Jiao Da Fa Xue Ping Lun最新文献

英文中文

律師與律師工作律師與律師工作

Jiao Da Fa Xue Ping Lun

Pub Date : 2022-12-01 DOI: 10.53106/10239820202212s001006

許菁芳許菁芳

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法律與現代性法律與現代性

Jiao Da Fa Xue Ping Lun

Pub Date : 2022-12-01 DOI: 10.53106/10239820202212s001005

蔡博方蔡博方

引用次数: 0

法意識研究──不平等權力結構中，法律實踐的局限與能動法意識研究──不平等權力結構中，法律實踐的局限與能動

Jiao Da Fa Xue Ping Lun

Pub Date : 2022-12-01 DOI: 10.53106/10239820202212s001002

王曉丹王曉丹

引用次数: 0

法律動員研究法律动员会研究

Jiao Da Fa Xue Ping Lun

Pub Date : 2022-12-01 DOI: 10.53106/10239820202212s001003

官曉薇官曉薇

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邊緣異常或無所不在？法律移植作為法社會研究概念工具邊緣異常或無所不在？法律移植作為法社會研究概念工具

Jiao Da Fa Xue Ping Lun

Pub Date : 2022-12-01 DOI: 10.53106/10239820202212s001001

陳韻如陳韻如

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論公平交易法上事業之功能性判斷的意義與功能論公平交易法上事業之功能性判斷的意義與功能

Jiao Da Fa Xue Ping Lun

Pub Date : 2022-12-01 DOI: 10.53106/102398202022120171004

牛曰正牛曰正

引用次数: 0

柯象、高田與李師科：從三尊特異塑像談歷史流轉與生死迴控術——當代藝術中的東瀛女性形象轉向柯象、高田与李师科：从三尊特异塑像谈历史流转与生死回控术——当代艺术中的东瀛女性形象转向

Jiao Da Fa Xue Ping Lun

Pub Date : 2022-11-01 DOI: 10.53106/230597612022110026001

高俊宏高俊宏

本文透過雲林縣大埤北極殿的柯象木乃伊（帝爺公柯象）、高雄紅毛港保安堂的高田又男，以及新北市新店山區的李師科廟等三尊「神像」（塑像），進行一種非傳統民俗學式的，更接近於政治與美學的討論：首先，聚焦在三尊塑像背後所撐托的意識形態與造型之間的關係，透過造型的語言重新賦予死者一種永恆而靜默的發言形象，進一步探討藉由塑像來再現民族主義、帝國主義以及社會主義等諸多不同思想的問題。其次，探討這三尊堪稱頗具異質性的塑像在形成的過程中，經由現場口述、官報、乃至於雜然的民間野史等，探討活人與死者之間的迴控術，並且進一步討論有關於死者作為某種歷史的技藝，以及歷史的現實與虛構等問題。 This article focuses on the politics and aesthetics issue of three "idols" (statues), including the mummy of Ke Xiang in the temple North-Pole Hall in Dapi, Yunlin, Takada Matao in Baoan Temple in Kaohsiung, and Lee Shike Temple in Xindian mountain area, New Taipei City. First, through these three statues, the article also focuses on the relationship between ideology and fiction of history. Statue as a silent statement, always represent ideology such as nationalism, and imperialism or socialism. Secondly, By on-site oral, official newspapers and folk, etc., to explore the process of the formation of these statues, the inter-control between the living and the dead, and to rethinking the questions the relation of history, “the Technologies of the Dead” , and the reality and fiction of history.

本文透过云林县大埤北极殿的柯象木乃伊（帝爷公柯象）、高雄红毛港保安堂的高田又男，以及新北市新店山区的李师科庙等三尊「神像」（塑像），进行一种非传统民俗学式的，更接近于政治与美学的讨论：首先，聚焦在三尊塑像背后所撑托的意识形态与造型之间的关系，透过造型的语言重新赋予死者一种永恒而静默的发言形象，进一步探讨借由塑像来再现民族主义、帝国主义以及社会主义等诸多不同思想的问题。其次，探讨这三尊堪称颇具异质性的塑像在形成的过程中，经由现场口述、官报、乃至于杂然的民间野史等，探讨活人与死者之间的回控术，并且进一步讨论有关于死者作为某种历史的技艺，以及历史的现实与虚构等问题。 This article focuses on the politics and aesthetics issue of three "idols" (statues), including the mummy of Ke Xiang in the temple North-Pole Hall in Dapi, Yunlin, Takada Matao in Baoan Temple in Kaohsiung, and Lee Shike Temple in Xindian mountain area, New Taipei City. First, through these three statues, the article also focuses on the relationship between ideology and fiction of history. Statue as a silent statement, always represent ideology such as nationalism, and imperialism or socialism. Secondly, By on-site oral, official newspapers and folk, etc., to explore the process of the formation of these statues, the inter-control between the living and the dead, and to rethinking the questions the relation of history, “the Technologies of the Dead” , and the reality and fiction of history.

