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Eighteenth-Century Women's Writing and the Methodist Media Revolution最新文献

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Pub Date : 2019-10-31 DOI: 10.2307/j.ctvqc6j47.15
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引用次数: 0
An Overview of Methodist Discourse Culture, 1738–1791 卫理公会话语文化概览,1738-1791
Pub Date : 2019-10-31 DOI: 10.2307/j.ctvqc6j47.7
Andrew O. Winckles
This chapter introduces and provides and overview of the unique discourse structures, like the class meeting, that Methodism pioneered. Specifically, it traces the development of Methodist discourse from the wild and raucous beginning of the movement in 1738 until the death of John Wesley in 1791, after which the fundamental character of Methodism and its discourse structures changed. The emphasis in this chapter is especially on how early Methodists combined oral, manuscript, and print mediation practices to create a diverse, diffuse, and fundamentally unstable and uncontrollable discourse culture which had impacts on literary developments like the rise of the novel and the literature of sensibility. In particular it argues that early Methodism should be read in terms of what William Warner calls a “media event,” which made possible new means and protocols of mediation within a space of contestation and debate over what Methodism was and how dangerous its effects could be.
本章介绍并概述了卫理公会开创的独特的话语结构,比如班会。具体来说,它追溯了卫理公会话语的发展,从1738年运动的狂野和喧嚣开始,直到1791年约翰卫斯理去世,之后卫理公会的基本特征及其话语结构发生了变化。本章的重点是早期卫理公会教徒如何将口头、手稿和印刷调解实践结合起来,创造了一种多样化、分散的、根本上不稳定和不可控的话语文化,这种文化对小说和感性文学的兴起等文学发展产生了影响。特别是,它认为早期的循道宗应该被解读为威廉·华纳所谓的“媒体事件”,这使得新的调解手段和协议成为可能,在一个关于循道宗是什么及其影响有多危险的争论空间中。
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引用次数: 0
Agnes Bulmer, Felicia Hemans, and Poetry as Theology Agnes Bulmer, Felicia Hemans,诗歌作为神学
Pub Date : 2019-10-31 DOI: 10.2307/j.ctvqc6j47.12
Andrew O. Winckles
This chapter examines how women used theological poetry to enter into public space during the 1820’s and 30’s through its consideration of the works of Agnes Bulmer and Felicia Hemans. In particular, the chapter focuses on changing definitions of Christian womanhood in Methodism and how Bulmer negotiated them as a poet, scholar, wife, and faithful Methodist. It then turns to Bulmer’s epic poem, Messiah’s Kingdom, to explore how she develops her epic theology—accessing a tradition of women acting as prophets and priests to forward a unique systematic theology that places sense experience, of both the natural and spiritual worlds, at the center of evangelical hermeneutics. Finally, the chapter turn to Hemans’ religious poetry, and particularly the Songs and Hymns of Life, to witness how Hemans at the end of her life uses poetry to advocate for a public religious role for women. In essence she “takes a text” in the Methodist sense and licenses poetic preaching in a world that was rapidly revolving away from these types of roles for women.
本章通过考察Agnes Bulmer和Felicia Hemans的作品,考察了19世纪20年代和30年代女性如何利用神学诗歌进入公共空间。特别地,这一章聚焦于卫理公会对基督教女性定义的变化,以及布尔默作为诗人、学者、妻子和忠实的卫理公会教徒是如何与之谈判的。然后转向布尔默的史诗《弥赛亚的王国》,探索她是如何发展她的史诗神学的——利用女性充当先知和祭司的传统,推进一种独特的系统神学,将自然和精神世界的感官体验置于福音派解释学的中心。最后,这一章转向赫曼斯的宗教诗歌,尤其是《生命之歌》和《生命赞美诗》,来见证赫曼斯在生命的最后是如何用诗歌来倡导女性在公共宗教中的角色的。从本质上讲,她在卫理公会的意义上“拿了一个文本”,并在一个迅速远离女性角色的世界里许可了诗意的说教。
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引用次数: 0
Mary Wollstonecraft, Hester Ann Rogers, and the Textual/Sexual Enthusiasms of Women’s Life-Writing 玛丽·沃斯通克拉夫特、海丝特·安·罗杰斯与女性生活写作的文本/性热情
Pub Date : 2019-10-31 DOI: 10.2307/j.ctvqc6j47.9
Andrew O. Winckles
Chapter Four examines women’s life-writing and the formation of an “erotic imagination” within life-writing as a genre. It begins by examining the Account of the Experience of Hester Ann Rogers (1793), one of the most influential works of Methodist life-writing, and reads it as against her earlier manuscript versions of the work. This reading reveals some of the ways and reasons Methodist women navigated different publication platforms and life-writing genres (private diary, semi-public scribal publication, print publication) in order to reach different audiences. Specifically, it examines Rogers’ status as a Methodist “mystic” who, in her diaries and manuscript works, represents a deeply erotic female mysticism that is edited out of her print publications. The chapter then turns to Rogers’ contemporary, Mary Wollstonecraft, to consider how both women use the life-writing genre to re-write the terms and conditions of female desire while textually re-orienting this desire away from the male gaze.
