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Horn and Trumpet as Topical Signifiers 号角和小号作为局部能指
Pub Date : 1900-01-01 DOI: 10.2153/0120010011005
R. Monelle
It is one of music’s most celebrated witticisms. Just before the recapitulation of the first movement of Beethoven’s Sinfonia eroica, at a point where the modulation has reached the dominant chord that precedes the entry of the first theme, that theme is heard, prematurely, on the horn, though it does not fit the harmony at that point and in any case was played originally by the cellos (Example 1). In early performances, audiences thought the player was in error. It is certainly a singular effect. But as Sherlock Holmes once said, the singular is always important.
这是音乐界最著名的俏皮话之一。就在贝多芬的《英雄小交响曲》第一乐章重唱之前,在调幅已经达到第一个主题进入之前的主和弦的地方,这个主题被过早地从圆号上听到,尽管它不符合此时的和声,而且无论如何最初是由大提琴演奏的(例1)。在早期的表演中,观众认为演奏者出错了。这当然是一种奇异的效果。但正如夏洛克·福尔摩斯曾经说过的,单数总是很重要的。
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引用次数: 4
Brass Instrument Metal Working Techniques: The Bronze Age to the Industrial Revolution 黄铜乐器金属加工技术:从青铜时代到工业革命
Pub Date : 1900-01-01 DOI: 10.2153/0119910011011
Geert Jan van der Heide
In this article I will describe historical and current metalworking techniques used in brass instrument making. I will discuss the development of each of these techniques in chronological fashion, independently from the development of the instruments themselves. Of several important studies in this area, I wish to draw particular attention to the article of Robert Barclay in Studia Organologica, in which the author describes very succinctly the techniques used in the making of Nuremberg trumpets in the seventeenth and eighteenth centuries. To investigate the metalworking techniquesof past ages, we may draw upon several sources. From the earliest times, we have more than just artifacts and excavations to examine. Descriptions and illustrations in hieroglyphs and on antique Greek painted vases can help to give us insight into the development of metallurgy (Figs. 1,2a, 2b).
在这篇文章中,我将描述黄铜乐器制造中使用的历史和当前的金属加工技术。我将独立于乐器本身的发展,按时间顺序讨论每一种技术的发展。在这一领域的几项重要研究中,我希望特别注意罗伯特·巴克莱(Robert Barclay)在《器官学》(Studia organ)上的文章,作者在文章中非常简洁地描述了17世纪和18世纪纽伦堡小号制作中使用的技术。为了研究过去的金属加工技术,我们可以利用几个来源。从最早的时代开始,我们要研究的就不仅仅是文物和挖掘了。象形文字和古代希腊彩绘花瓶上的描述和插图可以帮助我们了解冶金学的发展(图1、2a、2b)。
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引用次数: 5
Front Material: Table of Contents, DOI Name Index, Personnel, William Waterhouse Obituary, President's Message, Membership Form, Backorder Form, Christopher Monk Award 前沿材料:目录、DOI号索引、人员、威廉·沃特豪斯讣告、主席致辞、会员表格、延期订购表格、克里斯托弗·蒙克奖
Pub Date : 1900-01-01 DOI: 10.2153/0120070010002
J. Nussbaum, T. Herbert
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引用次数: 0
Dauvern Trumpet Method 1857: A Complete Translation 道文小号方法1857:一个完整的翻译
Pub Date : 1900-01-01 DOI: 10.2153/0119910011013
François Georges Auguste Dauverné
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引用次数: 0
In Defense of the Serpent 为蛇辩护
Pub Date : 1900-01-01 DOI: 10.2153/0119900011008
P. Palmer
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引用次数: 4
Antique Trumpet Mutes 古董小号静音
Pub Date : 1900-01-01 DOI: 10.2153/0119900011004
J. Keller, P. Kussi
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引用次数: 0
The Schnitzer Family of Nuremberg and a Newly Rediscovered Trombone 纽伦堡的施尼策家族和一个新发现的长号
Pub Date : 1900-01-01 DOI: 10.2153/0120070011002
M. Raquet, K. Martius
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引用次数: 2
Giovanni Martino Cesare and His Editors 乔瓦尼·马蒂诺·切萨雷和他的编辑
Pub Date : 1900-01-01 DOI: 10.2153/0119910011007
H. Weiner
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引用次数: 0
Acoustical Comparisons of Sackbuts and Trombones 粗管和长号的声学比较
Pub Date : 1900-01-01 DOI: 10.2153/0120140011005
Marnie L Campbell, J. Chick, A. Myers
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引用次数: 2
"Louis Licks" and Nineteenth-Century Cornet Etudes: The Roots of Melodic Improvisation as Seen in the Jazz Style of Louis Armstrong “路易斯·利克斯”和19世纪的短号练习曲:在路易斯·阿姆斯特朗爵士风格中看到的旋律即兴创作的根源
Pub Date : 1900-01-01 DOI: 10.2153/0120010011004
P. Ecklund
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引用次数: 1
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Historic Brass Society Journal
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