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引用次数: 0

地方精神的再現與重塑——論明末清初傳奇中虎丘地景書寫的時代意義地方精神的再现与重塑——论明末清初传奇中虎丘地景书写的时代意义

Jiao Da Fa Xue Ping Lun

Pub Date : 2022-11-01 DOI: 10.53106/230597612022110026003

李佳蓮李佳蓮

本論文以「地方精神的再現與重塑」為思維核心，針對明末清初數部傳奇劇作中的虎丘地景書寫，酌參文化地理學對於地景書寫的概念，思考歷經時代劇變的劇作家，如何藉由戲曲之文類特質書寫虎丘的人文景觀，並賦予新的時代意義。論述架構為首先統整虎丘知名地景在明末清初傳奇中的展演姿態，分別以千人石、真娘墓、虎丘山寺為代表，論述同一地景在不同劇作中因應戲曲所需而展現不同的意義；其次探究傳奇中的虎丘地景書寫，整體呈現出明末清初文人形象之多元化、風俗綺靡民情放蕩之社會亂象，以及治亂興亡下對明清世變的觀照與省思，從中建構明末清初之社會風貌與時代意義。透過全文討論，可知虎丘地區擁有悠久的歷史傳統、便利的地理位置、富庶的經濟條件，展現出聲色繁華、逸樂嬉遊的社會風氣；到了明末清初，隨著社會型態的益趨複雜與明清鼎革之時代變動，傳奇劇作中所展示之虎丘地景，又因應劇情發展、人物塑造、劇旨演繹等戲劇需求而改造重塑，寄託了更深層對於時代鼎革下人心異變之省思。明末清初傳奇劇作中的虎丘地景書寫，實乃呈現出社會背景、生活環境與生命情態交織的人文景觀，建構虎丘地景豐富的文化圖像，可說是從另一新的角度，展示出傳奇文本的奧秘。 This paper takes "reappearance and remolding of local spirit" as the core of its investigation. It focuses on the Huqiu landscape writing in several Chuanqi dramas in the late Ming and early Qing dynasties. It considers the concept of landscape writing in cultural geography, and considers as well the changes that have gone through the era of how a playwright uses the literary qualities of opera to write the humanistic landscape of Huqiu and gives it a new meaning of the era. The structure of the research is： Firstly, it explores how the Chuanqi reproduces the cultural landscape of Huqiu’s gathering of sensual entertainment and seasonal festivals and presents the customs of leisure and enjoyment; secondly, it analyzes how the playwrights benefited from the geographical and historical inspirations to reshape the fictional landscape of the drama on the real historical landscape; finally, it investigates how to construct the social situation and the meaning of the time by means of the Huqiu landscape writing of Chuanqi dramas. This result of the research indicates that the Huqiu area has a long history and tradition, convenient geographical location, and prosperous economic conditions, showing a prosperous and fun-filled social atmosphere. It reveals a reflection of the reality of life (such as： Qianren Stone and Shantang Street), a combination of local spirits (such as： Weizei Temple and Wuren Tomb), and the projected cultural imprints (such as： Zhenniang Tomb). On the other hand, it gradually triggers the dark side of people’s mind. With the great changes in the Ming and Qing dynasties, there are looting, plundering, defiance, exploit, deceit and other social chaos everywhere, and the dramas even put a deeper level of reflection on the abnormal changes in people’s mind. The Huqiu landscape writing presents the intertwined humanistic view of the social background, living environment and life style. As a result, the construction of a rich cultural image of Huqiu scenery can be regarded as another unique perspective to reveal the mystery of the Chuanqi text.

