{"title":"Behind the magic - teenage mutant ninja turtles: out of the shadows","authors":"Greg Grusby","doi":"10.1145/2897841.2960172","DOIUrl":"https://doi.org/10.1145/2897841.2960172","url":null,"abstract":"","PeriodicalId":331250,"journal":{"name":"ACM SIGGRAPH 2016 Computer Animation Festival","volume":"452 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122491183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Making of 'the good dinosaur'","authors":"Krissy Bailey","doi":"10.1145/2897841.2960166","DOIUrl":"https://doi.org/10.1145/2897841.2960166","url":null,"abstract":"","PeriodicalId":331250,"journal":{"name":"ACM SIGGRAPH 2016 Computer Animation Festival","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134483735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A weathered sheriff returns to the remains of an accident he has spent a lifetime trying to forget. With each step forward, the memories come flooding back. Faced with his mistake once again, he must find the strength to carry on.
{"title":"Borrowed time","authors":"Amanda Jones","doi":"10.1145/2897841.2936752","DOIUrl":"https://doi.org/10.1145/2897841.2936752","url":null,"abstract":"A weathered sheriff returns to the remains of an accident he has spent a lifetime trying to forget. With each step forward, the memories come flooding back. Faced with his mistake once again, he must find the strength to carry on.","PeriodicalId":331250,"journal":{"name":"ACM SIGGRAPH 2016 Computer Animation Festival","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116812613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Project Overdrive takes some well-loved League of Legends champions and places them in an alternative cyberpunk universe. It combines keyframe animation and hand-drawn elements in the Axis 3D pipeline. The project's artists wanted to work in the way one might use Photoshop to bring life to an image instead of relying on getting the final look in 3D.
{"title":"League of legends: project overdrive","authors":"Adele Khawli","doi":"10.1145/2897841.2936763","DOIUrl":"https://doi.org/10.1145/2897841.2936763","url":null,"abstract":"Project Overdrive takes some well-loved League of Legends champions and places them in an alternative cyberpunk universe. It combines keyframe animation and hand-drawn elements in the Axis 3D pipeline. The project's artists wanted to work in the way one might use Photoshop to bring life to an image instead of relying on getting the final look in 3D.","PeriodicalId":331250,"journal":{"name":"ACM SIGGRAPH 2016 Computer Animation Festival","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125147850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Led by MPC VFX Supervisor Sheldon Stopsack and VFX Producer Chad Nixon, MPC completed more than 300 shots for "Terminator: Genisys." Working closely with Production VFX Supervisor Janek Sirrs and VFX Producer Shari Hanson, the team's work included recreating a "young Arnold" T-800 digital character, endoskeletons, an explosive battle at LAX, various CG set extensions, and FX work.
{"title":"Terminator: genisys","authors":"Jonny Vale","doi":"10.1145/2897841.2936764","DOIUrl":"https://doi.org/10.1145/2897841.2936764","url":null,"abstract":"Led by MPC VFX Supervisor Sheldon Stopsack and VFX Producer Chad Nixon, MPC completed more than 300 shots for \"Terminator: Genisys.\" Working closely with Production VFX Supervisor Janek Sirrs and VFX Producer Shari Hanson, the team's work included recreating a \"young Arnold\" T-800 digital character, endoskeletons, an explosive battle at LAX, various CG set extensions, and FX work.","PeriodicalId":331250,"journal":{"name":"ACM SIGGRAPH 2016 Computer Animation Festival","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126164596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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