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Katherine Mansfield and the (Post)colonial最新文献

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The 2012 Alexander Turnbull Library Mansfield/Murry Acquisition 2012年亚历山大·特恩布尔图书馆曼斯菲尔德/默里收购
Pub Date : 2013-09-16 DOI: 10.3366/EDINBURGH/9780748669097.003.0014
Fiona Oliver
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引用次数: 1
Gerri Kimber and Vincent O’Sullivan, eds, The Collected Fiction of Katherine Mansfield, 1898–1915 (Volume 1) and The Collected Fiction of Katherine Mansfield 1916–1922 (Volume 2) 格里·金伯和文森特·奥沙利文编,《凯瑟琳·曼斯菲尔德小说集1898-1915》(第一卷)和《凯瑟琳·曼斯菲尔德小说集1916-1922》(第二卷)
Pub Date : 2013-09-16 DOI: 10.1515/9780748669110-028
M. Sonzogni
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引用次数: 0
Colonialism and the Need for Impurity: Katherine Mansfield, ‘The Garden Party’ and Postcolonial Feeling 殖民主义和对不洁的需要:凯瑟琳·曼斯菲尔德,“花园派对”和后殖民感觉
Pub Date : 2013-09-16 DOI: 10.1515/9780748669110-006
Emmanouil Aretoulakis
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引用次数: 1
Martin Hipsky, Modernism and the Women’s Popular Romance in Britain, 1885–1925 马丁·希普斯基:《现代主义与英国女性通俗浪漫主义,1885-1925》
Pub Date : 2013-09-16 DOI: 10.1515/9780748669110-029
Isobel Maddison
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引用次数: 0
Literatures of Expatriation and the Colonial Mansfield 移民文学与殖民地曼斯菲尔德
Pub Date : 2013-09-16 DOI: 10.3366/EDINBURGH/9780748669097.003.0009
Anne Brown-Berens
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引用次数: 1
Waiting for La Petite Anglaise 等待英国小女孩
Pub Date : 2013-09-16 DOI: 10.1515/9780748669110-020
W. Ihimaera
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引用次数: 0
Illustrations 插图
Pub Date : 2013-09-16 DOI: 10.1515/9780748669110-001
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引用次数: 0
Mansfield as (Post)colonial-Modernist: Rewriting the Contract with Death 曼斯菲尔德作为(后)殖民-现代主义者:重新书写与死亡的契约
Pub Date : 2013-09-01 DOI: 10.1515/9780748669110-005
Janet M. Wilson
Mansfield’s rewriting of ‘the contract with death’ explores the implications for her late work of her vow to commemorate in prose the life of her brother, Leslie Heron Beauchamp, and so restore him metaphorically to life. Drawing on recent studies of late Victorian and early twentieth-century cultural practices of the occult, telepathy and mediumship through seances, especially after World War One, the article suggests that Mansfield turned to alternative cultural and communicative transmission channels: self-induced vision, hallucinations, telepathic communication, automatism and occult concepts such as ghosts and visions enabled her to access her earliest memories, return to the family and develop her vision of possibility even as her illness was diminishing her grasp on life. In the interweaving of death with life in her later New Zealand stories, she re-accents the (post)colonial modernism of her earlier stories, through focusing anew on place and space as haunted, susceptible to irruption from strange uncanny forces, while exposing the precarious boundary between civilised and demonic, occulted domains and locating sensations of conflict and ‘difference within’
曼斯菲尔德对"与死亡的契约"的改写探索了她后期作品的含义她发誓要用散文来纪念她的兄弟,莱斯利·赫伦·比彻姆的一生,从而隐喻地使他恢复生命。根据最近对维多利亚时代晚期和二十世纪早期的神秘学、心灵感应和通灵的文化实践的研究,特别是在第一次世界大战之后,文章表明曼斯菲尔德转向了其他文化和交流传播渠道:自我诱导的视觉,幻觉,心灵感应交流,自动行为和诸如鬼魂和幻象之类的神秘概念使她能够访问她最早的记忆,回到家庭,并发展她对可能性的看法,即使她的疾病正在削弱她对生活的把握。在她后来的新西兰故事中,死亡与生命交织在一起,她重新强调了她早期故事中的(后)殖民现代主义,通过重新关注闹鬼的地方和空间,容易受到奇怪的神秘力量的侵扰,同时暴露了文明与恶魔之间的不稳定边界,隐藏的领域,定位冲突和“内部差异”的感觉。
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引用次数: 4
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Katherine Mansfield and the (Post)colonial
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