Pub Date : 2021-12-25DOI: 10.12944/crjssh.4.special-issue.01
Jyoti Atwal
This article engages with the question of how Hindi cinema sought to synergize and imagine the nation, community and land in independent India as the embodiment of widowhood. I suggest that this process of embodiment was the culmination of a long historical-political process. The focus of this chapter is a 1957 Hindi film by Mehboob Khan named Mother India. The film stands out as a powerful emotional drama. On the one hand, this film marked continuity with the Indian literature, painting, theatre and cinema of the colonial period,1 on the other, Mother India influenced the culture of a new Indian nation after 1947. Within a decade after India attained independence from Britain, the Indian cinema became an undisputed site where the cultural engineering of a new nation could be enacted.2
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Pub Date : 2021-12-25DOI: 10.12944/crjssh.4.special-issue.03
Fida Yasmin
The study examines the history of radio broadcasting in Kerala from the 1940s to the 21st century, focusing on the contributions of Akashvani Kozhikode. An attempt is made to search the social and cultural history of Akashvani Kozhikode and find out the contemporary relevance of Kozhikode station. The study's primary aim is to delve into the life history of Khan Kavil, who was an anchor, drama writer, actor, drama director, and broadcasting artist. Khan Kavil, born in a small village named Kavumthara in Kerala, was a voice artist who worked in Akashvani Kozhikode from 1978 to 1997 and carved a niche with his dynamic voice in the realm of radio broadcasting in Kerala. The study is trying to identify his contributions to the Akashvani Kozhikode and society. His life and contributions are recollected through popular memories, and an attempt is made to write a local and oral history based on this data gathered through the conversations with the eminent personalities of Khan Kavil's time who admired him and his colleagues. Further, the paper attempts to trace out why radio broadcasting still has a significant impact on ordinary people despite the advent of new forms of media. Magazines, newspapers, brochures, and interviews are used as the primary sources of this study.
{"title":"The Role of Akashvani Kozhikode in the Radio Broadcasting History of Kerala with Emphasis on the Contributions of Khan Kavil","authors":"Fida Yasmin","doi":"10.12944/crjssh.4.special-issue.03","DOIUrl":"https://doi.org/10.12944/crjssh.4.special-issue.03","url":null,"abstract":"The study examines the history of radio broadcasting in Kerala from the 1940s to the 21st century, focusing on the contributions of Akashvani Kozhikode. An attempt is made to search the social and cultural history of Akashvani Kozhikode and find out the contemporary relevance of Kozhikode station. The study's primary aim is to delve into the life history of Khan Kavil, who was an anchor, drama writer, actor, drama director, and broadcasting artist. Khan Kavil, born in a small village named Kavumthara in Kerala, was a voice artist who worked in Akashvani Kozhikode from 1978 to 1997 and carved a niche with his dynamic voice in the realm of radio broadcasting in Kerala. The study is trying to identify his contributions to the Akashvani Kozhikode and society. His life and contributions are recollected through popular memories, and an attempt is made to write a local and oral history based on this data gathered through the conversations with the eminent personalities of Khan Kavil's time who admired him and his colleagues. Further, the paper attempts to trace out why radio broadcasting still has a significant impact on ordinary people despite the advent of new forms of media. Magazines, newspapers, brochures, and interviews are used as the primary sources of this study.","PeriodicalId":300305,"journal":{"name":"Past and Present: Representation, Heritage and Spirituality in Modern India","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131643493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-25DOI: 10.12944/crjssh.4.special-issue.04
R. Yadav
It is generally assumed that colonial institutions and ideologies shaped the contours of masculinity in British India. This paper explores endogenous factors and attempts to supplement as well as contest such approaches and interpretations which claim that masculinity in India was a colonial construction. The emphasis is on folk traditions, religious customs, qaumi (folk) tales and physical culture akh???s (gymnasia) among the Jats in colonial Haryana,1 which went into the making of dominant masculinity in this region. The paper draws upon vernacular language materials and newspapers to analyse the different ways in which the socially endogenous forces constructed this masculinity. It argues that a complex interaction of popular religious traditions, qaumi narratives, military recruitment, marital caste designation, ownership of land, superior caste behaviour and strong bodily physique came to ideologically link and construct dominant masculinity in colonial Haryana.
