Pub Date : 2021-06-20DOI: 10.36074/IKITP.MONOGRAPH-2021.03
V. Haidar
Description of metaphorical models’ semantic nature of is one of the urgent tasks in linguistics, because metaphors, firstly, identify key objects, events and spheres of life, and secondly, significantly affect the renewal of lexical and stylistic potential of languages. The article aims to explore the essence of metaphorical rethinking of reality under the influence of key media messages for 2020 and early 2021 year – the COVID-19 pandemic and accompanying risks. Linguistic-stylistic and semantic analysis of media messages allowes to identify metaphors-neologisms – linguistic contexts that are born in our time of destructive virus and other threats, examples of key (frequent) words in these contexts, as well as to clarify the ways to update existing semantic spaces of metaphorical field in modern English. Metaphors in the analyzed newspaper articles are mainly used to describe political and economic events, health and evironmentsl issues, agricultural matters, trade, and occasionally cover cultural and sporting events, however, all semantic topics are interrelated due to the impact of the global risks of our time.
{"title":"LANGUAGE AND THE PANDEMIC: RENEWING THE SEMANTICAL SPACE OF MODERN METAPHORS","authors":"V. Haidar","doi":"10.36074/IKITP.MONOGRAPH-2021.03","DOIUrl":"https://doi.org/10.36074/IKITP.MONOGRAPH-2021.03","url":null,"abstract":"Description of metaphorical models’ semantic nature of is one of the urgent tasks in linguistics, because metaphors, firstly, identify key objects, events and spheres of life, and secondly, significantly affect the renewal of lexical and stylistic potential of languages. The article aims to explore the essence of metaphorical rethinking of reality under the influence of key media messages for 2020 and early 2021 year – the COVID-19 pandemic and accompanying risks. Linguistic-stylistic and semantic analysis of media messages allowes to identify metaphors-neologisms – linguistic contexts that are born in our time of destructive virus and other threats, examples of key (frequent) words in these contexts, as well as to clarify the ways to update existing semantic spaces of metaphorical field in modern English. Metaphors in the analyzed newspaper articles are mainly used to describe political and economic events, health and evironmentsl issues, agricultural matters, trade, and occasionally cover cultural and sporting events, however, all semantic topics are interrelated due to the impact of the global risks of our time.","PeriodicalId":296970,"journal":{"name":"Іншомовна комунікація: інноваційні та традиційні підходи","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129960667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-20DOI: 10.36074/IKITP.MONOGRAPH-2021.08
Svitlana Riabovol
The research is devoted to exploring the features of reception of Henry Fielding’s dramatic heritage. The aim of the study is to analyze literary critics’ research of Henry Fielding’s creative work. We make the conclusion that Henry Fielding’s unprecedented success was due to the relevance of the topics and issues which the author focuses on. The characters, plots and themes were extremely close to the audience of that time and that is why they gained incredible popularity. In literary criticism, it was thought that the dramatic works served as a kind of start for Fielding to create his further fundamental works. But the writer should be considered in several guises: Fielding as a playwright, Fielding as a journalist, Fielding as a novelist, each of which deserves the detailed study and can help to provide a complete picture of the search that became the key to success in each new round of his creative evolution. We consider the analysis of Fielding’s plays, which can become a material for studying the genre preferences of the writer, the key to the study of his novels and Fielding’s impact on the next generations of playwrights.
