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God’s Song and Music’s Meanings最新文献

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The malleable meanings of music 音乐的可塑意义
Pub Date : 2019-08-07 DOI: 10.4324/9781315585314-8
J. Butt
This chapter explores the ways in which music can generate its own religious culture, inspiring a devotion and discipline that can provoke tensions between ‘two religions’: of musicians and of the clergy. The author traces the history of Christianity’s relationship to musical culture, including 17th century clashes over musical style and diversity. As music expressed and emotionally actualized Scripture in new ways, there were arguments about whether, for example, music should be the ‘mistress’ of the biblical text or vice versa. In parsing music’s proper relationship to more propositional aspects of faith, the author invites a reading of music as rhetoric, something not reducible to a ‘stable semantic equivalence’ with a text. From the Monteverdi Vespers of 1610 to the Lutheran environment of J.S. Bach, the author explores the performative, sensual, and subjective dimensions of church music, suggesting that its meaning is discerned not only by the relevant text but also by the contexts of listeners: their circumstances, expectations, and emotive reception. Butt suggests that a critical tension between a musical tradition and a religious one could even be productive, resisting closed, simplistic systems, forming a dialectic that benefits both music culture and religious practice.
本章探讨了音乐如何产生自己的宗教文化,激发一种奉献精神和纪律,从而引发“两种宗教”之间的紧张关系:音乐家和神职人员。作者追溯了基督教与音乐文化的关系,包括17世纪在音乐风格和多样性上的冲突。当音乐以新的方式表达并在情感上实现圣经时,就有了争论,例如,音乐是否应该成为圣经文本的“情妇”,反之亦然。在分析音乐与信仰的更多命题方面的适当关系时,作者邀请将音乐视为修辞学,而不是与文本“稳定的语义等价”。从1610年的蒙特威尔第晚祷到J.S.巴赫的路德教会环境,作者探讨了教会音乐的表演,感官和主观维度,表明其意义不仅由相关文本而且由听众的语境来辨别:他们的环境,期望和情感接受。巴特认为,音乐传统和宗教传统之间的关键张力甚至可能是富有成效的,可以抵制封闭、简单的系统,形成一种对音乐文化和宗教实践都有益的辩证关系。
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引用次数: 0
Afterword 后记
Pub Date : 2019-07-23 DOI: 10.4324/9781315585314-11
Jeremy S. Begbie
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引用次数: 0
The material, the moral, and the mysterious 物质的,道德的,神秘的
Pub Date : 2019-07-23 DOI: 10.4324/9781315585314-9
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引用次数: 0
Musical promiscuity 音乐滥交
Pub Date : 2019-07-23 DOI: 10.4324/9781315585314-6
Lucy Winkett
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引用次数: 0
The worship of God and the quest of the spirit 对上帝的崇拜和对精神的追求
Pub Date : 2019-07-23 DOI: 10.4324/9781315585314-5
G. Graham
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引用次数: 1
Music, atheism, and modernity 音乐、无神论和现代性
Pub Date : 2019-07-23 DOI: 10.4324/9781315585314-4
Gareth Wilson
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引用次数: 0
Absolute music/absolute worship 绝对的音乐/绝对的崇拜
Pub Date : 2019-07-23 DOI: 10.4324/9781315585314-10
Daniel K. L. Chua
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引用次数: 0
‘We prefer gods we can see’ “我们更喜欢看得见的神”
Pub Date : 2019-07-23 DOI: 10.4324/9781315585314-2
N. V. Deusen
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引用次数: 0
‘Mixing their musick’ “混合他们的音乐”
Pub Date : 2019-07-23 DOI: 10.4324/9781315585314-7
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引用次数: 0
Mellifluous music in early Western Christianity 早期西方基督教优美的音乐
Pub Date : 2019-07-23 DOI: 10.4324/9781315585314-1
C. Harrison
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引用次数: 0
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God’s Song and Music’s Meanings
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