第四章考察女性的生活写作以及生活写作作为一种体裁中的“情爱想象”的形成。本文首先考察了《海丝特·安·罗杰斯的经历》(1793),这是卫理公会最有影响力的生活写作作品之一,并将其与她早期的手稿版本进行了对比。这篇文章揭示了卫理公会女性通过不同的出版平台和生活写作类型(私人日记、半公开手稿出版、印刷出版)来接触不同受众的一些方式和原因。具体来说,它考察了罗杰斯作为卫理公会“神秘主义者”的地位,在她的日记和手稿作品中,她代表了一种深度色情的女性神秘主义,这种神秘主义被从她的印刷出版物中删除了。然后,这一章转向罗杰斯的同时代人玛丽·沃斯通克拉夫特(Mary Wollstonecraft),考虑这两位女性是如何利用生活写作类型重写女性欲望的条款和条件,同时在文本上重新定位这种欲望,使其远离男性的目光。
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引用次数: 0
Sally Wesley, the Evangelical Bluestockings, and the Regulation of Enthusiasm 莎莉·韦斯利,福音派的蓝袜女,以及热情的调节
Pub Date : 2019-10-31 DOI: 10.2307/j.ctvqc6j47.11
Andrew O. Winckles
Chapter Six considers the networks surrounding Sally Wesley, John Wesley’s niece and Charles Wesley’s only daughter. Wesley was at the center of a network of latter day Bluestockings who produced and circulated material around the turn of the nineteenth century. Of particular interest to this diverse group was the nature and influence of evangelical feeling and enthusiasm on British life and letters. Analysis of Wesley’s network reveals members from all social and religious backgrounds debating and discussing the proper role of religious enthusiasm—arguing for the importance of a well-regulated enthusiasm to the creation and distribution of literary work. Specifically, it explores how other women in Wesley’s circle, particularly Mary Tighe, Elizabeth Hamilton, and Maria Spilsbury, addressed the issue of religious enthusiasm. Based on this evidence it considers the question of how religion and theology helped women like Sally Wesley structure and inform their artistic production in conversation with the shifting roles for women in Regency society and artistic movements like Romanticism.
第六章探讨了莎莉·韦斯利的人际网络,她是约翰·韦斯利的侄女,也是查尔斯·韦斯利的独生女。卫斯理是后期蓝袜人网络的中心,他们在19世纪初制作和传播材料。这个多元化的群体特别感兴趣的是福音派的感觉和热情对英国生活和信件的性质和影响。对卫斯理网络的分析显示,来自所有社会和宗教背景的成员都在辩论和讨论宗教热情的适当作用——争论一种规范良好的热情对文学作品的创作和发行的重要性。具体来说,它探讨了韦斯利圈子里的其他女性,特别是玛丽·泰赫、伊丽莎白·汉密尔顿和玛丽亚·斯皮尔伯里,是如何处理宗教热情问题的。基于这些证据,它考虑了宗教和神学如何帮助像莎莉·韦斯利这样的女性在摄政时期社会和浪漫主义等艺术运动中女性角色的转变来构建和影响她们的艺术创作。
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引用次数: 0
Acknowledgments 致谢
Pub Date : 2019-10-31 DOI: 10.2307/j.ctvqc6j47.3
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引用次数: 0
Evangelicalism, Mediation, and Social Change 福音主义、调解与社会变革
Pub Date : 2019-10-31 DOI: 10.2307/j.ctvqc6j47.13
Andrew O. Winckles
This chapter briefly synthesizes the findings of the volume, considering how evangelical media affected British life and letters more broadly during the long eighteenth century. While evangelicalism itself was, and continues to be, a contested category—reading evangelicalism primarily as part of the history of mediation allows us for a better understanding of the enduring power and influence of the movement. It also troubles narratives of secularization in the nineteenth and early twentieth centuries and better explains the continuing influence of evangelical religion and evangelical media practices today. This chapter reveals that, once a discursive space has been opened up and the outsiders invited in, it can be very difficult to comprehensively close it again.