{"title":"THE PECULIARITIES OF THE RECEPTION OF HENRY FIELDING’S DRAMATURGIC HERITAGE IN CONTEMPORARY LITERARY CRITICISM","authors":"Svitlana Riabovol","doi":"10.36074/IKITP.MONOGRAPH-2021.08","DOIUrl":"https://doi.org/10.36074/IKITP.MONOGRAPH-2021.08","url":null,"abstract":"The research is devoted to exploring the features of reception of Henry Fielding’s dramatic heritage. The aim of the study is to analyze literary critics’ research of Henry Fielding’s creative work. We make the conclusion that Henry Fielding’s unprecedented success was due to the relevance of the topics and issues which the author focuses on. The characters, plots and themes were extremely close to the audience of that time and that is why they gained incredible popularity. In literary criticism, it was thought that the dramatic works served as a kind of start for Fielding to create his further fundamental works. But the writer should be considered in several guises: Fielding as a playwright, Fielding as a journalist, Fielding as a novelist, each of which deserves the detailed study and can help to provide a complete picture of the search that became the key to success in each new round of his creative evolution. We consider the analysis of Fielding’s plays, which can become a material for studying the genre preferences of the writer, the key to the study of his novels and Fielding’s impact on the next generations of playwrights.","PeriodicalId":296970,"journal":{"name":"Іншомовна комунікація: інноваційні та традиційні підходи","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130210491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-20DOI: 10.36074/IKITP.MONOGRAPH-2021.12
O. Znanetska
The article covers issues related to the organization of independent work of non-language faculties students while learning a foreign language. Independent work of students is one of the most important elements of education and upbringing in higher education, so its proper organization is crucial for the development of independence, creativity and competitiveness as the major leading personality traits of a specialist with a university education. Independent educational work is considered as a type of educational activity, which provides a certain level of student’s independence in all its structural components – from the problem statement to control, self-control and correction. The basic principles of independent work organization and the features of the differentiated approach to the organization of independent work of students while studying a foreign language have been considered.
{"title":"PSYCHOLOGICAL AND PEDAGOGICAL FEATURES OF ORGANIZATION OF INDEPENDENT WORK OF NON-LANGUAGE FACULTIES STUDENTS WHILE STUDYING A FOREIGN LANGUAGE","authors":"O. Znanetska","doi":"10.36074/IKITP.MONOGRAPH-2021.12","DOIUrl":"https://doi.org/10.36074/IKITP.MONOGRAPH-2021.12","url":null,"abstract":"The article covers issues related to the organization of independent work of non-language faculties students while learning a foreign language. Independent work of students is one of the most important elements of education and upbringing in higher education, so its proper organization is crucial for the development of independence, creativity and competitiveness as the major leading personality traits of a specialist with a university education. Independent educational work is considered as a type of educational activity, which provides a certain level of student’s independence in all its structural components – from the problem statement to control, self-control and correction. The basic principles of independent work organization and the features of the differentiated approach to the organization of independent work of students while studying a foreign language have been considered.","PeriodicalId":296970,"journal":{"name":"Іншомовна комунікація: інноваційні та традиційні підходи","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131422257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-20DOI: 10.36074/IKITP.MONOGRAPH-2021.09
Nataliia Styrnik
This paper examines posthumanism concepts in D. H. Lawrence’s short stories written in the 1920s which refer to the late period of the writer’s oeuvre: The Border Line (1924), The Woman Who Rode Away (1925), Sun (1926) and In Love (1927). The study contemplates the coalescence of Lawrence’s protagonists with the natural environment in the aforementioned novellas. Environmental theme in Lawrence’s short stories is regarded in the context of posthumanism aspect. The writer’s perspective of a posthuman is studied as well. Scientific works by Jeff Wallace (D. H. Lawrence, Science and the Posthuman), Cary Wolfe (What is posthumanism?) and Donna Haraway’s essay (A Cyborg Manifesto) were scrutinied as a basic tool to evidentiate the relentless curiosity to D. H. Lawrence’s oeuvre nowadays. By means of the concept ‘natural environment’ Lawrence tells about true values: harmony with oneself, harmonious relationships and mutual understanding between man and woman. In the alliance with environment, Lawrence prophesies the birth of a new, emotionally renovated human being. Posthumanism ideas help Lawrentian protaginist find contentment and a state of happiness. A change in human being’s attitude to himself/herself as well as to the society when uniting with natural environment is evident in the writer’s short stories.
