After defining Internet memes and their place within broader popular culture, this paper examines the methodology and interpretation of a large-scale collection of Internet memes used by the KnowYourMeme database. By observing the changed context in which Internet memes are created, shared, or forgotten, questions are raised about the formation of meme cultural memory in cyberspace, leading to critical commentary on the ways in which they are collected. By analyzing the heritization of Internet memes, this paper addresses the following issues: the formation of the future meme heritage, scope of cultural memory in cyberspace, redefinition of remembering and forgetting within the panmnemonic tendencies of online heritage projects. Using the KnowYourMeme database as an example, the problems of cyberspace heritage are discussed, and the different online projects dealing with Internet memes as heritage are compared. By defining ?on-the-fly? memory, which indicates the simultaneity of the process of creating and preserving heritage, this paper offers a critical review of the existing cyber projects of ?saving everything?.
{"title":"Internet memes as heritage in becoming and its problems: The methodology of heritization and the formation of cultural memory in cyberspace","authors":"Ana Knezevic","doi":"10.2298/gei2302275k","DOIUrl":"https://doi.org/10.2298/gei2302275k","url":null,"abstract":"After defining Internet memes and their place within broader popular culture, this paper examines the methodology and interpretation of a large-scale collection of Internet memes used by the KnowYourMeme database. By observing the changed context in which Internet memes are created, shared, or forgotten, questions are raised about the formation of meme cultural memory in cyberspace, leading to critical commentary on the ways in which they are collected. By analyzing the heritization of Internet memes, this paper addresses the following issues: the formation of the future meme heritage, scope of cultural memory in cyberspace, redefinition of remembering and forgetting within the panmnemonic tendencies of online heritage projects. Using the KnowYourMeme database as an example, the problems of cyberspace heritage are discussed, and the different online projects dealing with Internet memes as heritage are compared. By defining ?on-the-fly? memory, which indicates the simultaneity of the process of creating and preserving heritage, this paper offers a critical review of the existing cyber projects of ?saving everything?.","PeriodicalId":30156,"journal":{"name":"Glasnik Etnografskog Instituta SANU","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135609038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This anthropological paper views the urban landscape of Belgrade as a system of signs, consequently discussing the functional aspects of those urban landscape components, which children attributed the status of symbols. In a methodological sense, the work is based on the results of two field surveys ? the first one, conducted in March 2021 in the Primary School ?Kneginja Milica? in New Belgrade, and the second one, from November 2022, which increased the representativeness of the sample, raised the age limit of the respondents, and expanded the territorial coverage of the home city of the children who participated in the research ? providing collectively a sample of 70 children aged 7?14. The aim of the work is to provide an input to the (so far rare) contributions at the intersection of two subdisciplines ? urban anthropology and anthropology of children/ childhood, as well as to encourage further research in this area.
{"title":"Symbolic functions of the urban Belgrade landscape components – children’s perspective","authors":"Bojana Bogdanovic","doi":"10.2298/gei2302177b","DOIUrl":"https://doi.org/10.2298/gei2302177b","url":null,"abstract":"This anthropological paper views the urban landscape of Belgrade as a system of signs, consequently discussing the functional aspects of those urban landscape components, which children attributed the status of symbols. In a methodological sense, the work is based on the results of two field surveys ? the first one, conducted in March 2021 in the Primary School ?Kneginja Milica? in New Belgrade, and the second one, from November 2022, which increased the representativeness of the sample, raised the age limit of the respondents, and expanded the territorial coverage of the home city of the children who participated in the research ? providing collectively a sample of 70 children aged 7?14. The aim of the work is to provide an input to the (so far rare) contributions at the intersection of two subdisciplines ? urban anthropology and anthropology of children/ childhood, as well as to encourage further research in this area.","PeriodicalId":30156,"journal":{"name":"Glasnik Etnografskog Instituta SANU","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135609245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the text, we primarily deal with the observation of the latest manifestations of the Orthodox lity procession ritual and ways of sacralising the space on the example of Belgrade. Accordingly, attention is also paid to the symbolism of different spatial landmarks, which is emphasized at the level of several semantic layers. Recent events have once again actualized the importance of the Lity procession ritual - deeply rooted in both folk tradition and religion - as well as its manifestations, both in the Republic of Serbia and in the wider Serbian ethnic area. The basic and most visible function of Lity is the consecration and marking of space, but also of time, with special significance for a certain ethnic-social context, community or place. However, Lity also have a pronounced cohesive and identity function, as was particularly clearly demonstrated in the example of the defense of holy sites, i.e. of basic religious rights, precisely through Lity in Montenegro. Consequently, Lity proved to be one of the most effective weapons against attempts to deconstruct the Serbian identity. In accordance with the relevant indicators, in our work, with a multidisciplinary approach, various structural and semantic dimensions and possibilities of Lity are considered. This primarily refers to the level of the Belgrade area, but in a more general sense it is also directly related to field and other research on related issues, which were carried out in a much wider area during the previous decades.
