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Sine Krogh, Thor J. Mednick og Karina Lykke Grand, red.: Culture and Conflict – Nation-building in Denmark and Scandinavia, 1800–1930SineKroghThor J.MednickKarina LykkeGrandred.Culture and Conflict – Nation-building in Denmark and Scandinavia, 1800–1930Aarhus Universitetsforlag, 2022 Sine Krogh,Thor J.Mednick og Karina Lykke Grand,红色:《文化与冲突——丹麦和斯堪的纳维亚的国家建设》,1800–1930年
Pub Date : 2022-12-08 DOI: 10.18261/kk.105.4.7
T. H. Sørensen
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引用次数: 0
Nordlige verdensgjøringer 正常世界的决策
Pub Date : 2022-09-15 DOI: 10.18261/kk.105.2.1
Monica Grini, E. Haugdal, Hanne Hammer Stien
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引用次数: 0
De go Ivvár. Som om det var Iver Jåks 他们去了Ivár。就像艾佛笑话一样。
Pub Date : 2022-09-15 DOI: 10.18261/kk.105.2.2
Irene Snarby
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引用次数: 0
Abstraksjon, relasjon og samisk selvrealisering: Tre malerier av Synnøve Persen
Pub Date : 2022-09-15 DOI: 10.18261/kk.105.2.5
Svein Aamold
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引用次数: 1
Kunsten å vende hjem: Lars Hættas miniatyrduodji
Pub Date : 2022-09-15 DOI: 10.18261/kk.105.2.8
Monica Grini
This article centres on Lars Hætta’s miniature duodji , made while Hætta was imprisoned at Akershus Fortress (1856–1867) and collected by the Ethnographic Museum in Christiania (Oslo). The collection demonstrates problematic issues concerning artefacts created and acquired in circumstances dominated by asymmetric power relations. While emphasising the importance of Hætta’s Sámi knowledge and the agency of the artefacts themselves, the article also sheds critical light on the difficult sociopolitical and historical background of the miniatures. In the context of the prison, the miniatures are interpreted as empowering tools, allowing Hætta to perform important memory-work.
这篇文章的中心是Lars Hætta在被囚禁在Akershus要塞(1856-1867)时制作的微型二元雕塑,并被克里斯蒂安尼亚(奥斯陆)的民族博物馆收藏。该系列展示了在不对称权力关系主导下创造和获得的人工制品的问题。在强调Hætta Sámi知识和艺术品本身的重要性的同时,这篇文章也对这些微缩作品的艰难的社会政治和历史背景进行了批判性的阐释。在监狱的背景下,微缩模型被解释为授权工具,允许Hætta执行重要的记忆工作。
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引用次数: 1
Å finne sted i nord: Inghild Karlsens «Sea Tranquil»
Pub Date : 2022-09-15 DOI: 10.18261/kk.105.2.4
Svein Ingvoll Pedersen
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引用次数: 0
Med Hans Ragnar Mathisen opp fra asken 汉斯·拉格纳·马蒂什从灰烬中复活
Pub Date : 2022-09-15 DOI: 10.18261/kk.105.2.10
Geir Tore Holm Holm
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引用次数: 0
Fotografier i Emilie Demant Hatts bok Med lapperne i højfjeldet :
Pub Date : 2022-09-15 DOI: 10.18261/kk.105.2.6
H. H. Hansen
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引用次数: 1
Barents Spektakel 巴伦特奇观
Pub Date : 2022-09-15 DOI: 10.18261/kk.105.2.11
Hilde Sørstrøm
barents Spektakel uniting the region from an outsider-perspective The Barents Spectacle is a regional Festival which takes place in Kirkenes, in the North East of Norway on the border to Russia and Finland. The Spectakel »Pikene på Broen« was born in 1996 by five women of the Barents region. This year’s festival theme was »borders and fences« to form a close union and collaboration between the northern countries and to exchange different cultural arts, attitudes and backgrounds. The aim is to powering the development of the local society and the cultural co-operation with the northern areas of the neighbouring countries. The centre stage of the Kirkenes Barents Spektakel 2006 takes the transnational collaboration of the North. Several artists, cultural producers, investigators, musicians, athletes and economy employees from different countries are brought into contact here. They came together from the close-by cities of the Barents Sea as well as from other countries of the world.
巴伦支-斯佩克塔克尔从局外人的角度团结该地区巴伦支奇观是一个地区性节日,在挪威东北部与俄罗斯和芬兰接壤的柯克内斯举行。《旁观者》Pikene påBroen于1996年由巴伦支地区的五名女性出生。今年的艺术节主题是“边界和栅栏”,以形成北方国家之间的紧密联盟和合作,并交流不同的文化艺术、态度和背景。其目的是推动当地社会的发展以及与邻国北部地区的文化合作。2006年柯克内斯-巴伦支-Spektakel的中心舞台是北方的跨国合作。来自不同国家的几位艺术家、文化制作人、调查人员、音乐家、运动员和经济工作者都在这里接触。他们来自巴伦支海附近的城市以及世界其他国家。
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引用次数: 0
Dagliglivsfotografier og verdensgjøring i Inuuteq Storchs Porcelain Souls 日常生活摄影师和Inuteq Storchs瓷魂的世界表演
Pub Date : 2022-09-15 DOI: 10.18261/kk.105.2.7
Hanne Hammer Stien
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引用次数: 0
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