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Comics 漫画
Pub Date : 2019-12-12 DOI: 10.1093/oxfordhb/9780190695620.013.43
Hillary L. Chute
The art form of comics has been at center of heated global free speech debates, which remain among the defining issues of our time, particularly as they map onto cultural and religious difference. In the past ten years, the hybrid word-and-image medium of comics has also entered the legal arena through comics-form amicus briefs and comics-form contracts, to name a few examples. The examples suggest that comics is understood today not only as a medium with the potential to be sophisticated, literary, and entertaining but further as one with the concision and clarity that legal discourse values. The growing international energy around the intersection of comics and law, evident in the emergence of comics-form documents and comics as a mode of legal pedagogy, is also reflected in the academy, where there has been a large recent increase in legal academic attention to comics. Other comics genres, particularly nonfiction genres (e.g., comics journalism and graphic memoir), have also proven to be richly engaged with the juridical. Comics that address complicated ethical and material realities through content and form alike model productive ways of engaging with aesthetics and the juridical imaginary, including compelling but fraught legal discourses like that of human rights. This chapter focuses in particular on the non-fiction work of Malta-born cartoonist Joe Sacco, suggesting that Sacco, perhaps more than any other cartoonist, helps readers to see how the comics form can reveal the law-driven focus on “rights” differently than in traditional accounts, especially through the medium’s approach to layered temporalities.
漫画的艺术形式一直是全球激烈的言论自由辩论的中心,这仍然是我们这个时代的决定性问题之一,特别是当它们映射到文化和宗教差异时。在过去的十年里,漫画这种文字和图像混合的媒介也通过漫画形式的法庭之友简报和漫画形式的合同进入了法律领域,仅举几个例子。这些例子表明,今天的漫画不仅被理解为一种具有复杂、文学和娱乐潜力的媒介,而且进一步被理解为一种具有法律话语所重视的简洁和清晰的媒介。围绕漫画和法律的交叉点的日益增长的国际能量,在漫画形式的文件和漫画作为一种法律教学模式的出现中是显而易见的,也反映在学术界,最近法律学术界对漫画的关注大幅增加。其他漫画类型,特别是非小说类型(例如,漫画新闻和图形回忆录),也被证明是与司法丰富的参与。漫画通过内容和形式处理复杂的道德和物质现实,为美学和司法想象提供了富有成效的模式,包括引人注目但令人担忧的法律话语,如人权。本章特别聚焦于马耳他出生的漫画家Joe Sacco的非虚构作品,认为Sacco或许比其他漫画家更能帮助读者了解漫画形式如何与传统叙述不同,揭示法律对“权利”的关注,特别是透过媒介对分层时间的处理。
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引用次数: 0
Digital Humanities 数字人文
Pub Date : 2019-12-12 DOI: 10.1093/oxfordhb/9780190695620.013.1
Stephen Robertson
Legal scholarship has its own distinctive place in the different disciplinary responses to digital humanities. It has long relied on databases of digitized sources and consequently on search as a research methodology. Computational tools provide means of addressing the limitations of search. This chapter surveys the use of computational tools to identify patterns of word use and borrowing and the diffusion of concepts in legal texts, to construct networks of relationships in texts and between individuals, to visualize spatial information, and to create 3D models of objects and structure as methods for both discovery and interpretation. These digital methods raise epistemological questions about how to address different questions and various kinds of sources, and what evidence is needed to support particular claims. Computational analysis expands the scale of the analysis, and the level of detail and context, making it possible to systematically explore claims about what is typical and representative and the periodization of historical discourses. Network graphs and maps visualize and measure relationships and spatial patterns in ways that capture a degree of complexity beyond what can be rendered in narrative. The implication of digital humanities for all humanities scholars is that we must look anew at our practices of research and analysis and critically reevaluate the nature and scope of the interpretative claims that we make.