{"title":"New manifestations and meanings of Orthodox Lity - preservation of identity and sacralization of space and time in the Belgrade’s (and broader Serbian) context","authors":"Ivica Todorovic","doi":"10.2298/gei2302055t","DOIUrl":"https://doi.org/10.2298/gei2302055t","url":null,"abstract":"In the text, we primarily deal with the observation of the latest manifestations of the Orthodox lity procession ritual and ways of sacralising the space on the example of Belgrade. Accordingly, attention is also paid to the symbolism of different spatial landmarks, which is emphasized at the level of several semantic layers. Recent events have once again actualized the importance of the Lity procession ritual - deeply rooted in both folk tradition and religion - as well as its manifestations, both in the Republic of Serbia and in the wider Serbian ethnic area. The basic and most visible function of Lity is the consecration and marking of space, but also of time, with special significance for a certain ethnic-social context, community or place. However, Lity also have a pronounced cohesive and identity function, as was particularly clearly demonstrated in the example of the defense of holy sites, i.e. of basic religious rights, precisely through Lity in Montenegro. Consequently, Lity proved to be one of the most effective weapons against attempts to deconstruct the Serbian identity. In accordance with the relevant indicators, in our work, with a multidisciplinary approach, various structural and semantic dimensions and possibilities of Lity are considered. This primarily refers to the level of the Belgrade area, but in a more general sense it is also directly related to field and other research on related issues, which were carried out in a much wider area during the previous decades.","PeriodicalId":30156,"journal":{"name":"Glasnik Etnografskog Instituta SANU","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135609035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper deals with the musical street practice of the Roma people on the territory of Belgrade. An attempt shall be made to present this practice in its entirety, with all its particularities, based on data obtained in the field (through interviews with performers), Internet sources (YouTube videos, texts, etc.), and academic literature. The Romani practice is possibly the most common street musical practice on the territory of Belgrade, and while it is undoubtedly diverse, it still possesses numerous characteristics which shape its particular identity. Therefore, the elements of the aforementioned musical practice shall be presented and analyzed, including: 1. forms of musical performance, 2. types of performing ensembles, 3. choice and condition of the instruments used in performing, 4. choice of musical repertoire, 5. the language being sung in, 6. choice of public spaces at which it takes place, 7. events and special occasions during which this musical practice occurs, 8. career development and 9. child exploitation. The aim of the paper is to provide a relevant insight into the special musical identity of the Romani street musical practice in Belgrade by way of analyzing the segments of this street musical practice presented. Moreover, the goal of this research is to construct a model which may serve to conduct further research into the Romani street musical practice in other Serbian cities, as well as enable a comparative analysis and insight into the common, general features of this musical identity.