{"title":"Popular Religious Traditions, British Military Recruitment and the Social Construction of Masculinity in Colonial Haryana","authors":"R. Yadav","doi":"10.12944/crjssh.4.special-issue.04","DOIUrl":"https://doi.org/10.12944/crjssh.4.special-issue.04","url":null,"abstract":"It is generally assumed that colonial institutions and ideologies shaped the contours of masculinity in British India. This paper explores endogenous factors and attempts to supplement as well as contest such approaches and interpretations which claim that masculinity in India was a colonial construction. The emphasis is on folk traditions, religious customs, qaumi (folk) tales and physical culture akh???s (gymnasia) among the Jats in colonial Haryana,1 which went into the making of dominant masculinity in this region. The paper draws upon vernacular language materials and newspapers to analyse the different ways in which the socially endogenous forces constructed this masculinity. It argues that a complex interaction of popular religious traditions, qaumi narratives, military recruitment, marital caste designation, ownership of land, superior caste behaviour and strong bodily physique came to ideologically link and construct dominant masculinity in colonial Haryana.","PeriodicalId":300305,"journal":{"name":"Past and Present: Representation, Heritage and Spirituality in Modern India","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120906755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-25DOI: 10.12944/crjssh.4.special-issue.02
A. Deswal
This paper seeks to investigate the impulses that encouraged a ‘gendering’ process and its crystallization in colonial Punjab in relation to the masculine culture propagated by the institution of a military-martial structure by the British Raj. The imperial/colonial gender perceptions led to the creation of gendered spaces in a manner conforming to the masculine ideology of the army. This is highlighted through different aspects of the lives of both men and women – their struggles, works, contributions, dreams and politics – before, during and after the First World War (1914-18). As a result, there emerged amongst the soldiers’ new high-class martial castes, middle-class patriarchal structures, and ideological pillars keen on constructing and upholding ‘ideal masculinity’ and ‘safe femininity’. The paper argues that the process of ‘gendering’ took place at two levels. On the one hand, the army structure of the colonial state paved the way for military-martial culture to exist on extreme masculine lines and, on the other hand, this ‘high’ masculine ideology percolated in the society and presented itself in contrast to the women of the region by further relegating them to the feminine spaces. Thus, the society in colonial Punjab presented a layered martial structure, which, in turn, dichotomized the gender binary. The paper attempts to reveal such ‘gender’ realities and experiences witnessed by the region of Punjab. In this context, the operation of imperial power and the resistance of the colonized to it; the space that was denied to the disadvantaged gender – women – and; the changes they imbibed along with the history of the mutual roles of women and soldiers become crucial to understand the ‘gendering’ process.
{"title":"World War I and Gendering of the Army in Colonial Punjab","authors":"A. Deswal","doi":"10.12944/crjssh.4.special-issue.02","DOIUrl":"https://doi.org/10.12944/crjssh.4.special-issue.02","url":null,"abstract":"This paper seeks to investigate the impulses that encouraged a ‘gendering’ process and its crystallization in colonial Punjab in relation to the masculine culture propagated by the institution of a military-martial structure by the British Raj. The imperial/colonial gender perceptions led to the creation of gendered spaces in a manner conforming to the masculine ideology of the army. This is highlighted through different aspects of the lives of both men and women – their struggles, works, contributions, dreams and politics – before, during and after the First World War (1914-18). As a result, there emerged amongst the soldiers’ new high-class martial castes, middle-class patriarchal structures, and ideological pillars keen on constructing and upholding ‘ideal masculinity’ and ‘safe femininity’. The paper argues that the process of ‘gendering’ took place at two levels. On the one hand, the army structure of the colonial state paved the way for military-martial culture to exist on extreme masculine lines and, on the other hand, this ‘high’ masculine ideology percolated in the society and presented itself in contrast to the women of the region by further relegating them to the feminine spaces. Thus, the society in colonial Punjab presented a layered martial structure, which, in turn, dichotomized the gender binary. The paper attempts to reveal such ‘gender’ realities and experiences witnessed by the region of Punjab. In this context, the operation of imperial power and the resistance of the colonized to it; the space that was denied to the disadvantaged gender – women – and; the changes they imbibed along with the history of the mutual roles of women and soldiers become crucial to understand the ‘gendering’ process.","PeriodicalId":300305,"journal":{"name":"Past and Present: Representation, Heritage and Spirituality in Modern India","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133143002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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