{"title":"POSTHUMANISM IDEAS IN D. H. LAWRENCE’S SHORT STORIES","authors":"Nataliia Styrnik","doi":"10.36074/IKITP.MONOGRAPH-2021.09","DOIUrl":"https://doi.org/10.36074/IKITP.MONOGRAPH-2021.09","url":null,"abstract":"This paper examines posthumanism concepts in D. H. Lawrence’s short stories written in the 1920s which refer to the late period of the writer’s oeuvre: The Border Line (1924), The Woman Who Rode Away (1925), Sun (1926) and In Love (1927). The study contemplates the coalescence of Lawrence’s protagonists with the natural environment in the aforementioned novellas. Environmental theme in Lawrence’s short stories is regarded in the context of posthumanism aspect. The writer’s perspective of a posthuman is studied as well. Scientific works by Jeff Wallace (D. H. Lawrence, Science and the Posthuman), Cary Wolfe (What is posthumanism?) and Donna Haraway’s essay (A Cyborg Manifesto) were scrutinied as a basic tool to evidentiate the relentless curiosity to D. H. Lawrence’s oeuvre nowadays. By means of the concept ‘natural environment’ Lawrence tells about true values: harmony with oneself, harmonious relationships and mutual understanding between man and woman. In the alliance with environment, Lawrence prophesies the birth of a new, emotionally renovated human being. Posthumanism ideas help Lawrentian protaginist find contentment and a state of happiness. A change in human being’s attitude to himself/herself as well as to the society when uniting with natural environment is evident in the writer’s short stories.","PeriodicalId":296970,"journal":{"name":"Іншомовна комунікація: інноваційні та традиційні підходи","volume":"108 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120863680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-20DOI: 10.36074/IKITP.MONOGRAPH-2021.06
T. Vorova
The history of study of the Russian literary tales is set out in writing as emergence of tendencies or existence of different schools and their representatives. Every epoch, trend and certain scientists advanced the new ideas carried on by other experts in the process of further development of science. Therefore, the description of the history of study of tales corresponds to the description of evolution of this scientific branch according to some tendencies demonstrating and concentrating certain issues. The study of the literary tales is asserted to be closely associated with the history of the country and the ways of reflection of people’s self-consciousness. The public, literary and scientific interest in the tales came into existence as far back as the XVIII-th c., went through the period of astounding growth in the XIX-th c., the decline in the first half and the renaissance in the second half of the XX-th c. The stable attention to tales is paid at the turn of the XXI-st century. Scientists persistently searched a platform for the systematization of tales, examined the peculiarities of this genre – its main features, characteristics, definitions – in order to distinguish tales from other genres. Both a form of a tale and its content – with the prospective morals – were carefully analysed. The form and the content (or the idea) either were separated or opposed till the scientists came to the brilliant thought of their unity as the form represented a shell in which an idea or a world-view found their expression. A great Russian scientist A. Veselovskiy insisted on the necessity of creating morphology of tales, later this task was performed by the other famous Russian researcher V. Propp. V. Propp did not fix the separate features in poetics of tales but he focused on their structure and composition as a whole. Also, the relation of constant, invariable elements of tales to changeable, variable elements was gradually studied and defined. The modern scientific views are based on the thought that the essence of literary tales as the phenomenon of spiritual culture is likely to be expanded in the process of studying the origin, the development, the interpretation of tales and exceeding the limits of the genre. In the present article the point of view is illustrated that the history of tales is so complex and their study is so difficult that they can hardly ever be kept within the definite bounds. The fairy tales of A. Pushkin have the peculiar attractiveness because they bear the stamp of genius of their creator. The present research in hermeneutics of the Russian literary tales is based on the tales by A. Pushkin as the most capacious hermeneutical paradigms. It should be noted that for the first time an attempt to reveal and interpret their hidden, inherent meanings has been made on the basis of hermeneutics of the works of art.