{"title":"The musical identity of the Roma people on the streets of Belgrade","authors":"Nina Aksic","doi":"10.2298/gei2302137a","DOIUrl":"https://doi.org/10.2298/gei2302137a","url":null,"abstract":"This paper deals with the musical street practice of the Roma people on the territory of Belgrade. An attempt shall be made to present this practice in its entirety, with all its particularities, based on data obtained in the field (through interviews with performers), Internet sources (YouTube videos, texts, etc.), and academic literature. The Romani practice is possibly the most common street musical practice on the territory of Belgrade, and while it is undoubtedly diverse, it still possesses numerous characteristics which shape its particular identity. Therefore, the elements of the aforementioned musical practice shall be presented and analyzed, including: 1. forms of musical performance, 2. types of performing ensembles, 3. choice and condition of the instruments used in performing, 4. choice of musical repertoire, 5. the language being sung in, 6. choice of public spaces at which it takes place, 7. events and special occasions during which this musical practice occurs, 8. career development and 9. child exploitation. The aim of the paper is to provide a relevant insight into the special musical identity of the Romani street musical practice in Belgrade by way of analyzing the segments of this street musical practice presented. Moreover, the goal of this research is to construct a model which may serve to conduct further research into the Romani street musical practice in other Serbian cities, as well as enable a comparative analysis and insight into the common, general features of this musical identity.","PeriodicalId":30156,"journal":{"name":"Glasnik Etnografskog Instituta SANU","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135609044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ghostlore or ghost-lore is, in short, a subgenre of folklore that focuses on ghostly tales which can be found in both pre-industrial and contemporary contexts. The majority of these stories are connected to houses and other buildings that are either dilapidated or inhabited but can be described mainly as private places. Due to the nature of public places -whether they are connected to people?s experiences or could be described as non-places- it is odd to ?find? ghosts there, as it is odd to ?find? them in parks or streets. However, they remain social places open to multiple interpretations and symbolisms. Through pertinent online entries, mostly uploaded by groups describing their practices as ?investigating? the paranormal or the occult, this paper aims to discuss the connection between ghost-lore and public places, mainly from the city of Athens. Furthermore, a very important aspect demonstrating the effectiveness of these online entries are the comments made by the netizens following these ?investigations?, which result in the formation of new groups. These groups are created online, but are driven by a common interest in ghosts in the offline world. Thus, in order to study how the physical public space is being reinterpreted in light of the supernatural, the paper intends to approach the digital public space of social media.
{"title":"Ghosts in the streets of Athens: Ghostlore and social media","authors":"Aphrodite-Lidia Nounanaki, Rea Kakampoura","doi":"10.2298/gei2302199n","DOIUrl":"https://doi.org/10.2298/gei2302199n","url":null,"abstract":"Ghostlore or ghost-lore is, in short, a subgenre of folklore that focuses on ghostly tales which can be found in both pre-industrial and contemporary contexts. The majority of these stories are connected to houses and other buildings that are either dilapidated or inhabited but can be described mainly as private places. Due to the nature of public places -whether they are connected to people?s experiences or could be described as non-places- it is odd to ?find? ghosts there, as it is odd to ?find? them in parks or streets. However, they remain social places open to multiple interpretations and symbolisms. Through pertinent online entries, mostly uploaded by groups describing their practices as ?investigating? the paranormal or the occult, this paper aims to discuss the connection between ghost-lore and public places, mainly from the city of Athens. Furthermore, a very important aspect demonstrating the effectiveness of these online entries are the comments made by the netizens following these ?investigations?, which result in the formation of new groups. These groups are created online, but are driven by a common interest in ghosts in the offline world. Thus, in order to study how the physical public space is being reinterpreted in light of the supernatural, the paper intends to approach the digital public space of social media.","PeriodicalId":30156,"journal":{"name":"Glasnik Etnografskog Instituta SANU","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135609224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Artistic creation depends to a great extent on man-made environment and relationships that connect the artist with it, as well as on his/her experiences and perceptions. The singer and actor Nikolas Asimos still remains, 35 years after his death, an emblematic figure of Exarchia, a central area of Athens, frequently associated with intense anti-authoritarian activity. In this research, we focus on the social-cultural conditions that prevailed in the area, between 1976-1988, a period when Nikolas Asimos lived there and created the majority of his work. Through content analysis of the opinions of people who knew him or dealt with him on a professional basis, we argue that the urban space of Exarchia greatly contributed to the creative mood of the specific artist, providing him with the appropriate conditions for free expression of his work and ideas.
