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L’etnicità delle popolazioni estinte: il caso dei Boii Cisalpini a partire dalle fonti testuali 灭绝人口的种族:例如,来自文本来源的Cisalpini Boii
Pub Date : 2020-12-30 DOI: 10.6092/ISSN.1974-7985/12119
Eric Franc
Against the backdrop of the various attestations of the ethnonym “Boii” in the ancient world, this work aims to explore the subject of the Cisalpine boicity on the basis of textual sources consisting of epigraphs written in different languages and, above all, of Greek and Latin literary passages. We will analyse both the exoethnic representation of the Cisalpine Boii recorded in classical literature and, as far as possible, the ethnic phenomena inside the human community made up of the Cisalpines who, in Antiquity, were defined and/or possibly defined themselves as Boii. The investigation will be conducted by applying the analytical tools of a post-essentialist, relational and dynamic theory of ethnicity.
在古代世界对民族名称“Boii”的各种证明的背景下,本作品旨在探索Cisalpine boicity的主题,其基础是由不同语言的铭文组成的文本来源,尤其是希腊和拉丁文学段落。我们将分析古典文学中记录的山脉山脉Boii的外族表现,并尽可能地分析由山脉山脉人组成的人类社会内部的种族现象,这些人在古代被定义或可能被定义为Boii。调查将通过应用后本质主义、关系和动态种族理论的分析工具进行。
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引用次数: 0
Un frammento di figurina antropomorfa dal sito di Valcorrente (Belpasso): studio tipologico e proposta interpretativa val电流(belpass)网站上的拟人化卡片碎片:类型学研究和解释性建议
Pub Date : 2020-12-28 DOI: 10.6092/ISSN.1974-7985/12101
Valeria Rita Guarnera
This work concerns the typological and interpretative study of a female figurine found at Valcorrente di Belpasso (Catania), located on the south-eastern slopes of Etna. In particular, the study will deal with identification of shared iconographic models within a specific cultural horizon, symbolic values and use of this particular category of objects. The figurine finds comparisons above all with some “idols” from different centers of the Mediterranean in the III and II millennium BC, both in the Balkan, Eastern areas and Northern Italy. The widespread diffusion of this type may have favored its production and distribution in geographic contexts, even far away, while maintaining its meaning and modes of use.
这项工作涉及在位于埃特纳东南斜坡的瓦尔科伦特迪贝尔帕索(卡塔尼亚)发现的女性雕像的类型化和解释性研究。特别地,这项研究将涉及在特定文化视界内识别共享的肖像模型、象征价值和这一特定类别物体的使用。首先,这个雕像可以与公元前三千年和二千年地中海不同中心的一些“偶像”进行比较,这些中心包括巴尔干半岛、东部地区和意大利北部。这种类型的广泛传播可能有利于其在地理环境中的生产和分布,甚至在遥远的地方,同时保持其意义和使用方式。
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引用次数: 0
Rotte e vie di comunicazione attraverso i monti sicani durante il neolitico: ipotesi di viabilità di lunga durata tra Campofranco e Milena (CL) 新石器时代穿越西卡尼山脉的路线和路线:坎波弗兰科和米莱纳(CL)之间的长期路线假设
Pub Date : 2020-12-28 DOI: 10.6092/ISSN.1974-7985/11772
D. Calderone
The paper deals with the study of routes developed, starting from the Middle Neolithic, through the Sicani mountains, a fundamental passage of lines of communication that connected the Palermo coast to the Agrigento coast. The study of the location of the settlements and the morphology of the territory made it possible, with the help of the GIS, to reconstruct the development of the road network during historical and prehistoric periods.