{"title":"THE BRIEF SURVEY OF EVOLUTION OF THE RUSSIAN STUDY OF TALES. THE REPRESENTATION OF HERMENEUTICS OF FABULOUS PARADIGMS IN THE CREATIVE WORKS OF A. PUSHKIN","authors":"T. Vorova","doi":"10.36074/IKITP.MONOGRAPH-2021.06","DOIUrl":"https://doi.org/10.36074/IKITP.MONOGRAPH-2021.06","url":null,"abstract":"The history of study of the Russian literary tales is set out in writing as emergence of tendencies or existence of different schools and their representatives. Every epoch, trend and certain scientists advanced the new ideas carried on by other experts in the process of further development of science. Therefore, the description of the history of study of tales corresponds to the description of evolution of this scientific branch according to some tendencies demonstrating and concentrating certain issues. The study of the literary tales is asserted to be closely associated with the history of the country and the ways of reflection of people’s self-consciousness. The public, literary and scientific interest in the tales came into existence as far back as the XVIII-th c., went through the period of astounding growth in the XIX-th c., the decline in the first half and the renaissance in the second half of the XX-th c. The stable attention to tales is paid at the turn of the XXI-st century. Scientists persistently searched a platform for the systematization of tales, examined the peculiarities of this genre – its main features, characteristics, definitions – in order to distinguish tales from other genres. Both a form of a tale and its content – with the prospective morals – were carefully analysed. The form and the content (or the idea) either were separated or opposed till the scientists came to the brilliant thought of their unity as the form represented a shell in which an idea or a world-view found their expression. A great Russian scientist A. Veselovskiy insisted on the necessity of creating morphology of tales, later this task was performed by the other famous Russian researcher V. Propp. V. Propp did not fix the separate features in poetics of tales but he focused on their structure and composition as a whole. Also, the relation of constant, invariable elements of tales to changeable, variable elements was gradually studied and defined. The modern scientific views are based on the thought that the essence of literary tales as the phenomenon of spiritual culture is likely to be expanded in the process of studying the origin, the development, the interpretation of tales and exceeding the limits of the genre. In the present article the point of view is illustrated that the history of tales is so complex and their study is so difficult that they can hardly ever be kept within the definite bounds. The fairy tales of A. Pushkin have the peculiar attractiveness because they bear the stamp of genius of their creator. The present research in hermeneutics of the Russian literary tales is based on the tales by A. Pushkin as the most capacious hermeneutical paradigms. It should be noted that for the first time an attempt to reveal and interpret their hidden, inherent meanings has been made on the basis of hermeneutics of the works of art.","PeriodicalId":296970,"journal":{"name":"Іншомовна комунікація: інноваційні та традиційні підходи","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134290663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-20DOI: 10.36074/IKITP.MONOGRAPH-2021.04
O. Ponomarenko
The article is devoted to the investigation of bilingualism history and the features of its existence in Canada. The subject is of current interest because bilinguism functioning investigation is the constituent part of any language development. The article deals with the main characteristics of bilingualism, mainly with its types, stages of the development and conditions of functioning. All the above-mentioned gives the reason to investigate bilingualism even more thoroughly, for example, on the basis of the political discourse in Canada and other countries with similar political situation.
{"title":"BILINGUALISM AND ITS CONSTITUENT PARTS (ON THE EXAMPLE OF CANADA)","authors":"O. Ponomarenko","doi":"10.36074/IKITP.MONOGRAPH-2021.04","DOIUrl":"https://doi.org/10.36074/IKITP.MONOGRAPH-2021.04","url":null,"abstract":"The article is devoted to the investigation of bilingualism history and the features of its existence in Canada. The subject is of current interest because bilinguism functioning investigation is the constituent part of any language development. The article deals with the main characteristics of bilingualism, mainly with its types, stages of the development and conditions of functioning. All the above-mentioned gives the reason to investigate bilingualism even more thoroughly, for example, on the basis of the political discourse in Canada and other countries with similar political situation.","PeriodicalId":296970,"journal":{"name":"Іншомовна комунікація: інноваційні та традиційні підходи","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128564060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-20DOI: 10.36074/IKITP.MONOGRAPH-2021.07
N. Kaliberda
The article contains the review of researchers’ opinions about the poetological function of a suit detail in Semuel Richardson’s «Pamela». The theme of clothes in the text attracts the researchers of academic tradition, which estimate a suit detail as a resource of deepening of characters, complication of a plot line of the novel. Feminist literary criticism turns to the wide sociocultural understanding of the problem. Leaning on the category of gender, femininity, masculinity, attracts attention of readers and critics to the new substantive aspects: complications of existence of a woman in the masculine world, where power belongs to the men, as well as the description of a model of conduct in a family, the meaning of Christian values that form the ideal of “the Angel in the House”. Its origin is connected with the emergence of “domesticity” concept in the English culture of the XVIII – XIXth centuries.
