{"title":"On Being Hit: What stage of the pandemic is this?","authors":"J. Kisner","doi":"10.1353/tyr.2023.0001","DOIUrl":"https://doi.org/10.1353/tyr.2023.0001","url":null,"abstract":"","PeriodicalId":318524,"journal":{"name":"The Yale Review","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121808372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Little Song in the Locrian","authors":"Timmy Straw","doi":"10.1353/tyr.2023.0002","DOIUrl":"https://doi.org/10.1353/tyr.2023.0002","url":null,"abstract":"","PeriodicalId":318524,"journal":{"name":"The Yale Review","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122387468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Renegade Fortune-Telling Machine: The poetry of Joel Dias-Porter","authors":"Terrance Hayes","doi":"10.1353/tyr.2023.0018","DOIUrl":"https://doi.org/10.1353/tyr.2023.0018","url":null,"abstract":"","PeriodicalId":318524,"journal":{"name":"The Yale Review","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114360913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
the afghanborn artist Hangama Amiri’s vivid, painterly tapestries explore notions of gender, community, and the essence of home. In her work, the most quotidian places and objects—a nail salon, a vanity, a kitchen table—become sites of cultural remembrance and fellowship among women. Amiri, whose family fled Talibanruled Kabul in 1996 and who now lives in the United States, says her work explores the nature of memory after migration and reflects her wish “to continuously paint the untold stories of Afghan women.” A painter by training, Amiri quilts together vibrant fabrics into largescale, often wallsized, pieces. She sources many of her textiles from the Afghaniowned shop A. K. Fabric in New York City’s Garment District and collects others on her travels and from her friends. According to Amiri, the variety of these fabrics—and the complexity of their origins—“resonates with how I think about my identity as a fragmented body or geography that connects me to a world of inbetweenness.”
阿富汗出生的艺术家Hangama Amiri的生动、绘画式的挂毯探索了性别、社区和家庭本质的概念。在她的作品中，最平凡的地方和物品——美甲沙龙、梳妆台、餐桌——成为女性之间文化记忆和友谊的场所。Amiri的家人于1996年逃离塔利班统治的喀布尔，现在住在美国，她说她的作品探索了移民后记忆的本质，反映了她“不断描绘阿富汗妇女不为人知的故事”的愿望。作为一名训练有素的画家，阿米里将充满活力的织物拼接成大型的、通常是墙上大小的作品。她的许多纺织品都是从纽约服装区阿富汗人开的A. K. Fabric店采购的，还有一些是从她旅行时和朋友那里收集的。根据Amiri的说法，这些织物的多样性和它们起源的复杂性“与我如何看待我作为一个支离破碎的身体或地理的身份产生共鸣，这些身体或地理将我与一个介于两者之间的世界联系起来。”
{"title":"Home Isn't One Place: A textile tribute to the Afghan diaspora","authors":"Hangama Amiri","doi":"10.1353/tyr.2023.0015","DOIUrl":"https://doi.org/10.1353/tyr.2023.0015","url":null,"abstract":"the afghanborn artist Hangama Amiri’s vivid, painterly tapestries explore notions of gender, community, and the essence of home. In her work, the most quotidian places and objects—a nail salon, a vanity, a kitchen table—become sites of cultural remembrance and fellowship among women. Amiri, whose family fled Talibanruled Kabul in 1996 and who now lives in the United States, says her work explores the nature of memory after migration and reflects her wish “to continuously paint the untold stories of Afghan women.” A painter by training, Amiri quilts together vibrant fabrics into largescale, often wallsized, pieces. She sources many of her textiles from the Afghaniowned shop A. K. Fabric in New York City’s Garment District and collects others on her travels and from her friends. According to Amiri, the variety of these fabrics—and the complexity of their origins—“resonates with how I think about my identity as a fragmented body or geography that connects me to a world of inbetweenness.”","PeriodicalId":318524,"journal":{"name":"The Yale Review","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133462996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"You Were the Bird: On Petite Maman and motherhood","authors":"Georgia Cloepfil","doi":"10.1353/tyr.2023.0014","DOIUrl":"https://doi.org/10.1353/tyr.2023.0014","url":null,"abstract":"","PeriodicalId":318524,"journal":{"name":"The Yale Review","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127290414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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