法律学术在不同学科对数字人文学科的回应中有其独特的地位。长期以来,它依赖于数字化资源的数据库,因此将搜索作为一种研究方法。计算工具提供了解决搜索限制的方法。本章概述了计算工具的使用,以识别法律文本中单词使用和借用的模式以及概念的传播,构建文本中和个人之间的关系网络,可视化空间信息,并创建对象和结构的3D模型,作为发现和解释的方法。这些数字方法提出了关于如何解决不同问题和各种来源的认识论问题,以及需要什么证据来支持特定的主张。计算分析扩展了分析的规模,以及细节和背景的水平,使系统地探索关于什么是典型和代表性以及历史话语的分期的主张成为可能。网络图形和地图以一种超越叙事的复杂程度的方式可视化和测量关系和空间模式。数字人文对所有人文学者的启示是,我们必须重新审视我们的研究和分析实践,并批判性地重新评估我们所做的解释性主张的性质和范围。
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引用次数: 0
Uncovering Credibility 发现的可信度
Pub Date : 2019-12-12 DOI: 10.1093/oxfordhb/9780190695620.013.46
J. Simon-Kerr
The project of evidence law is in many ways analogous to that of the author or artist. All seek to expose deeper truths. While the novelist can freely invent character and corresponding behavior, evidence law uses fictive devices to recreate a coherent narrative from ostensibly unimagined facts. It does this, in part, by structuring the ways in which we assess witness credibility. What witnesses say is at the heart of most trials and whether to believe those witnesses is an overarching concern. The novelist or painter can show us the inner life of characters through an omniscient narrator or a telltale blush. Evidence law employs a different, though no less evocative, means for signaling credibility. It makes otherwise irrelevant information admissible at trial as credibility evidence, encouraging fact-finders to consider the kind of person whose word they are being asked to accept by digging into that person’s past. In admitting this evidence, the law relies on a false equivalence between a propensity to lie, which will allegedly be uncovered through credibility evidence, and evidence tailored to the question of whether a witness should be believed, which is what is actually being offered to the fact-finder. This chapter seeks to disentangle the two concepts—propensity to lie and worthiness of belief—and in so doing to reveal the danger in mistaking a fundamentally authorial impulse to use worthiness and status-based distinctions to color in the narratives of the courtroom in service of a hyper-rational process of proof.
证据法的规划在许多方面类似于作者或艺术家的规划。所有人都在寻求揭示更深层次的真相。虽然小说家可以自由地虚构人物和相应的行为,但证据法使用虚构的手段从表面上无法想象的事实中重建连贯的叙述。在某种程度上,它是通过构建我们评估证人可信度的方式来做到这一点的。证人所说的是大多数审判的核心,是否相信这些证人是一个首要问题。小说家或画家可以通过一个无所不知的叙述者或一个泄密的脸红向我们展示人物的内心生活。证据法采用了一种不同的,但同样令人回味的方式来表明可信度。它使原本不相关的信息在审判中成为可信的证据,鼓励事实调查员通过挖掘当事人的过去来考虑他们被要求接受的是什么样的人。在承认这一证据时,法律依赖于谎言倾向和针对是否应该相信证人的问题而量身定制的证据之间的错误等同,而证人是实际提供给事实查明者的证据。本章试图理清这两个概念——说谎倾向和信仰价值——并以此揭示错误的危险,即错误地使用价值和基于地位的区别来为法庭的叙述涂上色彩,以服务于超理性的证明过程。
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引用次数: 0
Form Contract 格式合同
Pub Date : 2019-12-12 DOI: 10.1093/oxfordhb/9780190695620.013.39
Tal Kastner
In light of the tendency to view contract through a lens of free will and agreement, this chapter approaches contract from the vantage point of standard form agreements. Drawing on empirical studies, behavioral psychology, law and economics contract scholarship, critical legal studies, legal history, and literary theory, it counters the prevailing view of standard terms as the exceptional case of contract. Through the lens of deconstruction, the chapter highlights the contextual contingency of standard form and refracts the presumptions in society and law concerning the allocation of resources. It identifies how the contemporary proliferation and routine enforcement of ancillary terms such as arbitration provisions in the current day epitomize how contract serves as a tool to leverage power. Examining form-contract scholarship and case law, the chapter reveals the expressive possibility of standard form in American law. It shows how the phenomenon of boilerplate exemplifies the process by which contract language serves to manifest agreement, shaping an understanding of freedom. The chapter extends the insights of legal history concerning the limits of contract freedom in the nineteenth century. In doing so, it draws on American literature to illustrate a changing paradigm of freedom—from wage labor to real estate development to consumption—and the attendant allocation of resources that shape voluntary exchange. By virtue of boilerplate’s contextual contingency, this deconstructive perspective reveals the potential to redistribute resources through standard form contract, and thereby not only create value but shape social norms.