{"title":"“On the streets of diversity”. Urban space as a birthplace of free expression and artistic creation: the case of Nikolas Asimos in the Exarchia area of Athens","authors":"Emmanuel Kyriazakos, George Katsadoros","doi":"10.2298/gei2302157k","DOIUrl":"https://doi.org/10.2298/gei2302157k","url":null,"abstract":"Artistic creation depends to a great extent on man-made environment and relationships that connect the artist with it, as well as on his/her experiences and perceptions. The singer and actor Nikolas Asimos still remains, 35 years after his death, an emblematic figure of Exarchia, a central area of Athens, frequently associated with intense anti-authoritarian activity. In this research, we focus on the social-cultural conditions that prevailed in the area, between 1976-1988, a period when Nikolas Asimos lived there and created the majority of his work. Through content analysis of the opinions of people who knew him or dealt with him on a professional basis, we argue that the urban space of Exarchia greatly contributed to the creative mood of the specific artist, providing him with the appropriate conditions for free expression of his work and ideas.","PeriodicalId":30156,"journal":{"name":"Glasnik Etnografskog Instituta SANU","volume":"119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135609242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In our opinion, the scholarly and general ways of perceiving the emigrants from the Czech lands are based on methodological nationalism, which identifies the concept of society with the modern national state. Based on this, Bohemian resettlers who founded several settlements on the southern border of the Habsburg Empire in present-day Romanian Banat in the early nineteenth century have hitherto been divided, in the spirit of ethnicism and methodological nationalism, into Czechs (Bohmen) and Czech Germans (Deutschbohmen). Against this, an alternative research perspective, represented by the concept of national indifference, can be applied. The object of this article is hereby to re-assess of the collective identity of emigrants resettlers from the Czech lands towards its nationally indifferent character. We propose to overcome the ethnicist framework of the research on Bohemian resettlers by introducing what we term as the inclusive approach to expatriatism. This article is based on archival and local written sources and ethnographic field research (interviews) collected during the years 2010-2017.
{"title":"Neither Germans nor Czechs? Expatriates from the Czech lands in Romanian Banat in the trap of ethnicism","authors":"Michal Pavlásek","doi":"10.2298/gei2302225p","DOIUrl":"https://doi.org/10.2298/gei2302225p","url":null,"abstract":"In our opinion, the scholarly and general ways of perceiving the emigrants from the Czech lands are based on methodological nationalism, which identifies the concept of society with the modern national state. Based on this, Bohemian resettlers who founded several settlements on the southern border of the Habsburg Empire in present-day Romanian Banat in the early nineteenth century have hitherto been divided, in the spirit of ethnicism and methodological nationalism, into Czechs (Bohmen) and Czech Germans (Deutschbohmen). Against this, an alternative research perspective, represented by the concept of national indifference, can be applied. The object of this article is hereby to re-assess of the collective identity of emigrants resettlers from the Czech lands towards its nationally indifferent character. We propose to overcome the ethnicist framework of the research on Bohemian resettlers by introducing what we term as the inclusive approach to expatriatism. This article is based on archival and local written sources and ethnographic field research (interviews) collected during the years 2010-2017.","PeriodicalId":30156,"journal":{"name":"Glasnik Etnografskog Instituta SANU","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135609248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the past decades, Belgrade experienced a significant transformation of its downtown area also with regards to an increasing number of public spaces turned into pedestrian zones, primarily by closing roads for automotive transport, and establishing new pedestrian zones. This trend of pedestrianization of urban cores in Europe (initiated in the mid-20th century), found its strongest expression in Belgrade in the eighties with the complete transformation of Knez Mihailova street and its paving, and later with the expansion of the pedestrian zone to the adjoining streets. With the beginning of the 21st century, a special rise of a commercialized type of ?street life? occurred - an increasing number of outdoor restaurant facilities were established. In the last twenty years, the services sector has become one of the most important in the city?s economy, and the tourism and hospitality industry employs a significant number of people; thus, the urban public space is increasingly adapting to the needs of consumers of such services, residents and guests alike. The visible expansion of restaurant facilities on public pedestrian areas in Belgrade raises questions about priorities in the use of public space. This paper will examine questions of space use, pedestrian mobility, and hospitality industries.
