{"title":"Woman Interrupted","authors":"J. Freeman","doi":"10.20415/rhiz/035.e02","DOIUrl":"https://doi.org/10.20415/rhiz/035.e02","url":null,"abstract":"","PeriodicalId":315328,"journal":{"name":"Rhizomes: Cultural Studies in Emerging Knowledge","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123453012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Can You Be BLACK and Make This?","authors":"Tiffany E. Barber","doi":"10.20415/RHIZ/035.E07","DOIUrl":"https://doi.org/10.20415/RHIZ/035.E07","url":null,"abstract":"","PeriodicalId":315328,"journal":{"name":"Rhizomes: Cultural Studies in Emerging Knowledge","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114466502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TOXIC SCENES: Alexis Shotwell on “Shimmering Presences” and “Toxic Interdependencies”","authors":"A. J. Gavin","doi":"10.20415/RHIZ/035.R01","DOIUrl":"https://doi.org/10.20415/RHIZ/035.R01","url":null,"abstract":"","PeriodicalId":315328,"journal":{"name":"Rhizomes: Cultural Studies in Emerging Knowledge","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129101555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rukmini Pande, Squee from the Margins: Fandom and Race","authors":"C. Wildy","doi":"10.20415/RHIZ/035.R06","DOIUrl":"https://doi.org/10.20415/RHIZ/035.R06","url":null,"abstract":"","PeriodicalId":315328,"journal":{"name":"Rhizomes: Cultural Studies in Emerging Knowledge","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127724427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fandom’s Alchemy in the Classroom: Leaden Realities to Golden Possibilities","authors":"Laurel Bassett","doi":"10.20415/RHIZ/035.R04","DOIUrl":"https://doi.org/10.20415/RHIZ/035.R04","url":null,"abstract":"","PeriodicalId":315328,"journal":{"name":"Rhizomes: Cultural Studies in Emerging Knowledge","volume":"317 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121345453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Drawing upon Deleuzian theory, this article examines the role of repetition and affect in theatre design and the immersive qualities these devices promote. Focusing on Corn Exchange’s show Man of Valour, I suggest that the repetition employed by the postdigital design and dramaturgy of the piece—voice and sound effects, stage and movement, makeup, the use of time and space—transform the performer and spectators into ‘bodies without organs’ (BwO). These BwOs, removed from their systems of organisation that order social space, such as language, time, and space, instead communicate through embodied, affective means. In the course of this article, I will demonstrate how this affective encounter, brought about by repetition, generates an immersive experience of the
借鉴德勒兹的理论，本文探讨了重复和情感在戏剧设计中的作用，以及这些装置所促进的沉浸性。以Corn Exchange的《Man of Valour》为例，我认为后数字设计和戏剧手法所采用的重复——声音和音效、舞台和动作、化妆、时间和空间的利用——将表演者和观众变成了“没有器官的身体”(BwO)。这些bwo脱离了他们的组织系统，这些系统秩序社会空间，如语言、时间和空间，而是通过具体化的、情感的方式进行交流。在这篇文章的过程中，我将展示这种由重复所带来的情感相遇是如何产生一种沉浸式的体验
{"title":"Affective Encounter: Repetition and Immersive Practices in Man of Valour","authors":"A. Butler","doi":"10.20415/RHIZ/035.E08","DOIUrl":"https://doi.org/10.20415/RHIZ/035.E08","url":null,"abstract":"Drawing upon Deleuzian theory, this article examines the role of repetition and affect in theatre design and the immersive qualities these devices promote. Focusing on Corn Exchange’s show Man of Valour, I suggest that the repetition employed by the postdigital design and dramaturgy of the piece—voice and sound effects, stage and movement, makeup, the use of time and space—transform the performer and spectators into ‘bodies without organs’ (BwO). These BwOs, removed from their systems of organisation that order social space, such as language, time, and space, instead communicate through embodied, affective means. In the course of this article, I will demonstrate how this affective encounter, brought about by repetition, generates an immersive experience of the","PeriodicalId":315328,"journal":{"name":"Rhizomes: Cultural Studies in Emerging Knowledge","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114829504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
That night in the spring of 2016 when a friend introduced us to Ari Moore, it became clear that she would quickly outdrink us. We sat in one of Buffalo’s surviving gay bars, where off-kilter cocktails compensate for trashy music and cheap liquor. In complete Sunday church lady regalia, she prophesied the impending demise of several iconic pop women performers of the younger generation, seamlessly weaving in the narrative threads of her own life. Attentive, we nodded, as if seated in a professor’s office. Earlier that winter, soon after we had founded the BuffaloNiagara LGBTQ History Project, people informed us at every step that no substantive endeavour of collecting, performing, and archiving the queer history of this city could unfold far without Ari Moore. Even the ones slightly older than her. It’s clear to me now: not merely has Ari been part of, a witness, and confidante to much of Buffalo’s and this region’s trans, queer, and black history. She is herself a historian-performer, or if you will, a performative scholar of queer past and future.
{"title":"Hometown Queens and Superheroes: Ari Moore’s Queer History of Buffalo","authors":"A. Grujić, Adrienne C. Hill","doi":"10.20415/RHIZ/035.E03","DOIUrl":"https://doi.org/10.20415/RHIZ/035.E03","url":null,"abstract":"That night in the spring of 2016 when a friend introduced us to Ari Moore, it became clear that she would quickly outdrink us. We sat in one of Buffalo’s surviving gay bars, where off-kilter cocktails compensate for trashy music and cheap liquor. In complete Sunday church lady regalia, she prophesied the impending demise of several iconic pop women performers of the younger generation, seamlessly weaving in the narrative threads of her own life. Attentive, we nodded, as if seated in a professor’s office. Earlier that winter, soon after we had founded the BuffaloNiagara LGBTQ History Project, people informed us at every step that no substantive endeavour of collecting, performing, and archiving the queer history of this city could unfold far without Ari Moore. Even the ones slightly older than her. It’s clear to me now: not merely has Ari been part of, a witness, and confidante to much of Buffalo’s and this region’s trans, queer, and black history. She is herself a historian-performer, or if you will, a performative scholar of queer past and future.","PeriodicalId":315328,"journal":{"name":"Rhizomes: Cultural Studies in Emerging Knowledge","volume":"136 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122913881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Boston King’s Fugitive Passing: Fred Moten, Saidiya Hartman, and Tina Campt’s Rhetoric of Resistance","authors":"Nick J. Sciullo","doi":"10.20415/RHIZ/035.E05","DOIUrl":"https://doi.org/10.20415/RHIZ/035.E05","url":null,"abstract":"","PeriodicalId":315328,"journal":{"name":"Rhizomes: Cultural Studies in Emerging Knowledge","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131885899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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