本论文以「地方精神的再现与重塑」为思维核心，针对明末清初数部传奇剧作中的虎丘地景书写，酌参文化地理学对于地景书写的概念，思考历经时代剧变的剧作家，如何借由戏曲之文类特质书写虎丘的人文景观，并赋予新的时代意义。论述架构为首先统整虎丘知名地景在明末清初传奇中的展演姿态，分别以千人石、真娘墓、虎丘山寺为代表，论述同一地景在不同剧作中因应戏曲所需而展现不同的意义；其次探究传奇中的虎丘地景书写，整体呈现出明末清初文人形象之多元化、风俗绮靡民情放荡之社会乱象，以及治乱兴亡下对明清世变的观照与省思，从中建构明末清初之社会风貌与时代意义。透过全文讨论，可知虎丘地区拥有悠久的历史传统、便利的地理位置、富庶的经济条件，展现出声色繁华、逸乐嬉游的社会风气；到了明末清初，随著社会型态的益趋复杂与明清鼎革之时代变动，传奇剧作中所展示之虎丘地景，又因应剧情发展、人物塑造、剧旨演绎等戏剧需求而改造重塑，寄托了更深层对于时代鼎革下人心异变之省思。明末清初传奇剧作中的虎丘地景书写，实乃呈现出社会背景、生活环境与生命情态交织的人文景观，建构虎丘地景丰富的文化图像，可说是从另一新的角度，展示出传奇文本的奥秘。 This paper takes "reappearance and remolding of local spirit" as the core of its investigation. It focuses on the Huqiu landscape writing in several Chuanqi dramas in the late Ming and early Qing dynasties. It considers the concept of landscape writing in cultural geography, and considers as well the changes that have gone through the era of how a playwright uses the literary qualities of opera to write the humanistic landscape of Huqiu and gives it a new meaning of the era. The structure of the research is： Firstly, it explores how the Chuanqi reproduces the cultural landscape of Huqiu’s gathering of sensual entertainment and seasonal festivals and presents the customs of leisure and enjoyment; secondly, it analyzes how the playwrights benefited from the geographical and historical inspirations to reshape the fictional landscape of the drama on the real historical landscape; finally, it investigates how to construct the social situation and the meaning of the time by means of the Huqiu landscape writing of Chuanqi dramas. This result of the research indicates that the Huqiu area has a long history and tradition, convenient geographical location, and prosperous economic conditions, showing a prosperous and fun-filled social atmosphere. It reveals a reflection of the reality of life (such as： Qianren Stone and Shantang Street), a combination of local spirits (such as： Weizei Temple and Wuren Tomb), and the projected cultural imprints (such as： Zhenniang Tomb). On the other hand, it gradually triggers the dark side of people’s mind. With the great changes in the Ming and Qing dynasties, there are looting, plundering, defiance, exploit, deceit and other social chaos everywhere, and the dramas even put a deeper level of reflection on the abnormal changes in people’s mind. The Huqiu landscape writing presents the intertwined humanistic view of the social background, living environment and life style. As a result, the construction of a rich cultural image of Huqiu scenery can be regarded as another unique perspective to reveal the mystery of the Chuanqi text.

