Pub Date : 2017-10-01DOI: 10.4000/books.cidehus.8779
Luísa Castilho
{"title":"Um trajeto musical pelas sonoridades das procissões em Castelo Branco","authors":"Luísa Castilho","doi":"10.4000/books.cidehus.8779","DOIUrl":"https://doi.org/10.4000/books.cidehus.8779","url":null,"abstract":"","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126070531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4000/books.cidehus.8803
M. R. Conesa
{"title":"La procesión de traslado de la custodia al Colegio Seminario de Corpus Christi de València, 1604","authors":"M. R. Conesa","doi":"10.4000/books.cidehus.8803","DOIUrl":"https://doi.org/10.4000/books.cidehus.8803","url":null,"abstract":"","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127718007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4000/books.cidehus.9039
Francesc Villanueva Serrano
{"title":"Manifestaciones musicales en las procesiones valencianas de Semana Santa y de San Vicente Ferrer a finales del siglo XVI","authors":"Francesc Villanueva Serrano","doi":"10.4000/books.cidehus.9039","DOIUrl":"https://doi.org/10.4000/books.cidehus.9039","url":null,"abstract":"","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130422272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4000/books.cidehus.7788
Ascensión Mazuela-Anguita
{"title":"Espacios sonoros femeninos en ciudades de la Edad Moderna. El Palau de la Comtessa en Barcelona","authors":"Ascensión Mazuela-Anguita","doi":"10.4000/books.cidehus.7788","DOIUrl":"https://doi.org/10.4000/books.cidehus.7788","url":null,"abstract":"","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125469784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4000/books.cidehus.7881
F. Oliveira
{"title":"Os hinos Ut queant laxis e Fortem virili pectore do fundo musical da Sé de Évora no contexto da produção musical de Inácio António Ferreira de Lima","authors":"F. Oliveira","doi":"10.4000/books.cidehus.7881","DOIUrl":"https://doi.org/10.4000/books.cidehus.7881","url":null,"abstract":"","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122764600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4000/books.cidehus.7794
Christine Zurbach
even outside of erudite culture. We propose in this communication to approach the sound score of puppet theater based on a case study, focusing on traditional puppets that integrate contemporary Portuguese theatrical life. We will try to describe the dramaturgical dimension of the use of the music that is part of the spectacles, and of the voices that the manipulators, in their lines, lend to the puppet-objects. We will also emphasize the many other sounds that, with the distorted voices of the characters and the proliferation of noises - screams, blows, beats - are constitutive of the show and define the rhythm in performance.
{"title":"O repertório das marionetas antigas: uma dramaturgia sonora","authors":"Christine Zurbach","doi":"10.4000/books.cidehus.7794","DOIUrl":"https://doi.org/10.4000/books.cidehus.7794","url":null,"abstract":"even outside of erudite culture. We propose in this communication to approach the sound score of puppet theater based on a case study, focusing on traditional puppets that integrate contemporary Portuguese theatrical life. We will try to describe the dramaturgical dimension of the use of the music that is part of the spectacles, and of the voices that the manipulators, in their lines, lend to the puppet-objects. We will also emphasize the many other sounds that, with the distorted voices of the characters and the proliferation of noises - screams, blows, beats - are constitutive of the show and define the rhythm in performance.","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"117 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132921585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4000/books.cidehus.7918
L. Henriques
Évora has been an important centre of Marian cult since the Middle Ages, with the dedication of the Cathedral’s main altar to Our Lady of Assumption as a central point. It was also an important musical centre and the antiphon Recordare, Virgo Mater is one of the musical works associated with a Marian feast known as the Miracle of the Wax. One of the Cathedral chapel masters of the seventeenth century, Diogo Dias Melgaz, wrote a polychoral motet using this text the first known work to set it to music, followed by other works written in the eighteenth century with this text. The present study Este trabalho enquadra-se no âmbito do projeto de Doutoramento financiado pela FCT Fundação para a Ciência e Tecnologia «Polifonia portuguesa tardia: A problemática da continuidade na obra sacra de Diogo Dias Melgaz e Pedro Vaz Rego» (FCT SFRH/BD/131505/2017) e no âmbito do projecto ALT20-03-0145FEDER-028584 (PTDC/ART-PER/28584/2017) – «PASEV: Patrimonialização da Paisagem Sonora em Évora (1540-1910)», financiado por fundos nacionais através da FCT/MCTES e co-financiado pelo Fundo Europeu de desenvolvimento Regional (FEDER) através do Compete 2020 – Programa Operacional Competividade e Internacionalização (POCI). CESEM NOVA FCSH / Universidade de Évora Paisagens sonoras urbanas: História, Memória e Património Vanda de Sá e Antónia Fialho Conde _______________________________________________________________________________ 262 examines the works with the text Recordare, Virgo Mater and their possible liturgicalmusical contexts. Some of them point towards the offertorium of the Mass for Our Lady of Sorrows and others toward the celebration of Vespers and Litany. The association of the musical works with the liturgical feasts seems apparent and as such establishes a strong identity relation between the music produced in Évora Cathedral and the particular celebrations of the city.