这篇论文研究了从新石器时代中期开始,穿过西卡尼山脉的路线,这是一条连接巴勒莫海岸和阿格里根托海岸的交通线路的基本通道。在地理信息系统的帮助下,对定居点位置和领土形态的研究使重建历史和史前时期道路网络的发展成为可能。
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引用次数: 1
Nuovi elementi per una definizione di possibili facies nella Liguria dell’età del Bronzo 在青铜时代的利古里亚建立可能的外貌的新元素
Pub Date : 2020-05-19 DOI: 10.6092/ISSN.1974-7985/11004
L. Sanna
This paper deals with the study of one of the most interesting coastal sites of the entire region of Liguria, the Marine Cave of Bergeggi (Savona). The parts of the site that were visible above water were discovered in the 19th century and its submerged parts in the 1970s. The site underwent several specific investigations over the years, but was never investigated with a systematic strategy. Between January and December 2014, the author of this article had the possibility to examine both the emerged and submerged parts of this cave, which yielded important information about the geomorphological evolution of the site, as well as to propose new interpretations about its human occupation and use, dating at least from the Middle Palaeolithic up to the Iron Age. Concerning the Bronze Age, the author had the possibility to examine in the same period the ceramic collections of the Marine Cave of Bergeggi at the “Paolo Graziosi Museum” in Florence, consisting of material from different research campaigns held between the last quarter of the 19th century and the 1950s. This allowed her to discern cultural parallels between this Ligurian site and some other Italian and French sites. More in detail, it has been possible to shed light on a possible link between the Western Ligurian area and the Eastern Provence. Even if the number of sherds pertaining to the last phases of the Bronze Age and the beginning of the Iron Age from this collection does not seem to be enough to guarantee a proper analysis of this phenomenon, the recognition of some parallels is considered more than a causal connection. Some of the recognised decorations, among which the incised cross of a bottom in the form of a ring, as well as some particular shapes, all found in the Modigliani Gallery at Bergeggi, seem to draw a direct parallel with forms and decorations discovered in some sites of the Eastern Provence area, especially with the site of the Grotte du Chateau in Nice. This existing correspondence, together with other elements, seems to confirm the idea of a relation between these two areas during the Late Bronze Age - Early Iron Age, probably linked to a maritime route. Unfortunately, the shortage of data coming from sites dating to this period, particularly for the Ligurian area, represents a great hurdle for the correct understanding of this relationship, as well as for the analysis of the population dynamics of the coastal part of this region during the Bronze Age. However, up to now, the site of the Marine Cave of Bergeggi, thanks to its particular geomorphological structure, archaeological record and its geographical position linked to the sea and the Val Bormida route can be considered an interesting starting point for a deeper investigation of the probable coastal Ligurian-Provencal connection at the end of the Bronze Age.
本文研究了利古里亚整个地区最有趣的沿海遗址之一,Bergeggi海洋洞穴(萨沃纳)。该遗址在水面上可见的部分是在19世纪发现的,其水下部分是在20世纪70年代发现的。多年来,该遗址经历了几次具体的调查,但从未有过系统的调查策略。在2014年1月至12月期间,本文作者有可能检查这个洞穴的出现和淹没部分,这提供了关于该遗址地貌演变的重要信息,并提出了关于人类居住和使用的新解释,至少可以追溯到旧石器时代中期到铁器时代。关于青铜器时代,作者有可能在同一时期检查佛罗伦萨“Paolo Graziosi博物馆”的Bergeggi海洋洞穴的陶瓷收藏,其中包括19世纪最后25年至50年代举行的不同研究活动的材料。这使她能够辨别出利古里亚遗址与其他意大利和法国遗址之间的文化相似之处。更详细地说,已经有可能阐明西利古里亚地区和东普罗旺斯之间可能存在的联系。即使从这些藏品中找到的属于青铜时代最后阶段和铁器时代初期的碎片数量似乎不足以保证对这一现象进行适当的分析,但对一些相似之处的认识被认为不仅仅是因果关系。在Bergeggi的Modigliani画廊中发现的一些公认的装饰,其中一个圆环形式的底部切割十字架,以及一些特殊的形状,似乎与在东普罗旺斯地区的一些遗址中发现的形式和装饰直接相似,特别是与尼斯的Grotte du Chateau遗址。现有的通信,连同其他元素,似乎证实了这两个地区在青铜时代晚期-铁器时代早期之间存在联系的想法,可能与海上航线有关。不幸的是,这一时期,特别是利古里亚地区的遗址数据的缺乏,对正确理解这种关系以及分析青铜时代该地区沿海地区的人口动态构成了巨大障碍。然而,到目前为止,由于其特殊的地貌结构,考古记录以及与海洋和Val Bormida路线相连的地理位置,Bergeggi的海洋洞穴遗址可以被认为是一个有趣的起点,可以更深入地研究青铜时代末期利古里亚-普罗旺斯海岸可能的联系。
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引用次数: 0
Per una definizione della fase finale del Bronzo Recente di Moscosi di Cingoli: distinzione cronologica e/o “culturale”? 对于最近的莫斯科轨道青铜阶段的定义:时间和/或“文化”的区别?