鉴于人们倾向于从自由意志和协议的角度来看待合同,本章从标准形式协议的角度来看待合同。它借鉴了实证研究、行为心理学、法律和经济学合同研究、批判法律研究、法律史和文学理论,反驳了将标准条款视为合同特例的主流观点。本章通过解构的视角,突出了标准形式的语境偶然性,折射了社会和法律对资源配置的假设。它指出,当代诸如仲裁条款等附属条款的扩散和常规执行,是合同如何成为利用权力的工具的缩影。本章考察了形式契约学和判例法,揭示了标准形式在美国法律中的表达可能性。它展示了模板现象如何例证了契约语言用来表明协议的过程,塑造了对自由的理解。这一章扩展了法制史对19世纪契约自由限制的见解。在此过程中,它借鉴了美国文学来说明自由的变化范式——从雇佣劳动到房地产开发再到消费——以及随之而来的塑造自愿交换的资源分配。凭借样板的语境偶然性,这种解构的视角揭示了通过标准形式的合同重新分配资源的潜力,从而不仅创造价值,而且塑造社会规范。
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引用次数: 0
Indigenous Law 当地法律
Pub Date : 2019-12-12 DOI: 10.1093/oxfordhb/9780190695620.013.27
Gregory Ablavsky, Sarah Deer, Justin Richland
Indigenous law is the category applied to the norms and legally binding practices of thousands of distinct indigenous communities spanning six continents. This chapter focuses on the content and construction of indigenous law within the borders of the present-day United States, equally marked by diversity among Native communities. Nonetheless, it identifies several important ways in which indigenous law broadly construed diverges from Euro-American legal systems. The chapter notes that indigenous communities have not drawn sharp distinctions between law and other methods for maintaining the proper ordering of society. And, while cautioning against essential accounts of Native justice, it also observes the ways in which Native dispute resolution focuses more on community and restoration than Anglo-American adversarial models. The chapter also recounts constructions of indigenous law by North America’s would-be European colonizers. It describes the long-standing practice by many colonizers of describing indigenous peoples as lawless. This language, the chapter argues, did important work in justifying colonization and the imposition of Anglo-American law. But it also traces the ways in which Native peoples forced Anglo-Americans to incorporate indigenous laws into US law. This incorporation happened both informally—as Anglo-Americans negotiating with Native nations adopted their rules to govern negotiations—and formally, as the body of law known as federal Indian law created a regime of legal pluralism that granted limited recognition to Native nations’ assertions of jurisdiction. The chapter concludes by noting the dangers of adopting the colonizers’ frame and defining indigenous law principally as a foil for Anglo-American law.
