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The African American Voice in U.S. Foreign Policy Since World War II最新文献

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Josephine Baker, Racial Protest, and the Cold War 约瑟芬·贝克,《种族抗议与冷战
Mary L. Dudziak
During the early 1950s, Josephine Baker was an international star who lived in a castle in France, who wore Dior gowns in concert, and whose most radical political idea seems to have been a hope that the world might some day live in racial harmony. She would hardly seem a threat to the national security of the United States. Nevertheless, during the early fifties, the Federal Bureau of Investigation (FBI) kept a file on Baker, and the State Department collected data on her activities, using the information to dissuade other countries from allowing her to perform. Baker was seen as a threat because she used her international prominence to call attention to the discriminatory racial practices of the United States, her native land, when she traveled throughout the world. Baker was caught in the cross fire of the Cold War in Latin America in the early 1950s. Her seemingly simple campaign for racial tolerance made her the target of a campaign that ultimately pushed her from the limelight of the exclusive club circuit to the bright lights of a Cuban interrogation room. The woman lauded in Havana and Miami in 1951 as an international star was arrested by the Cuban military police two years later as a suspected Communist, but she had undergone no radical political transformation in the interim. That Josephine Baker engendered an international campaign to mute her impact is a demonstration of the lengths to which the United States and its allies would go to silence Cold War critics. More important, however, Josephine Baker found herself at the center of a critical cultural and ideological weak point in American Cold War diplomacy: the intersection of race and Cold War foreign relations.1
20世纪50年代初,约瑟芬·贝克(Josephine Baker)是一位国际明星,住在法国的一座城堡里,在音乐会上穿着迪奥(Dior)的礼服,她最激进的政治理念似乎是希望世界有一天能生活在种族和谐之中。她似乎不会对美国的国家安全构成威胁。然而,在五十年代初,联邦调查局(FBI)保留了一份关于贝克的档案,国务院收集了她的活动数据,利用这些信息劝阻其他国家不允许她表演。贝克被视为一种威胁,因为她在世界各地旅行时,利用自己的国际声望,呼吁人们关注她的祖国美国的种族歧视做法。上世纪50年代初,贝克在拉丁美洲的冷战交火中被捕。她看似简单的种族宽容运动,使她成为了一场运动的目标,这场运动最终将她从高级俱乐部的聚光灯下推到了古巴审讯室的聚光灯下。1951年,这位在哈瓦那和迈阿密被誉为国际明星的女性,两年后被古巴军警以涉嫌共产主义者的身份逮捕,但在此期间,她没有经历任何激进的政治转变。约瑟芬·贝克(Josephine Baker)引发了一场国际运动,以压制她的影响,这表明美国及其盟友为了压制冷战批评者的声音,会付出多大的努力。然而,更重要的是,约瑟芬·贝克发现自己处于美国冷战外交中一个关键的文化和意识形态弱点的中心:种族和冷战外交关系的交叉点
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The African American Voice in U.S. Foreign Policy Since World War II
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