{"title":"«THE LANGUAGE OF CLOTHES» IN THE ARTISTIC WORLD OF SEMUEL RICHARDSON’S NOVEL «PAMELA»","authors":"N. Kaliberda","doi":"10.36074/IKITP.MONOGRAPH-2021.07","DOIUrl":"https://doi.org/10.36074/IKITP.MONOGRAPH-2021.07","url":null,"abstract":"The article contains the review of researchers’ opinions about the poetological function of a suit detail in Semuel Richardson’s «Pamela». The theme of clothes in the text attracts the researchers of academic tradition, which estimate a suit detail as a resource of deepening of characters, complication of a plot line of the novel. Feminist literary criticism turns to the wide sociocultural understanding of the problem. Leaning on the category of gender, femininity, masculinity, attracts attention of readers and critics to the new substantive aspects: complications of existence of a woman in the masculine world, where power belongs to the men, as well as the description of a model of conduct in a family, the meaning of Christian values that form the ideal of “the Angel in the House”. Its origin is connected with the emergence of “domesticity” concept in the English culture of the XVIII – XIXth centuries.","PeriodicalId":296970,"journal":{"name":"Іншомовна комунікація: інноваційні та традиційні підходи","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127229020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-20DOI: 10.36074/IKITP.MONOGRAPH-2021.13
Olena Osadcha
The article deals with the development of the model of students’ independent work under conditions of distance learning. The importance of the research into this problem is determined, on the one hand, by the growing possibilities of using various information technologies and, on the other hand by the necessity to adapt to the conditions of today’s world where independent work of students is becoming increasingly important. The advantages and disadvantages of distance learning have been explored. The author studied the role of independent work in the formation of the professional competences of students. The issue of modeling in the area of education has been tackled. The approaches to the development of the model of independent work have been identified and analyzed. The components of the model, such as the goal, the tasks, the content, the methods, the means and evaluation of results have been determined and characterized. The prospects of further development of this research are related to the exploration of models of independent work of students majoring in different areas.
{"title":"DEVELOPMENT OF THE MODEL OF STUDENTS’ INDEPENDENT WORK UNDER CONDITIONS OF DISTANCE LEARNING","authors":"Olena Osadcha","doi":"10.36074/IKITP.MONOGRAPH-2021.13","DOIUrl":"https://doi.org/10.36074/IKITP.MONOGRAPH-2021.13","url":null,"abstract":"The article deals with the development of the model of students’ independent work under conditions of distance learning. The importance of the research into this problem is determined, on the one hand, by the growing possibilities of using various information technologies and, on the other hand by the necessity to adapt to the conditions of today’s world where independent work of students is becoming increasingly important. The advantages and disadvantages of distance learning have been explored. The author studied the role of independent work in the formation of the professional competences of students. The issue of modeling in the area of education has been tackled. The approaches to the development of the model of independent work have been identified and analyzed. The components of the model, such as the goal, the tasks, the content, the methods, the means and evaluation of results have been determined and characterized. The prospects of further development of this research are related to the exploration of models of independent work of students majoring in different areas.","PeriodicalId":296970,"journal":{"name":"Іншомовна комунікація: інноваційні та традиційні підходи","volume":"202 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116861535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-20DOI: 10.36074/IKITP.MONOGRAPH-2021.05
O. Bovkunova
