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Musicking in Twentieth-Century Europe最新文献

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2 Diversifying Composition: Practices of Inventing Music 2多样化的作曲:创造音乐的实践
Pub Date : 2020-12-16 DOI: 10.1515/9783110651966-003
Frank Hentschel
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引用次数: 0
9 Sounds, Tracks, and Signals: Recording Music 声音、音轨和信号:录音音乐
Pub Date : 2020-12-16 DOI: 10.1515/9783110651966-010
Michel Abesser
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引用次数: 0
17 Glocal Invasions: Appropriating Music from Abroad 17全球入侵:盗用国外音乐
Pub Date : 2020-12-16 DOI: 10.1515/9783110651966-018
R. Gillett
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引用次数: 0
15 Performing for the Nation: Perspectives on Musical Diplomacy 为国家表演:音乐外交的视角
Pub Date : 2020-12-16 DOI: 10.1515/9783110651966-016
Friedemann Pestel
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引用次数: 0
3 Performing for Pay: The Making and Undoing of the Music Profession 为报酬而表演:音乐职业的形成与毁灭
Pub Date : 2020-12-16 DOI: 10.1515/9783110651966-004
Marc Perrenoud
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引用次数: 0
6 Cultures of Donating: Musical Patronage 捐赠文化:音乐赞助
Pub Date : 2020-12-16 DOI: 10.1515/9783110651966-007
Myriam Chimènes
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引用次数: 0
19 Backstage Integration: Europeanizing Musical Life Through International Organizations 19后台整合:通过国际组织实现音乐生活的欧洲化
Pub Date : 2020-12-16 DOI: 10.1515/9783110651966-020
M. Rempe
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引用次数: 0
On the “Contemporary European History” Handbook Series 关于“当代欧洲历史”手册系列
Pub Date : 2020-12-16 DOI: 10.1515/9783110651966-001
Do we need a new handbook series on contemporary European history? Asking this question leads to a range of related questions. At a time when the idea of “Europe” and the project of European integration are being questioned by some and defended by others, what is the role of historians in writing about Europe? What kind of historical accounts do they have to offer? Should they point out the complexity of European societies and histories as reasons for the difficulties in creating a “European identity,” or should they emphasize the degree to which European integration has successfully taken place on different levels? Should they analyze the tension between national, regional, and local factors in shaping the self-understanding of individuals and social groups, or should they concern themselves more with the functioning of transnational and supranational structures of Europe? More generally, is it at all possible to cover European history in a handbook format? If so, which definition of Europe should serve as the conceptual framework connecting the various volumes, which regions should be included or excluded, and which actors should stand at the center of attention? These questions are difficult to answer but useful to ask because they alert us to the challenges historical research on Europe currently faces. Fortunately, we do not stand empty-handed in front of these challenges. For one, the field of European history has developed remarkably over the past two or three decades, not only within Europe but also in many other parts of the world where Europe has become an increasingly interesting object of investigation since it suggests itself to comparisons and presents an important hub in a connected world. Secondly, the traditional identification of Europe with Western Europe has been challenged by a new generation of historians who are writing histories that leave behind narrow dichotomies like East and West, North and South. Thirdly, European history is no longer presented as a loose bundle of national entities and their predecessor states but is seen more as an assemblage of various imperial structures. These developments have resulted in a research perspective that looks at the interaction between the metropoles of the European empires as well as their colonies and other seemingly peripheral regions. European history is now understood as having been profoundly shaped by empires “striking back.” Relatedly, many historians have replaced diffusionist approaches with concepts like circulation and reception. Finally, the dialogue with global history has challenged traditional periodizations of European histo-
我们需要一本关于当代欧洲历史的新系列手册吗?问这个问题会引出一系列相关的问题。当“欧洲”的概念和欧洲一体化的计划受到一些人的质疑和另一些人的辩护时,历史学家在撰写关于欧洲的文章中扮演什么角色?他们提供了什么样的历史记录?他们是应该指出欧洲社会和历史的复杂性是创造“欧洲身份”困难的原因,还是应该强调欧洲在不同层面上成功实现一体化的程度?他们是否应该分析国家、地区和地方因素之间的紧张关系,以塑造个人和社会群体的自我理解,还是应该更多地关注欧洲跨国和超国家结构的运作?更一般地说,是否有可能以手册的形式涵盖欧洲历史?如果是这样,欧洲的哪个定义应该作为连接各个卷的概念框架,哪些地区应该被包括或排除,哪些行动者应该成为关注的中心?这些问题很难回答,但却很有用,因为它们提醒我们欧洲历史研究目前面临的挑战。幸运的是,面对这些挑战,我们并非两手空空。首先,在过去的二三十年里,欧洲历史领域得到了显著的发展,不仅在欧洲内部,而且在世界许多其他地方,欧洲已经成为一个越来越有趣的研究对象,因为它使自己成为比较的对象,并在一个相互联系的世界中呈现出一个重要的中心。其次,欧洲与西欧的传统认同受到了新一代历史学家的挑战,他们撰写的历史留下了东西方、南北等狭隘的二分法。第三,欧洲历史不再被视为松散的民族实体及其前身国家的集合体,而是更多地被视为各种帝国结构的集合体。这些发展产生了一种研究视角,着眼于欧洲帝国的大都市及其殖民地和其他看似外围地区之间的相互作用。欧洲历史现在被理解为是由帝国“反击”所深刻塑造的。与此相关的是,许多历史学家用循环和接受等概念取代了扩散论的方法。最后,与全球历史的对话对欧洲历史的传统分期提出了挑战
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引用次数: 0
1 Introduction: Musicking in Twentieth-Century Europe 1引言:二十世纪欧洲的音乐
Pub Date : 2020-12-16 DOI: 10.1515/9783110651966-002
M. Rempe, Klaus Nathaus
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引用次数: 0
Frontmatter
Pub Date : 2020-12-16 DOI: 10.1515/9783110651966-fm
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引用次数: 0
期刊
Musicking in Twentieth-Century Europe
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