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Rodin in the United States: Confronting the Modern 《罗丹在美国:面对现代
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-10-15 DOI: 10.29411/ncaw.2022.21.3.29
Jonathan P. Ribner
flows of matter and energy around us—between intuition and analysis, randomness and order, the quotidian and the cosmic. The large-format, abstract paintings of Tomm El-Saieh (b. 1984, Port-au-Prince; lives and works in Miami) teem with dense and dynamic marks that evoke ornament, language, and architecture. By variously layering and erasing his linework and using vibrant color to optically push or pull his pictures, El-Saieh creates rhythmic, all-over compositions from which larger forms appear to emerge—testing both the limits of perception and expectations about abstraction. more divergent Haitian artistic Free.
我们周围物质和能量的流动——在直觉和分析、随机性和秩序、日常生活和宇宙之间。Tomm El Saieh(生于1984年,太子港;在迈阿密生活和工作)的大型抽象绘画充满了密集而动态的标记,唤起了装饰、语言和建筑的灵感。El Saieh通过对他的线条进行不同的分层和擦除,并使用充满活力的颜色来光学地推动或拉动他的画面,创作出有节奏的、全面的作品,从中出现了更大的形式——测试了对抽象的感知和期望的极限。更具分歧的海地艺术自由。
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引用次数: 0
Work of Art, Museum Trophy, Memorial Monument: The Ny Carlsberg Glyptotek’s Gloria Victis by Antonin Mercié 艺术作品,博物馆奖杯,纪念纪念碑:纽约嘉士伯Glyptotek的Gloria Victis by Antonin merci<s:1>
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-10-15 DOI: 10.29411/ncaw.2022.21.3.4
Nick Parkinson
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引用次数: 0
The Elusive Mr. Richard Owen: A Dealer’s Rise and Fall in the Art Market in the United States 《难以捉摸的理查德·欧文先生:美国艺术市场上一位交易商的兴衰》
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-07-15 DOI: 10.29411/ncaw.2022.21.2.5
Danielle Hampton Cullen
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引用次数: 0
Learning to Draw Landscape in Nineteenth-Century France 在19世纪的法国学习画风景
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-07-15 DOI: 10.29411/ncaw.2022.21.2.2
Patricia Mainardi
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引用次数: 0
The Early Collecting of Nineteenth-Century French Drawings at the Cleveland Museum of Art, 1914–34 克利夫兰艺术博物馆19世纪法国绘画早期收藏,1914 - 1934
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-07-15 DOI: 10.29411/ncaw.2022.21.2.6
Britany Salsbury
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引用次数: 0
“Only Artists Were Not Fooled”: Delacroix’s Preparatory Drawings on Tracing Paper “只有艺术家没有被愚弄”:德拉克洛瓦在描图纸上的预备画
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-07-15 DOI: 10.29411/ncaw.2022.21.2.3
Ashley E. Dunn
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引用次数: 0
Editor’s Introduction 编辑简介
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-07-15 DOI: 10.29411/ncaw.2022.21.2.1
Britany Salsbury
The 48th annual meeting of the Business History Conference was held at the Hagley Museum and Library in Wilmington, Delaware, April 19–21, 2002. The program committee was chaired by David Sicilia and included Mark Mason, Mary O’Sullivan, and Jonathan Russ. Steven Usselman organized the dissertation session. The annual meeting is an occasion to recognize excellence in the field, and a number of awards were conferred at the conference banquet. The inaugural Business History Conference Lifetime Achievement Award was presented to Alfred D. Chandler, Jr., recognizing his immense contributions to the field and to the organization. The Harold F. Williamson, Sr., Prize in Business History, awarded every two or three years to a mid-career scholar who has made significant contributions to the field, was presented jointly to Angel KwolekFolland and Richard R. John. The Herman E. Krooss Dissertation Prize, for the best dissertation presented at the meeting, was awarded to Jeffrey Hornstein. The Newcomen Article Award, for the best article published in the 2001 volume of Enterprise & Society, was awarded to Daryl Hafter, “Women in the Underground Business of Eighteenth-Century Lyon” 2 (March 2001): 11–40. The Hagley Prize in Business History, presented to the author of a book published within the past two years, was awarded jointly this year to Gerald Feldman, Allianz and the German Insurance Business, 1933–1945 (Cambridge University Press, 2001) and S. Jonathan Wiesen, West German Industry and the Challenge of the Nazi Past, 1945–1955 (University of North Carolina Press, 2001). This issue of the journal is in part a record of the annual conference. It contains the presidential address, summaries of the dissertations presented in the formal dissertation session, and abstracts of papers presented at the meeting. In addition, there are two very diverse papers accepted for publication through the normal submission process, as well as the book review section. Enjoy the issue.