The article examines the linguistic and non-linguistic aspects of translation, certain components of translation activity and their relationship. It specified features of the translation process, taking into account its linguistic and non-linguistic aspects. Particular attention is paid to the role of background knowledge and the correct understanding of the subject situation in the translation process, the stylistic components of modeling text translation systems are emphasized. The article highlights the interpretation of a number of concepts of modern cognitive semantics. The semantic characteristics of metaphorical and phraseological units are investigated. The article discusses the specificity of translation of certain categories of vocabulary, the compatibility of words in the translation process, the features of translation of stable phrases, methods of reproduction of phraseological units, translation of figurative phraseological units, metaphors. Special attention is paid to the expressive transformation of phraseological units and their reflection in translation. Formal-meaningful transformations with a pragmatic component as a change in the form and content of units in the text, text fragments in order to balance the pragmatic impact of translation on its reader (phraseological, figurative, conceptual, axiological, metatextual) play an essential role in modern translation studies. The concept of the communicative purpose of the text, the transfer of the stylistic coloring of words, expressive concretization while translating into the native language, pragmatic adaptation of the text are investigated. Special attention is paid to words expressing specific concepts and to their translation into the native language; historical and extralinguistic factors in the selection of the means of their translation are also stressed in the article.
{"title":"SEMANTIC FEATURES OF LEXICAL UNITS AND THE MAIN ASPECTS OF THEIR TRANSLATION PROBLEMS","authors":"O. Bovkunova","doi":"10.36074/IKITP.MONOGRAPH-2021.05","DOIUrl":"https://doi.org/10.36074/IKITP.MONOGRAPH-2021.05","url":null,"abstract":"The article examines the linguistic and non-linguistic aspects of translation, certain components of translation activity and their relationship. It specified features of the translation process, taking into account its linguistic and non-linguistic aspects. Particular attention is paid to the role of background knowledge and the correct understanding of the subject situation in the translation process, the stylistic components of modeling text translation systems are emphasized. The article highlights the interpretation of a number of concepts of modern cognitive semantics. The semantic characteristics of metaphorical and phraseological units are investigated. The article discusses the specificity of translation of certain categories of vocabulary, the compatibility of words in the translation process, the features of translation of stable phrases, methods of reproduction of phraseological units, translation of figurative phraseological units, metaphors. Special attention is paid to the expressive transformation of phraseological units and their reflection in translation. Formal-meaningful transformations with a pragmatic component as a change in the form and content of units in the text, text fragments in order to balance the pragmatic impact of translation on its reader (phraseological, figurative, conceptual, axiological, metatextual) play an essential role in modern translation studies. The concept of the communicative purpose of the text, the transfer of the stylistic coloring of words, expressive concretization while translating into the native language, pragmatic adaptation of the text are investigated. Special attention is paid to words expressing specific concepts and to their translation into the native language; historical and extralinguistic factors in the selection of the means of their translation are also stressed in the article.","PeriodicalId":296970,"journal":{"name":"Іншомовна комунікація: інноваційні та традиційні підходи","volume":"154 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116073234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-20DOI: 10.36074/IKITP.MONOGRAPH-2021.10
O. Aliseienko
Iris Murdoch enters the wide space of literature and culture, conducts intertextual roll-over with various proto-texts, modalities, archetypes, philosophical concepts that have developed in literature, seeking to penetrate into the essence of man and the world. As a writer of the “transition”, Iris Murdoch’s work is not associated with an outright deformation of the world in its spatial and temporal coordinates, with the hypertrophy of conventional elements, with demonstrative deconstructive game stylization, with a violation of lifelikeness and ethical relativism inherent in “mature” postmodernism. An important feature of the poetics of “transition” in Murdoch turns out to be organic, devoid of contrast, both because of the objectively established relationship between modernism and postmodernism, and because of the subjective nature of her artistic thinking, marked by the gift of contamination.
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