In this essay, Menand raises historiographical questions about the Cold War, arising mainly from his experience of authoring The Free World: Art and Thought in the Cold War (New York: Farrar, Straus and Giroux, 2021).
在这篇文章中，Menand提出了关于冷战的史学问题，这些问题主要源于他撰写《自由世界:冷战中的艺术与思想》(纽约:Farrar, Straus and Giroux出版社，2021)的经历。
{"title":"Notes on Cold War Historiography","authors":"L. Menand","doi":"10.3998/gs.3427","DOIUrl":"https://doi.org/10.3998/gs.3427","url":null,"abstract":"In this essay, Menand raises historiographical questions about the Cold War, arising mainly from his experience of authoring The Free World: Art and Thought in the Cold War (New York: Farrar, Straus and Giroux, 2021).","PeriodicalId":292155,"journal":{"name":"Winter 2022 - Narrating Cold Wars","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114330933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The historic Cold War, although formally concluded by 1991, continues to widely and to deeply influence, even shape the contours of, the way we think and talk about geopolitics and geoeconomics in the present time. Foreign policy professionals, journalists, scholars, and producers and consumers of popular culture readily turn to tropes, frames, and mental models derived sometimes very literally from this grand-historic episode. Thus, we tend to understand developments in Sino-US relations today, in the first instance at least, through comparisons with the intense superpower rivalry between the United States and the Soviet Union in the bipolar world of the Cold War. By referring to the articles in this special issue on narrating cold wars, its guest editor describes how such frames, models, and mentalities, as they are realized in and conveyed through narratives, can be challenged in a variety of ways.
{"title":"Cold War and New Cold War Narratives: Special Issue Editor’s Introduction","authors":"K. Tan","doi":"10.3998/gs.3426","DOIUrl":"https://doi.org/10.3998/gs.3426","url":null,"abstract":"The historic Cold War, although formally concluded by 1991, continues to widely and to deeply influence, even shape the contours of, the way we think and talk about geopolitics and geoeconomics in the present time. Foreign policy professionals, journalists, scholars, and producers and consumers of popular culture readily turn to tropes, frames, and mental models derived sometimes very literally from this grand-historic episode. Thus, we tend to understand developments in Sino-US relations today, in the first instance at least, through comparisons with the intense superpower rivalry between the United States and the Soviet Union in the bipolar world of the Cold War. By referring to the articles in this special issue on narrating cold wars, its guest editor describes how such frames, models, and mentalities, as they are realized in and conveyed through narratives, can be challenged in a variety of ways.","PeriodicalId":292155,"journal":{"name":"Winter 2022 - Narrating Cold Wars","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129814197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tracking American Political Currents - Review of White Identity Politics by Ashley Jardina, Cambridge University Press, 2019, and Fox Populism: Branding Conservatism as Working Class by Reece Peck, Cambridge University Press, 2019","authors":"Dave Gurney","doi":"10.3998/gs.3570","DOIUrl":"https://doi.org/10.3998/gs.3570","url":null,"abstract":"","PeriodicalId":292155,"journal":{"name":"Winter 2022 - Narrating Cold Wars","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127167549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Cautionary Tale of Painting War Remembrance in China as a New Nationalism - Review of China’s Good War: How World War II Is Shaping a New Nationalism by Rana Mitter, Belknap Press, 2020","authors":"Zuo Fuwei","doi":"10.3998/gs.3431","DOIUrl":"https://doi.org/10.3998/gs.3431","url":null,"abstract":"","PeriodicalId":292155,"journal":{"name":"Winter 2022 - Narrating Cold Wars","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114888569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Through Space and Time - Review of The Odyssey of Communism: Visual Narratives, Memory and Culture edited by Michaela Praisler and Oana-Celia Gheorghiu, Cambridge Scholars Publishing, 2021","authors":"Isabel Galwey","doi":"10.3998/gs.3429","DOIUrl":"https://doi.org/10.3998/gs.3429","url":null,"abstract":"","PeriodicalId":292155,"journal":{"name":"Winter 2022 - Narrating Cold Wars","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130150841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review of Hollywood in China: Behind the Scenes of the World’s Largest Movie Market by Ying Zhu, The New Press, 2022","authors":"Yongli Li","doi":"10.3998/gs.3430","DOIUrl":"https://doi.org/10.3998/gs.3430","url":null,"abstract":"","PeriodicalId":292155,"journal":{"name":"Winter 2022 - Narrating Cold Wars","volume":"113 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124747913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Unlike most of the world’s film industries, the American system known as Hollywood has never been owned or operated by the national government. Instead, it has been privately owned from the earliest days. This does not mean, however, that Hollywood has been unaffected by the concerns and priorities of Washington, DC. Despite being twenty-seven hundred miles apart, the two cities have cooperated, and contended, on many occasions—especially during times of war. This essay explores the history of that relationship from the 1910s to the present.
{"title":"Tales from the Hot Cold War","authors":"M. Bayles","doi":"10.3998/gs.3428","DOIUrl":"https://doi.org/10.3998/gs.3428","url":null,"abstract":"Unlike most of the world’s film industries, the American system known as Hollywood has never been owned or operated by the national government. Instead, it has been privately owned from the earliest days. This does not mean, however, that Hollywood has been unaffected by the concerns and priorities of Washington, DC. Despite being twenty-seven hundred miles apart, the two cities have cooperated, and contended, on many occasions—especially during times of war. This essay explores the history of that relationship from the 1910s to the present.","PeriodicalId":292155,"journal":{"name":"Winter 2022 - Narrating Cold Wars","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131928980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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