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引用次数: 0

中國山水畫提示的大地經驗中国山水画提示的大地经验

Jiao Da Fa Xue Ping Lun

Pub Date : 2022-11-01 DOI: 10.53106/230597612022110026004

林靜秀林靜秀

面對科技進步與社會發展造成自然被工業歷程汙染和破壞，究其根源在於人對自然的利用、開發走向宰制關係，東西哲人皆肯定中國山水畫在我們重建人與自然的關係有幫助。中國山水畫畫家提及繪畫是在自然中追尋道，但是沈清松以宇宙論和心靈哲學確立山水畫的理論架構，在自然與道的本體架構下，才能讓我們的心靈從山水畫把握到超越的精神境界。儘管朱利安看似不離這個架構，但是似乎重點落在繪畫的中介角色，以中國山水畫畫面的對立要素經營出之間的活力場域，但是又在開啟之外的秩序聯繫我們與世界回到共同的根源。於是兩位哲學家可以互相參照又互相補充，為我們確立山水畫作為畫面上的部分風景，卻指向超越的整體大地。 Whether philosophers come from East and West, they all agree the Chinese Landscape painting offers us the hint to rebuild the human-nature relationship. In the Chinese Landscape painting, the painters confess they pursue the Tao in Nature. Vincent Shen constructs the cosmology and the philosophy of mind to explain the experience of the painters. Tao got the priority and transcendental role in the ontological structure. We can appreciate it in the Chinese Landscape painting with our minds and find pleasure in the spiritual realm. Also, François Jullien agrees with the same ontological structure, but he seems to put his focus on the role of the painting. He points out that the opposite elements in the picture can wave and live out the vital field. And, the landscape realizes the reciprocity between the pole of the self and the world, between interiority and exteriority. Among things, the outside plunges us back to the common ground between the world and us. We can combine the thoughts of these two philosophers, and make them refer to and complete each other. According, what we saw in Chinese Landscape painting is just parts of the landscape, but the whole which goes beyond the landscape, that’s the life on Earth.

面对科技进步与社会发展造成自然被工业历程污染和破坏，究其根源在于人对自然的利用、开发走向宰制关系，东西哲人皆肯定中国山水画在我们重建人与自然的关系有帮助。中国山水画画家提及绘画是在自然中追寻道，但是沈清松以宇宙论和心灵哲学确立山水画的理论架构，在自然与道的本体架构下，才能让我们的心灵从山水画把握到超越的精神境界。尽管朱利安看似不离这个架构，但是似乎重点落在绘画的中介角色，以中国山水画画面的对立要素经营出之间的活力场域，但是又在开启之外的秩序联系我们与世界回到共同的根源。于是两位哲学家可以互相参照又互相补充，为我们确立山水画作为画面上的部分风景，却指向超越的整体大地。 Whether philosophers come from East and West, they all agree the Chinese Landscape painting offers us the hint to rebuild the human-nature relationship. In the Chinese Landscape painting, the painters confess they pursue the Tao in Nature. Vincent Shen constructs the cosmology and the philosophy of mind to explain the experience of the painters. Tao got the priority and transcendental role in the ontological structure. We can appreciate it in the Chinese Landscape painting with our minds and find pleasure in the spiritual realm. Also, François Jullien agrees with the same ontological structure, but he seems to put his focus on the role of the painting. He points out that the opposite elements in the picture can wave and live out the vital field. And, the landscape realizes the reciprocity between the pole of the self and the world, between interiority and exteriority. Among things, the outside plunges us back to the common ground between the world and us. We can combine the thoughts of these two philosophers, and make them refer to and complete each other. According, what we saw in Chinese Landscape painting is just parts of the landscape, but the whole which goes beyond the landscape, that’s the life on Earth.

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1999-2019年宜蘭縣人口成長和產業結構轉變與北宜高速公路之關聯 1999-2019年宜兰县人口成长和产业结构转变与北宜高速公路之关联