Pub Date : 2020-05-19 DOI: 10.6092/ISSN.1974-7985/11005
G. Pignocchi
This paper focusses on a particular aspect that emerges in the advanced phase of the Recent Bronze Age, namely the sometimes sudden and remarkable appearance of Terramare elements in pottery finds at some sites outside the Terramare area. Although in apparent continuity with the previous period, these finds point to a significant change in pottery production (in terms of type and decorative motives), suggesting changes in the socio-economic order and perhaps in the “ethnic” make-up of some communities. This is particularly evident in a number of settlements, some geographically distant from each another, namely in the Veneto, Tuscany, Romagna, the Marche, Campania, Puglia and Calabria, as already mentioned by Andrea Cardarelli in particular and other authors. These sites share a number of features regarding production materials, but we do not know whether this is an indication of the same cultural and/or ethnic identity. The main aim of this article is to analyse the development process of the Recent Bronze Age in Italy, obtaining a more precise definition of the period’s latter part, which marks the direct transition to the Final Bronze Age in the mid-12th century BC. This case study makes part of a wider debate on how to describe this similarity in material culture. We discuss how the relation with “typical” identities (material and ideological) of entities in specific geographical areas during the process of historical evolution between the Recent Bronze Age (RBA) and Final Bronze Age (FBA) can be described as “phase” or “chronological horizon” rather than in terms like culture or facies. Moscosi di Cingoli, subjected to systematic surveys but only partly published, is an emblematic site in understanding this period. Within the detailed stratigraphic sequence stretching from the Middle Bronze Age 3 (MB3) and continuing through the Recent Bronze Age (RBA), new elements appear at Moscosi that relate to the last occupation of this site. A number of significant elements found here suggest that this period may be a sub-stage of the RBA2, to be divided into RBA2a and RBA2b, or a new stage BR3, on the basis of a more detailed stratigraphic analysis of the materials. Already during the excavation at Moscosi and during the preliminary analysis of the materials, it was particularly evident that new types and new syntaxes were coming to light in the upper stratigraphic units, with innovative elements appearing in the stratigraphic sequence of the RBA2. These seem to be useful indicators of the final stage of the Recent Bronze Age, transitioning into the Final Bronze Age (in particular the Miradolo variety B dagger, the raised twisted handles, the carinated cups with shallow bellies and shoulders decorated with oblique or vertical grooves, the bowls with inward sloping rims decorated with horizontal grooves, and the bowl with an oblique lip decorated with zig-zag grooves).