商业史会议第48届年会于2002年4月19日至21日在特拉华州威尔明顿的哈格利博物馆和图书馆举行。项目委员会由David Sicilia担任主席,成员包括Mark Mason、Mary O'Sullivan和Jonathan Russ。Steven Usselman组织了论文会议。年会是表彰该领域优秀人才的场合,会议宴会上颁发了多项奖项。首届商业史会议终身成就奖颁发给了小阿尔弗雷德·D·钱德勒,以表彰他对该领域和组织的巨大贡献。老哈罗德·F·威廉姆森商业史奖每两三年颁发一次,授予对该领域做出重大贡献的职业中期学者,由Angel KwolekFolland和Richard R.John共同颁发。赫尔曼·E·克罗斯论文奖授予了杰弗里·霍恩斯坦,以表彰在会议上发表的最佳论文。纽科门文章奖是2001年《企业与社会》杂志上发表的最佳文章,授予Daryl Hafter,“18世纪里昂地下商业中的女性”2(2001年3月):11-40。哈格利商业史奖授予在过去两年内出版的一本书的作者,今年联合授予Gerald Feldman,Allianz and The German Insurance Business,1933-1945(剑桥大学出版社,2001年)和S.Jonathan Wiesen,West German Industry and The Challenge of The Nazil past,1945-1955(北卡罗来纳大学出版社,2011年)。这期杂志在一定程度上是对年会的记录。它包括主席讲话、正式论文会议上发表的论文摘要以及会议上发表论文的摘要。此外,还有两篇非常多样化的论文通过正常的提交流程以及书评部分被接受发表。享受这个问题。
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引用次数: 0
The First Retrospective Exhibition of the Drawings of J.-A.-D. Ingres (1861) 第一次英格尔斯绘画回顾展(1861)
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-07-15 DOI: 10.29411/ncaw.2022.21.2.4
A. C. Shelton
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引用次数: 0
The Museum Age in Austria-Hungary: Art and Empire in the Long Nineteenth Century 奥匈帝国的博物馆时代:漫长的19世纪的艺术与帝国
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-03-15 DOI: 10.29411/ncaw.2022.21.1.6
Samuel D. Albert
century. Why, then, has it been so difficult to know this history? Kurimay argues that the misremembering of the queer past is a post-Communist reaction. The Communist regime’s persecution and stigmatization of homosexuality led to shame and to a silencing of the queer past. For many Hungarians, queer culture seems to start in 1989. This “collective misremembering about the past” has had serious consequences (234). Queer activists have lacked a history in which they can frame their demands, and far-right politicians continue to make the case that homosexuality is a Western import. Queer Budapest is an important book that paints a complicated picture of the tensions between sexual repression and liberation throughout the twentieth century in Hungary as well as in Central and Eastern Europe.
100年那么,为什么要了解这段历史如此困难呢?Kurimay认为,对酷儿过去的记错是后共产主义的反应。共产党政权对同性恋的迫害和污名化导致了对同性恋过去的羞辱和沉默。对许多匈牙利人来说,酷儿文化似乎始于1989年。这种“集体对过去的错误记忆”产生了严重后果(234)。酷儿活动家缺乏一段可以提出他们要求的历史,极右翼政客继续认为同性恋是西方的进口。《Queer Budapest》是一本重要的书,描绘了整个二十世纪匈牙利以及中欧和东欧性镇压和性解放之间的紧张关系。
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引用次数: 0
Loss in French Romantic Art, Literature, and Politics 法国浪漫主义艺术、文学和政治的失落
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-03-15 DOI: 10.29411/ncaw.2022.21.1.10
David O’Brien
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引用次数: 0
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NineteenthCentury Art Worldwide
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