土著法律适用于六大洲数千个不同土著社区的规范和具有法律约束力的做法。本章的重点是在当今美国境内的土著法律的内容和结构,同样以土著社区的多样性为特征。尽管如此,它确定了几个重要的方式,在这些方式中,广泛解释的本土法律与欧美法律体系存在分歧。本章指出,土著社区没有明确区分法律和维持社会适当秩序的其他方法。而且,在对土著正义的基本描述提出警告的同时,它也观察到了土著争端解决的方式,这些方式更多地关注社区和恢复,而不是英美对抗模式。这一章还叙述了北美未来的欧洲殖民者对本土法律的建构。它描述了许多殖民者长期以来将土著人民描述为无法无天的做法。本章认为,这种语言在为殖民和强加英美法律辩护方面发挥了重要作用。但它也追溯了土著人民迫使盎格鲁-美国人将土著法律纳入美国法律的方式。这种结合既非正式地发生了——盎格鲁-美国人与土著民族的谈判采用了他们的规则来管理谈判——也正式地发生了,因为被称为联邦印第安法的法律主体创造了一种法律多元化的制度,对土著民族的管辖权主张给予了有限的承认。本章最后指出了采用殖民者的框架并将土著法律主要定义为英美法律的陪衬的危险。
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引用次数: 6
Legal Materiality 法律的重要性
Pub Date : 2019-12-12 DOI: 10.1093/oxfordhb/9780190695620.013.9
Hyo Yoon Kang, S. Kendall
This chapter presents legal materiality as a distinct approach within law and humanities scholarship. Legal materiality is concerned with the conditions of possibility in and through which law arises, rather than taking law’s materiality to be self-evident, as when it is regarded as a form of material culture or when objects are taken as symbols of law. It distinguishes between matters and materials: if matters are problematizations or “matters of concern” to law, materials are the attributes or properties that are enlisted in acts of interpretation. Rather than addressing materials as inert physical elements that are acted upon by law, legal materiality is concerned with how materials come to matter by being engaged in the production of legal meaning through interpretive and representational practices. Section 2.2 situates this approach in relation to a broader inheritance of materialism and materiality in the Western tradition. It considers different understandings of “materialism,” such as “new materialisms” and historical materialism, that inform but also diverge from legal materiality. Section 2.3 engages with different uses of “materiality” in recent legal scholarship, followed by a detailed discussion of its meaning in two works of legal theory that have sought to articulate a conception of legal materiality. The concluding section discusses the potentials of this approach for law and humanities scholarship to understand how materials are directly implicated in the making of legal difference rather than serving solely as law’s objects.
这一章将法律物质性作为法律和人文学术的一种独特的方法。法律的物质性关注的是法律产生的可能性条件,而不是把法律的物质性看作是不言而喻的,就像把它看作是一种物质文化形式,或者把客体看作是法律的象征一样。它区分了事项和材料:如果事项是法律的问题化或“关注事项”,则材料是在解释行为中列出的属性或属性。法律物质性不是将材料视为受法律影响的惰性物理元素,而是关注材料如何通过解释和表征实践参与法律意义的产生而变得重要。第2.2节将这种方法与西方传统中唯物主义和物质性的更广泛继承联系起来。它考虑了对“唯物主义”的不同理解,如“新唯物主义”和历史唯物主义,它们提供了信息,但也与法律唯物主义有所不同。第2.3节介绍了“物质性”在最近的法律学术研究中的不同用法,随后详细讨论了其在两本试图阐明法律物质性概念的法律理论著作中的含义。结论部分讨论了这种方法对法律和人文学术的潜力,以理解材料如何直接牵连到法律差异的产生,而不仅仅是作为法律的对象。
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引用次数: 15
Facing Justice 面对正义
Pub Date : 2019-12-12 DOI: 10.1093/oxfordhb/9780190695620.013.18
S. Mukherji
Law and the literary imagination in early modern England had shared stakes in the relation between face and intent, surface and significance, truth and semblance, nature and artifice. Using the legally attuned dramatist John Webster’s The White Devil as its central example, this chapter probes law’s preoccupation with legibility and the way in which drama enters into dialogue with it. In the process, law emerges an interface between an expressive mode and a hermeneutic model, and thus an imaginative resource for literary writers interested in selfhood and inwardness. Ultimately, the argument intimates how the gaps and dualities of the interrelation between the theatre and the law are used by early modern dramatic practice to conceptualize the larger interrelation between literary and legal epistemologies.
近代早期英国的法律与文学想象在表象与意图、表面与意义、真实与表象、自然与技巧之间的关系上有着共同的利害关系。本章以精通法律的剧作家约翰·韦伯斯特(John Webster)的《白魔鬼》(the White Devil)为中心,探讨法律对易读性的关注,以及戏剧与之对话的方式。在这一过程中,法律成为表达模式和解释学模式之间的界面,从而成为对自我和内在感兴趣的文学作家的想象资源。最后,本文揭示了早期现代戏剧实践如何利用戏剧与法律之间相互关系的差距和二元性来概念化文学与法律认识论之间更大的相互关系。
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引用次数: 0
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The Oxford Handbook of Law and Humanities
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