本文的重点是在近代青铜器时代晚期出现的一个特殊方面,即在陶俑地区以外的一些地点发现的陶器中,有时突然而显著地出现陶俑元素。尽管这些发现与前一时期明显保持连续性,但这些发现表明陶器生产(在类型和装饰动机方面)发生了重大变化,表明社会经济秩序发生了变化,也许在某些社区的“种族”构成方面也发生了变化。这在一些地理上彼此相距遥远的定居点中尤为明显,即威尼托、托斯卡纳、罗马涅、马尔凯、坎帕尼亚、普利亚和卡拉布里亚,正如安德里亚·卡达雷利和其他作者特别提到的那样。这些遗址在生产材料方面有许多共同的特点,但我们不知道这是否表明了相同的文化和/或种族身份。本文的主要目的是分析意大利最近青铜器时代的发展过程,对这一时期的后期进行更精确的定义,这标志着公元前12世纪中期直接过渡到最后的青铜器时代。这个案例研究是关于如何描述物质文化中的这种相似性的更广泛辩论的一部分。我们讨论了在近代青铜器时代(RBA)和末期青铜器时代(FBA)之间的历史演变过程中,特定地理区域的实体与“典型”身份(物质和意识形态)的关系如何被描述为“阶段”或“时间视界”,而不是文化或相。经过系统调查,但仅部分发表的莫斯科迪钦戈利遗址是了解这一时期的标志性遗址。在详细的地层序列中,从中青铜器时代3 (MB3)一直延伸到最近的青铜器时代(RBA),在莫斯科出现了与该遗址最后一次占领有关的新元素。在此发现的重要元素表明,通过对材料进行更详细的地层分析,该时期可能是RBA2的一个亚阶段,可划分为RBA2a和RBA2b,或者是一个新的BR3阶段。在莫斯科西的挖掘和对材料的初步分析期间,特别明显的是,在上部地层单元中出现了新的类型和新的句法,在RBA2的地层序列中出现了创新的元素。这些似乎是最近青铜时代过渡到最后青铜时代的最后阶段的有用指标(特别是米拉多洛品种B匕首,凸起的扭曲手柄,浅腹部和肩部装饰有倾斜或垂直凹槽的镂空杯子,向内倾斜的边缘装饰有水平凹槽的碗,倾斜的碗唇装饰有锯齿状凹槽)。
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引用次数: 0
Nuovi dati sulla tecnologia litica del neolitico antico dell’area padano alpina: i rimontaggi di Lugo di Grezzana (Verona) 阿尔卑斯地区新石器时代政治技术的新数据:卢戈·德·格里扎纳(维罗纳)的重建
Pub Date : 2020-05-19 DOI: 10.6092/ISSN.1974-7985/11008
F. Santaniello, Vanya Delladio, Anna Ferrazzi, Stefano Grimaldi, A. Pedrotti
Lithic technology is an uncommon research tool for investigating the Neolithic lithic industries of northern Italy. In fact, our knowledge about the lithic industries of this period is mainly related to typological descriptions. The technological study of these fittings found in the Lugo di Grezzana (VR) site highlights the usefulness of this approach and provides evidence to detect technical skills and socio-economic relationships among the early Neolithic groups.
石器技术是研究意大利北部新石器时代石器工业的一种不寻常的研究工具。事实上,我们对这一时期的石器工业的认识主要与类型描述有关。在Lugo di Grezzana (VR)遗址中发现的这些配件的技术研究突出了这种方法的实用性,并为检测新石器时代早期群体之间的技术技能和社会经济关系提供了证据。
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引用次数: 3
Appunti per lo studio dell’impatto delle attività di navigazione sulla diffusione degli elementi culturali nel Mediterraneo Occidentale dell’età del Bronzo 研究航行活动对青铜时代地中海西部文化元素传播影响的说明
Pub Date : 2020-05-19 DOI: 10.6092/ISSN.1974-7985/11002
Francesco Tiboni
The maritime dimension of the different cultures which archaeological research has defined over the years on the shores of the Mediterranean is often considered one of the most interesting elements for understanding how people moved around the Mediterranean basin during ancient times. Particularly for prehistory the need for a better investigation of the naval and nautical dimension of ancient peoples appears nowadays to be extremely urgent due to a lack of information about the Western Mediterranean that determined the birth of a diffusionist theory in accordance with the now surpassed ex oriente lux-theory. The recent development of naval archaeology as a proper discipline, and not just as a branch of maritime archaeology or commercial history, allows us to adopt a new paradigm. The possibility to examine a good number of wrecks as well as the naval iconography of the Mediterranean in the light of the knowledge we have about ancient naval technology is the base of our capability to propose a new interpretation of both the origins and the development of the ancient maritime networks that linked all peoples living around the Mediterranean coasts during the Bronze Age. On the one hand, the study of ancient ships and naval structures permits us to recognise different local traditions that originated in different places as well as to follow their development over the centuries. Further, by tracing their key elements we are able to recognise how and when some of these different traditions started to overlap or disappeared. On the other hand, the analysis of the nautical dimension of the different “cultures” of the Mediterranean, including their maritime commercial activities, nautical technology and wider relationship with the sea, permits us to recognise how, when and why we can start speaking about Levantine and Aegean maritime supremacy in the West. Far from proposing a complete interpretation of these phenomena, this paper will point to the role naval archaeology can play in the study of cultural interactions in the Mediterranean during the Bronze Age. The main aim is to pose some new questions in order to surpass the utilitaristic misuse of the naval dimension of ancient Mediterranean peoples that lived around the Mediterranean shores. This is often at the base of many misinterpretations of the naval role of the great eastern realms as well as of the small local communities of the West.