Jiao Da Fa Xue Ping Lun

Pub Date : 2022-11-01 DOI: 10.53106/230597612022110026002

黃罄慧黃罄慧

本文主要目的為探討1999-2019年間宜蘭縣人口、產業、地價之變化與2006年通車的北宜高速公路之關聯。採用政府部門統計資料，分析人口之自然增加、社會增加判斷20年間人口成長與空間分布的變化趨勢，並透過區位商數解釋產業結構的變遷，以及由都市地價的變動探討各鄉鎮市發展的消長狀況。研究發現1999-2019年間宜蘭縣受到少子化、高齡化的影響使得人口自然增加率為負成長的趨勢；北宜高速公路通車減緩人口外移的趨勢帶來「時空收斂」的效果，宜蘭縣內部的人口分布也趨於分散符合了Friedmann「空間發展階段」中成熟階段所提及的平衡都市體系。產業結構雖沒有出現明顯的變化，但在行業別中以區位商數計算出「運輸、倉儲及通訊業」、「住宿及餐飲業」、「不動產業及租賃業」這三種行業在北宜高速公路通車後有明顯變動，尤其是「運輸、倉儲及通訊業」、「住宿及餐飲業」為穩定的發展，可以判斷對觀光相關產業有深遠影響。都市地價指數則呈現先下後上，依其變化趨勢劃分為三個階段：1998-2004年通車前黑暗期、2005-2013通車觀察期、2014-2019穩定成長期，但並非雨露均霑，其中以觀光業最發達的礁溪鄉成長最為顯著。 The main purpose of this study is to discuss the relationship between the changes in Yilan County’s population, industrial structure, and land prices and the Jiang Wei-shui Freeway from 1999 to 2019. This study uses the statistical data of government departments to analyze the natural increase and social increase of population, and to distinguish the changing trend of population growth and spatial distribution in the past 20 years. This study explains the changes in industrial structure through LQ(location quotient), and then discusses the change of land price in each township. The study found that from 1999 to 2019, negative trend of natural population growth rate in Yilan County was affected by the declining birthrate and aging population. Jiang Wei-shui Freeway slows down the trend of population outflow, and brings the effect of ""space-time convergence"". The population distribution within Yilan County also tends to disperse, in line with the balanced urban system mentioned in Friedmann’s ""Space Development Stage"" in the mature stage. There have been obvious changes in tertiary industry of ""transportation, storage and communications"", ""accommodation and food service activities"", and ""real estate and leasing activities"" calculated by LQ. Especially, ""transportation, storage and communications"", ""accommodation and food service activities"" have developed steadily, which can be determine to have a profound effect on tourism-related industries. The urban land price index showed first down then up. It can be divided into three stages: the dark period before the opening to traffic in 1998-2004, the observation period of opening to traffic in 2005-2013, and the stable growth period in 2014-2019. And it is not equally allocation in Yilan County, Jiaoxi Township which has the most developed tourism industry, has the most significant growth.

本文主要目的为探讨1999-2019年间宜兰县人口、产业、地价之变化与2006年通车的北宜高速公路之关联。采用政府部门统计资料，分析人口之自然增加、社会增加判断20年间人口成长与空间分布的变化趋势，并透过区位商数解释产业结构的变迁，以及由都市地价的变动探讨各乡镇市发展的消长状况。研究发现1999-2019年间宜兰县受到少子化、高龄化的影响使得人口自然增加率为负成长的趋势；北宜高速公路通车减缓人口外移的趋势带来「时空收敛」的效果，宜兰县内部的人口分布也趋于分散符合了Friedmann「空间发展阶段」中成熟阶段所提及的平衡都市体系。产业结构虽没有出现明显的变化，但在行业别中以区位商数计算出「运输、仓储及通讯业」、「住宿及餐饮业」、「不动产业及租赁业」这三种行业在北宜高速公路通车后有明显变动，尤其是「运输、仓储及通讯业」、「住宿及餐饮业」为稳定的发展，可以判断对观光相关产业有深远影响。都市地价指数则呈现先下后上，依其变化趋势划分为三个阶段：1998-2004年通车前黑暗期、2005-2013通车观察期、2014-2019稳定成长期，但并非雨露均霑，其中以观光业最发达的礁溪乡成长最为显著。 The main purpose of this study is to discuss the relationship between the changes in Yilan County’s population, industrial structure, and land prices and the Jiang Wei-shui Freeway from 1999 to 2019. This study uses the statistical data of government departments to analyze the natural increase and social increase of population, and to distinguish the changing trend of population growth and spatial distribution in the past 20 years. This study explains the changes in industrial structure through LQ(location quotient), and then discusses the change of land price in each township. The study found that from 1999 to 2019, negative trend of natural population growth rate in Yilan County was affected by the declining birthrate and aging population. Jiang Wei-shui Freeway slows down the trend of population outflow, and brings the effect of ""space-time convergence"". The population distribution within Yilan County also tends to disperse, in line with the balanced urban system mentioned in Friedmann’s ""Space Development Stage"" in the mature stage. There have been obvious changes in tertiary industry of ""transportation, storage and communications"", ""accommodation and food service activities"", and ""real estate and leasing activities"" calculated by LQ. Especially, ""transportation, storage and communications"", ""accommodation and food service activities"" have developed steadily, which can be determine to have a profound effect on tourism-related industries. The urban land price index showed first down then up. It can be divided into three stages: the dark period before the opening to traffic in 1998-2004, the observation period of opening to traffic in 2005-2013, and the stable growth period in 2014-2019. And it is not equally allocation in Yilan County, Jiaoxi Township which has the most developed tourism industry, has the most significant growth.

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