本章简要地综合了该卷的发现,考虑福音派媒体如何在漫长的18世纪更广泛地影响英国人的生活和信件。虽然福音主义本身过去是,现在仍然是一个有争议的范畴,但将福音主义主要视为调解历史的一部分,可以让我们更好地理解福音主义运动的持久力量和影响。它也困扰着19世纪和20世纪早期世俗化的叙述,并更好地解释了福音派宗教和福音派媒体实践在今天的持续影响。这一章揭示了,一旦一个话语空间被打开,并邀请了外部的人进入,就很难再全面地关闭它。
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引用次数: 0
Hunting the Methodist Vixen: 猎杀卫理公会的狐狸精:
Pub Date : 2019-10-31 DOI: 10.2307/j.ctvqc6j47.6
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引用次数: 0
The Shifting Discourse Culture of Methodism, 1791–1832 循道宗的话语文化变迁,1791-1832
Pub Date : 2019-10-31 DOI: 10.2307/j.ctvqc6j47.10
Andrew O. Winckles
This chapter lays out some of the shifts in Methodist discourse culture that occurred during the early nineteenth century and suggests that, in response to these changes, Methodist women found new ways to reach their audiences and work around the Methodist hierarchy. In particular, it focuses on the lives and writings of Sarah Crosby, Mary Bosanquet Fletcher, Mary Tooth, and other members of their circle in order to illustrate how they adapted earlier Methodist discourse practices for new and potentially subversive purposes. It then turns to the work of evangelical Anglican Hannah More in the 1790’s and early 1800’s to consider how a very well-known female evangelical within the Church of England negotiated a shifting discursive terrain, especially in her Cheap Repository Tracts and her work with the Mendip Hills Sunday Schools which led to the Blagdon Controversy.
本章列出了19世纪早期卫理公会话语文化的一些转变,并提出,为了应对这些变化,卫理公会的女性找到了新的方式来接触她们的受众,并绕过卫理公会的等级制度。它特别关注Sarah Crosby, Mary Bosanquet Fletcher, Mary Tooth和其他成员的生活和著作,以说明他们如何适应早期卫理公会的话语实践,以达到新的和潜在的颠覆性目的。然后转向福音派圣公会教徒汉娜·莫尔在18世纪90年代和19世纪初的工作来考虑英国教会中一位非常著名的女性福音派教徒是如何改变话语领域的,尤其是她的廉价库小册子和她与门迪普山主日学校的合作导致了布莱登之争。
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引用次数: 0
The Secret Textual History of Pamela, Methodist 《帕梅拉的秘密文本史》,卫理公会
Pub Date : 2015-08-18 DOI: 10.7202/1032714AR
Andrew O. Winckles
Chapter Three explores how the manuscript practices of early Methodism, and particularly the writing and circulation of familiar and spiritual letters can be mapped onto the discourse culture that brought about the publication of Samuel Richardson’s Pamela and the media storm it engendered. In particular, it focuses on a collection of letters that were sent to Charles Wesley by female converts during the early years of the revival. Analysis of the form, content, and circulation of these types of spiritual letters helps make clear some of the links between the discourse of evangelicalism and the discourse of the early novel, most notably in the shared textual histories and similar protocols of mediation that define early works in each field.
第三章探讨了早期卫理公会的手稿实践,特别是熟悉和精神信件的写作和流通如何能够映射到话语文化中,这种话语文化带来了塞缪尔·理查森的《帕梅拉》的出版及其引发的媒体风暴。它特别关注的是复兴早期女性皈依者寄给查尔斯·卫斯理的一组信件。分析这些类型的属灵书信的形式,内容和流通有助于澄清福音主义话语和早期小说话语之间的一些联系,最明显的是在共同的文本历史和相似的调解协议中,这些协议定义了每个领域的早期作品。
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Eighteenth-Century Women's Writing and the Methodist Media Revolution
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