多年来,考古研究在地中海沿岸定义了不同文化的海洋维度,这通常被认为是理解古代人们如何在地中海盆地周围移动的最有趣的因素之一。特别是在史前史方面,由于缺乏关于西地中海的信息,对古代人民的海军和航海方面进行更好的调查的需求现在似乎非常迫切,而西地中海决定了扩散理论的诞生,该理论与现已被超越的东方奢侈理论相一致。最近海军考古学作为一门学科的发展,而不仅仅是作为海洋考古学或商业史的一个分支,使我们能够采用一种新的范式。根据我们对古代海军技术的了解,有可能检查大量的沉船以及地中海的海军图像,这是我们能够对青铜时代连接地中海沿岸所有人民的古代海洋网络的起源和发展提出新的解释的基础。一方面,对古代船只和海军结构的研究使我们能够认识到不同的地方传统,这些传统起源于不同的地方,并跟随它们在几个世纪中的发展。此外,通过追踪它们的关键要素,我们能够认识到这些不同的传统是如何以及何时开始重叠或消失的。另一方面,对地中海不同“文化”的航海维度的分析,包括他们的海上商业活动、航海技术和与海洋更广泛的关系,使我们认识到如何、何时以及为什么我们可以开始谈论西方的黎凡特和爱琴海海上霸权。本文并没有对这些现象提出一个完整的解释,而是指出了海军考古学在研究青铜时代地中海文化互动中所能发挥的作用。主要目的是提出一些新的问题,以便超越生活在地中海沿岸的古代地中海民族对海军方面的功利主义滥用。这往往是对东方大国和西方小地方社区海军作用的许多误解的基础。
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引用次数: 0
La cultura materiale di Murgia Timone (Matera): proposta di analisi alla luce delle influenze dalle aree adriatica e tirrenica 根据亚得里亚海和蒂伦地区的影响进行分析的建议
Pub Date : 2020-05-19 DOI: 10.6092/ISSN.1974-7985/11006
Ilaria Matarese
In the chamber tombs of Murgia Timone (Matera), a considerable amount of Middle Bronze Age 3 pottery came to light that largely fall within the typological panorama of the traditional Apennine facies. However, the study of these finds, through a comparative analysis, made it possible to highlight the presence of other specific pottery types, belonging to the so-called “Punta Le Terrare” facies, recently defined by G. Recchia and C. Ruggini. This paper discusses the material culture of the site of Murgia Timone and analyses how it relates to these two already defined facies. One example is a drinking cup from tomb 2 of Murgia Timone with a handle characterized by a depression at the centre and lateral apexes. For this type, we can find very precise comparisons at Monopoli-Piazza Palmieri, Rissieddi, Le Pazze, Roca and Punta Le Terrare. In the same tomb some bowls with a very recessed rim were also found, two of which have some small vertical segments underneath the rim. This type, attested at Murgia Timone in four examples, is also present in Civita di Paterno (Potenza), but has also comparisons in Puglia, in the sites classified within the “facies of Punta Le Terrare”: Rissieddi, Roca, Egnazia - level IV and at Punta Le Terrare. A pot with a nozzle-handle, found into tombs 1 and 2, is significant for its similarity with artefacts from the upper layer of the Cardini Cave, Cave1 of Latronico and tombs 17 and 22 of the Podere Caravello necropolis. This vessel shape is mainly attested in central and south-western Italy during the Middle Bronze Age, but has been also found at Punta Le Terrare. These data show a distribution of types that does not always coincide with the areas where usually the facies is attested. Murgia Timone is in a key geographical position between the diffusion area of the “facies Punta Le Terrare”, from which it partially takes the pottery models, and the diffusion area of the Apennine facies in northern Puglia, Campania and Calabria. The pottery from Murgia Timone displays moreover numerous similarities with sites in the Tyrrhenian area (for example the Cardini Cave). This paper therefore focuses on a critical point related to the concept of facies: the definition of rigid boundaries does not apparently reflect the real distribution of pottery types, which often go beyond the canonical limits of defined facies. This observation points out that models widely circulate between different geographical and “cultural” areas.