{"title":"Pedestrians and pedestrian streets in Belgrade: An anthropological take on space, mobility, and hospitality industry in the city center","authors":"Srdjan Radovic","doi":"10.2298/gei2302077r","DOIUrl":"https://doi.org/10.2298/gei2302077r","url":null,"abstract":"In the past decades, Belgrade experienced a significant transformation of its downtown area also with regards to an increasing number of public spaces turned into pedestrian zones, primarily by closing roads for automotive transport, and establishing new pedestrian zones. This trend of pedestrianization of urban cores in Europe (initiated in the mid-20th century), found its strongest expression in Belgrade in the eighties with the complete transformation of Knez Mihailova street and its paving, and later with the expansion of the pedestrian zone to the adjoining streets. With the beginning of the 21st century, a special rise of a commercialized type of ?street life? occurred - an increasing number of outdoor restaurant facilities were established. In the last twenty years, the services sector has become one of the most important in the city?s economy, and the tourism and hospitality industry employs a significant number of people; thus, the urban public space is increasingly adapting to the needs of consumers of such services, residents and guests alike. The visible expansion of restaurant facilities on public pedestrian areas in Belgrade raises questions about priorities in the use of public space. This paper will examine questions of space use, pedestrian mobility, and hospitality industries.","PeriodicalId":30156,"journal":{"name":"Glasnik Etnografskog Instituta SANU","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135610612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mobility, identity(/ies) and various functions of the urban space: Case studies from Belgrade and Athens","authors":"Gordana Blagojevic, Manolis Varvounis","doi":"10.2298/gei2302013b","DOIUrl":"https://doi.org/10.2298/gei2302013b","url":null,"abstract":"nema","PeriodicalId":30156,"journal":{"name":"Glasnik Etnografskog Instituta SANU","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135609046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study deals with the use (and misuse) of music in modern Greek public transport, particularly in the long-distance buses, commonly known as KTEL (from their acronym). In short, Greek drivers seem to impose their own repertoire, often loudly, through speakers on passengers, who are not able (or willing) to react efficiently. This happens despite official restrictions by the Ministry of Transport on the public use of music both for drivers and passengers. This phenomenon, allied with other incidents of inappropriate treatment of passengers, has been seen by the latter as a display of power or a sign of indifference. It is also connected with other (occasional) violations by some drivers, such as smoking and talking on mobile phone (both prohibited by the law). Furthermore, the use of music is placed in the broader context of musical entertainment in modern-Greek daily life. This is probably the first such study in Greek bibliography, and among the few in international bibliography, where the issue has recently been taken up. Although I was not allowed to take formal interviews, I managed to talk to several passengers (and to a lesser extent to drivers) and keep detailed notes on the spot. Therefore, my study may be said to employ the methods of empirical investigation and participant observation in a loose sense, since I have been a regular passenger for several years.
{"title":"Committed travelers, reluctant listeners: Playing music and displaying authority on public transport in modern-day Greece","authors":"John Plemmenos","doi":"10.2298/gei2302113p","DOIUrl":"https://doi.org/10.2298/gei2302113p","url":null,"abstract":"This study deals with the use (and misuse) of music in modern Greek public transport, particularly in the long-distance buses, commonly known as KTEL (from their acronym). In short, Greek drivers seem to impose their own repertoire, often loudly, through speakers on passengers, who are not able (or willing) to react efficiently. This happens despite official restrictions by the Ministry of Transport on the public use of music both for drivers and passengers. This phenomenon, allied with other incidents of inappropriate treatment of passengers, has been seen by the latter as a display of power or a sign of indifference. It is also connected with other (occasional) violations by some drivers, such as smoking and talking on mobile phone (both prohibited by the law). Furthermore, the use of music is placed in the broader context of musical entertainment in modern-Greek daily life. This is probably the first such study in Greek bibliography, and among the few in international bibliography, where the issue has recently been taken up. Although I was not allowed to take formal interviews, I managed to talk to several passengers (and to a lesser extent to drivers) and keep detailed notes on the spot. Therefore, my study may be said to employ the methods of empirical investigation and participant observation in a loose sense, since I have been a regular passenger for several years.","PeriodicalId":30156,"journal":{"name":"Glasnik Etnografskog Instituta SANU","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135609036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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