Évora自中世纪以来一直是玛丽安崇拜的重要中心，大教堂的主祭坛奉献给圣母升天为中心点。它也是一个重要的音乐中心和对唱机Recordare，处女座圣母是一个音乐作品与玛丽安盛宴被称为蜡的奇迹。17世纪的教堂大师之一，迪奥戈·迪亚斯·梅尔加兹，用这段经文写了一首多合唱的圣歌，这是已知的第一部将其谱成音乐的作品，接着是18世纪用这段经文写的其他作品。本研究“Este trabalho enquadra-se no mbito do projeto de Doutoramento financiado pela FCT fundaprada: a problemática da continuidade na obra sacra de Diogo Dias Melgaz e Pedro Vaz Rego”(FCT SFRH/BD/131505/2017) e no mbito do projecto alt20-03-0145federal -028584 (PTDC/ART-PER/28584/2017) -«PASEV:世系化组织组织(1540-1910年)»、国家财政基金组织(FCT/MCTES)、欧洲财政基金组织(fder)、区域财政基金组织(fder)、组织组织(fder)联合财政基金组织(2020年)、国际业务竞争计划(POCI)。或或CESEM NOVA FCSH / universsidade de Évora Paisagens sonoras urbanas: História, Memória e Património Vanda de sere Antónia Fialho Conde _______________________________________________________________________________ 262考察作品与文本Recordare, Virgo Mater及其可能的礼仪音乐背景。其中一些指向悲伤圣母弥撒的奉献堂，另一些指向晚祷和连祷文的庆祝活动。音乐作品与礼仪盛宴的联系似乎很明显，因此在Évora大教堂制作的音乐与城市的特殊庆祝活动之间建立了强烈的身份关系。
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Pub Date : 1900-01-01DOI: 10.4000/books.cidehus.7806
Olimpia García López
This research focuses on the musical life of the city of Seville during the Dictatorship of Miguel Primo de Rivera (1923-1930). The purpose of this study is to offer a first approach to the sound map of the Andalusian capital, delving into four typologies of musical spaces: theaters, salons, temples and the street. In this way, this paper projects not only to expose the musical manifestation developed in these spaces, but also to Universidad de Cádiz (España; Adjudicataria de una ayuda para contratos predoctorales de FPU-MECD desde septiembre de 2015. Paisagens sonoras urbanas: História, Memória e Património Vanda de Sá e Antónia Fialho Conde _______________________________________________________________________________ 62 inquire into the institutions and personalities that contributed to these taking place. Therefore, it is necessary to study these elements both in isolation, and integrated into the complex networks that compose the musical framework of the city. Fundamentally, this approach draws upon mostly daily newspapers published in Seville at the time. However, the rich information provided by the press has been completed with data from other archival sources, such as the concert programs or the collection of letters conserved in the Manuel de Falla Archive (Granada) and the ERESBIL Archive (Rentería, Guipúzcoa).
本研究集中于米格尔·普里莫·德·里维拉独裁时期(1923-1930)塞维利亚市的音乐生活。本研究的目的是为安达卢西亚首都的声音地图提供第一种方法，深入研究四种类型的音乐空间:剧院、沙龙、寺庙和街道。通过这种方式，本文不仅展示了在这些空间中发展起来的音乐表现形式，而且还展示了大学Cádiz (España;FPU-MECD博士学位准予批准裁决于2015年9月颁布。Paisagens索诺拉乌尔班纳:史学家,记忆e Patrimonio万带兰de Sa e安东尼娅Fialho康德 _______________________________________________________________________________ 62年调查机构和个性导致这些发生。因此，有必要对这些元素进行孤立的研究，并将其整合到构成城市音乐框架的复杂网络中。从根本上说，这种方法主要利用当时在塞维利亚出版的日报。然而，新闻界提供的丰富信息已经与其他档案来源的数据一起完成，例如音乐会节目或保存在曼努埃尔·德·法拉档案馆(格拉纳达)和ERESBIL档案馆(Rentería, Guipúzcoa)中的信件集。
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