在Murgia Timone (Matera)的室内墓葬中,大量的青铜时代中期陶器被发现,这些陶器在很大程度上属于传统亚平宁相的类型全景。然而,对这些发现的研究,通过比较分析,有可能突出其他特定陶器类型的存在,属于所谓的“Punta Le Terrare”相,最近由G. Recchia和C. Ruggini定义。本文讨论了Murgia Timone遗址的物质文化,并分析了它与这两种已经定义的相的关系。其中一个例子是Murgia Timone墓2中的一个杯子,其手柄的中心和侧面尖顶有凹陷。对于这种类型,我们可以在Monopoli-Piazza Palmieri、Rissieddi、Le Pazze、Roca和Punta Le Terrare找到非常精确的比较。在同一座坟墓中,还发现了一些边缘非常凹陷的碗,其中两个碗的边缘下面有一些小的垂直部分。在Murgia Timone有四个例子证明了这种类型,在Civita di Paterno (Potenza)也有这种类型,但在Puglia也有比较,在“Punta Le Terrare相”分类的地点:Rissieddi, Roca, Egnazia - IV级和Punta Le Terrare。在1号和2号墓葬中发现的一个带有喷嘴手柄的壶,与Cardini洞穴上层、Latronico洞穴1和poere Caravello墓地17号和22号墓葬的人工制品相似,具有重要意义。这种容器的形状主要在青铜时代中期的意大利中部和西南部得到证实,但在Punta Le Terrare也有发现。这些资料显示的类型分布并不总是与通常证实相的区域一致。Murgia Timone位于“Punta Le Terrare相”的扩散区(它部分汲取了该相的陶器模型)和位于普利亚、坎帕尼亚和卡拉布里亚北部的亚平宁相扩散区之间的关键地理位置。Murgia Timone的陶器与第勒尼安地区的遗址(例如Cardini洞穴)有许多相似之处。因此,本文关注的是与相概念相关的一个关键点:刚性边界的定义并不能明显地反映陶器类型的真实分布,而这些类型往往超出了所定义的相的规范界限。这一观察指出,模型在不同的地理和“文化”区域之间广泛流传。
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引用次数: 0
Tra facies e culture: il caso della necropoli del Bronzo Antico in località Gaudello ad Acerra (NA) 在外貌和文化之间:在阿塞拉(NA)的高卢地区,古铜色墓地的例子
Pub Date : 2020-05-19 DOI: 10.6092/ISSN.1974-7985/11007
Viviana Germana Mancusi, G. Bonifacio
Preliminary archaeological investigations between Naples and Cancello on the Naples-Bari railway track in October 2014, brought a necropolis to the light that can be dated between the Late Copper Age and the Early Bronze Age. The archeological investigations made it possible to fill an important archaeological gap in Campania as the transition from the Copper Age to the Bronze Age is difficult to document in this area. Thanks to the discovery of the necropolis of Gaudello it has been possible to identify an occupation of the territory by a cultural group that gives life to a very peculiar vascular production which can be read as a full hybridization between Laterza pottery shapes and Bell Beaker and Cetina decorations. Globular shapes are created, with a cap or with a “S”-profile with decorations similar to “dragged comb ware”. Likewise it is highlighted how the people who occupied the Acerra territory, near the Clanis river, were absorptive for external influences and participated in exchange circuits thanks to which inside the tombs halberds and pins from the Cetina aspect and Bell Beaker horizon are found. In this necropolis from the assimilation of the Bell Beaker and Cetina elements arises a real form of “hybridisation”, not enclosable in a typological facies, but which can be defined as a cultural horizon where more types of influences coming from more areas are mixed. The legacy of the previous Laterza horizon is lost, abandoning the material production that was rooted with it, showing, instead, a high degree of absorption of external influences that become an autonomous interpretation and mixture of new models from which arises a different production, related to different cultural matrices. A vast basin of syncretism is created where different elements merge, generating mixtures, interactions and associations between heterogeneous characters that are reworked and taken over by people who decided to use these traits within their own funeral areas.
