期的全身地下墓穴圣徒和圣餐教义
Pub Date : 2019-10-03 DOI: 10.1163/9789004408944_007
N. Litaker
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引用次数: 0
Quid est sacramentum?: Introduction
Pub Date : 2019-10-03 DOI: 10.1163/9789004408944_002
Walter S. Melion
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引用次数: 0
Orchestrating Polyphony at the Altar: Passion Altarpieces in Late Medieval France 在祭坛上编曲复调:中世纪晚期法国的激情祭坛
Pub Date : 2019-10-03 DOI: 10.1163/9789004408944_011
D. Sadler
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引用次数: 0
‘Mystery’ or ‘Sacrament’: Ephesians 5:32, the Sacrament of Marriage in Early Modern Biblical Scholarship, and Nicolas Poussin’s Visual Exegesis “奥秘”或“圣礼”:以弗所书5:32,早期现代圣经学术中的婚姻圣礼,以及尼古拉斯·普桑的视觉解经
Pub Date : 2019-10-03 DOI: 10.1163/9789004408944_006
Wim François
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引用次数: 0
A Private Mystery: Looking at Philippe de Champaigne’s Annunciation for the Hôtel de Chavigny 一个私人的秘密:看菲利普·德·香槟为Hôtel德·查维尼的报喜
Pub Date : 2019-10-03 DOI: 10.1163/9789004408944_021
M. Bruun
Mysteries elude immediate access. The core meaning of the Greek word μυστήριον (mystérion) is something that is hidden, and hence accessible only through some form of initiation or revelation.1 The key Christian mysteries concern the meeting between Heaven and Earth in the Incarnation and the soteriological grace wielded in Christ’s Passion and Resurrection as well as in the sacraments of the Church. Visual representations of the Christian mysteries strive to capture and convey what is hidden and to express the ineffable in a congruent way. Such representations are produced in historical contexts, and in their aspiration to represent motifs that transcend time and space and indeed embrace time and space, they are marked through and through by their own Sitz-im-Leben. Also, the viewers’ perceptions of such representations are embedded in a historical context. It is the key assumption of this chapter that early modern visual representations of mysteries are seen by human beings whose gaze and understanding are shaped by historical factors.2 We shall approach one such historical gaze. It belongs to a figure who navigated a particular space; who was born into a particular age and class; endowed with a particular set of experiences and aspirations; and informed by a particular devotional horizon. The figure whose gaze we shall approach is Léon Bouthillier, Comte de Chavigny (1608–1652). The mystery in focus is the Annunciation, and the visual representation is the Annunciation painted
神秘事件无法立即进入。希腊单词μ στ ον (mystion)的核心含义是隐藏的东西,因此只有通过某种形式的启蒙或启示才能获得基督教的关键奥秘是关于天堂和地球在化身中的相遇,以及在基督的受难和复活以及教会的圣礼中所运用的救赎恩典。基督教奥秘的视觉表现力求捕捉和传达隐藏的东西,并以一致的方式表达不可言喻的东西。这种表现是在历史语境中产生的,他们渴望表现超越时间和空间的主题,实际上拥抱时间和空间,他们完全被自己的Sitz-im-Leben所标记。此外,观众对这种表现的看法是嵌入在历史背景中的。这是本章的关键假设,早期现代神秘的视觉表现是由人类看到的,他们的目光和理解是由历史因素塑造的我们将接近这样一个历史凝视。它属于一个在特定空间中航行的人物;出生在特定年龄和阶级的人;有特殊的经历和愿望的;并被一种特殊的虔诚视野所告知。我们要探讨的人物是查维尼伯爵(1608-1652),他的名字叫lassaon Bouthillier。神秘的焦点是报喜,而视觉上的表现是画出的报喜
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引用次数: 1
Counterfeiting the Eucharist in Late Medieval Life and Art 中世纪晚期生活和艺术中的伪造圣餐
Pub Date : 2019-10-03 DOI: 10.1163/9789004408944_003
Aden Kumler
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引用次数: 1
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<i>Quid est sacramentum?</i>
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