2014年10月,对那不勒斯和坎塞洛之间的那不勒斯-巴里铁路进行了初步考古调查,发现了一个可以追溯到铜器时代晚期和青铜时代早期的墓地。考古调查填补了坎帕尼亚一个重要的考古空白,因为从铜器时代到青铜时代的过渡很难在这个地区记录下来。由于Gaudello墓地的发现,有可能确定一个文化群体对该领土的占领,该文化群体赋予了一种非常奇特的血管生产生命,可以将其解读为拉特兰萨陶器形状与贝尔烧杯和塞蒂娜装饰之间的完全杂交。球体形状,有一个帽或“S”型轮廓,装饰类似于“拖曳梳子”。同样,它也强调了在克拉尼斯河附近占领阿塞拉领土的人们是如何吸收外部影响并参与交换电路的,这要归功于在坟墓里发现了来自塞蒂纳方面和贝尔烧杯地平线的戟和别针。在这个墓地中,Bell Beaker和Cetina元素的同化产生了一种真正形式的“杂交”,不能封闭在类型相中,但可以定义为来自更多地区的更多类型的影响混合在一起的文化视野。以前的Laterza地平线的遗产丢失了,放弃了植根于它的物质生产,相反,显示出对外部影响的高度吸收,成为一种自主的解释和新模式的混合,从中产生了不同的生产,与不同的文化矩阵相关。一个巨大的融合盆地被创造出来,不同的元素融合在一起,产生混合、相互作用和异质人物之间的联系,这些人物被重新加工,并被决定在自己的葬礼区域中使用这些特征的人所接管。
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引用次数: 1
I livelli dell’età del Bronzo della Grotta dell’Eremita in Piemonte (Vercelli, Italia): primi dati cronologici e culturali 皮埃蒙特(意大利Vercelli)隐士洞穴的青铜时代:早期的历史和文化数据
Pub Date : 2020-05-19 DOI: 10.6092/ISSN.1974-7985/11003
Eve Derenne, S. Viola, Marie Besse
This article presents the first results of the planned archaeological excavations led by Prof. Marie Besse, head of the Laboratory of prehistoric archaeology and anthropology of the Department F.-A. Forel for environmental and aquatic sciences of the University of Geneva, at the Eremita Cave site between 2012 and 2015. The Eremita Cave is located in the North Italian region of Piedmont, in the heart the calcareous massif of Monte Fenera, near Borgosesia (Vercelli). The Monte Fenera is already well known for its numerous caves, many of which contain archaeological remains chronologically spanning from the Palaeolithic to the Middle Ages. This particular situation can be explained by two elements: the uniqueness of the massif from a geological perspective when compared to the rest of the area, and its strategic localisation on the southern alpine foothills, that made it a possible stopover for the people transitioning the Alps. The interest of the researchers of the Laboratory of prehistoric archaeology and anthropology was sparked by the mention of the discovery of a bone button attributed to the “eta del Rame” (Copper Age) in the Eremita Cave in the late 1980s by the Gruppo Archeologico e Speleologico di Borgosesia (GASB). The first test trenches confirmed the importance of this archaeological site with the uncovering of a pin and spiralled pearls in bronze in the middle of the cave. Further excavations began in 2013. They allowed the team to point out to two important levels. The first one being US 10, a thin silty level that contains numerous lumps of coal. The second is US 19, a level identified around 40 cm below US 10. It delivered a great amount of animal remains, mostly burned, in association with potsherds and stone blocks, and most importantly bronze finery. Four charcoal samples were sent for radiocarbon dating to Zurich (ETH), one belonging to US 10, one to US 19 in the back of the cave, and two to US 19 around the place of discovery of the pin and pearls. The results showed that US 10 is dated to the Late Bronze Age (ETH-64659, 1013-850 cal BC), and US 19 to the earliest stages of Middle Bronze Age (ETH-64657, 1767-1627 cal BC). They also confirmed that the stratigraphy of the cave was undisturbed. Culturally speaking, the shape of the pin shows affinities with the North of the Alps, while the pottery shapes display similarities with the common cultural ground of the alpine region, mostly Valais and Piedmont. Excavations are being carried on by the University of Geneva. The researchers are aiming at determining the function of the cave, mainly by studying the location of the archaeological structures and remains but also by linking the spatial distribution of potsherds to the reassembled pottery. The typological and technological analysis of the pottery assemblage should allow us to establish the cultural affiliations of the site.
这篇文章介绍了计划考古发掘的第一批成果,由玛丽·贝塞教授领导,她是f - a系史前考古和人类学实验室的负责人。2012年至2015年期间,日内瓦大学环境和水生科学的弗雷尔在埃雷米塔洞穴遗址。Eremita洞穴位于意大利北部的Piedmont地区,位于Monte Fenera钙质地块的中心,靠近Borgosesia (Vercelli)。蒙特费涅拉已经以其众多的洞穴而闻名,其中许多洞穴包含从旧石器时代到中世纪的考古遗迹。这种特殊的情况可以用两个因素来解释:从地质角度来看,与该地区的其他地区相比,该地块的独特性,以及它在南阿尔卑斯山麓的战略定位,使其成为过渡阿尔卑斯山的人们的可能中转站。20世纪80年代末,博尔戈塞西亚考古与洞穴研究小组(GASB)在埃雷米塔洞穴发现了一枚属于“铜器时代”的骨扣,这一发现激发了史前考古学和人类学实验室研究人员的兴趣。第一个测试壕证实了这个考古遗址的重要性,在洞穴中央发现了一枚大头针和螺旋形的青铜珍珠。进一步的挖掘工作于2013年开始。他们让团队指出了两个重要的层面。第一个是美国10号,一个薄薄的粉砂质层,包含许多煤块。第二个是US 19,比US 10低40厘米左右。它运送了大量的动物遗骸,大部分是烧毁的,还有陶器碎片和石块,最重要的是青铜饰品。四个木炭样本被送到苏黎世(ETH)进行放射性碳测年,一个属于美国10号,一个属于洞穴后面的美国19号,两个属于发现胸针和珍珠的地方周围的美国19号。结果表明,US 10可以追溯到青铜时代晚期(公元前1013-850 cal), US 19可以追溯到青铜时代中期(公元前1767-1627 cal)。他们还证实,洞穴的地层没有受到干扰。从文化上讲,别针的形状显示了与阿尔卑斯山北部的相似性,而陶器的形状则显示了与阿尔卑斯山地区共同文化基础的相似性,主要是瓦莱州和皮埃蒙特。日内瓦大学正在进行挖掘工作。研究人员的目标是确定洞穴的功能,主要是通过研究考古结构和遗迹的位置,但也通过将陶器碎片的空间分布与重新组装的陶器联系起来。对陶器组合的类型和技术分析应该使我们能够建立该遗址的文化联系。
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IpoTESI di Preistoria
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