Pub Date : 2024-07-17DOI: 10.24425/slo.2024.150663
Jarosław Poliszczuk
The article is research into the traumatic experience of war, based on the Volodymyr Rafieienko’s novel Petrichor – Smell of the Earth after the Rain. It’s logical to examine this text from the position of trauma studies, which have become very actual in the context of the Russian-Ukrainian war and its consequences. The writer represented the prospect of overcoming collective and individual trauma in a very original way. He describes in details the painful experiences caused by the forced resettlement of people, and most of all – the feeling of guilt due to the death of close ones. Rafieienko’s novel reflects the world of imagination of a person with a disturbed psyche. In such a way, he suggests a new kind of narration where imaginarium (the world of fantasy, visions and the dreams of the characters) and the pictures of an unbearable reality, which must be recalled to understand the depth of the pain in order to continue living, are crossed in a natural way. Petrichor… represents the author’s individual vision of the cultural trauma, which causes a radical change in human identity. This new identity is the creative force and at the same time, it impresses on one the state of total danger, nationwide mobilization and solidarity. The writer raises the issue of sacred sacrifice. We mean the price that must be paid for the renunciation of the difficult past. All this leads to a persistent psychological disorder within the novel’s characters. Thus, Rafieienko carries out a mental topography of trauma, indicating its important markers and motives within a specific geocultural space.
{"title":"Ментальна топографія травми (за романом володимира рафєєнка петрикор – запах землі після дощу)","authors":"Jarosław Poliszczuk","doi":"10.24425/slo.2024.150663","DOIUrl":"https://doi.org/10.24425/slo.2024.150663","url":null,"abstract":"The article is research into the traumatic experience of war, based on the Volodymyr Rafieienko’s novel Petrichor – Smell of the Earth after the Rain. It’s logical to examine this text from the position of trauma studies, which have become very actual in the context of the Russian-Ukrainian war and its consequences. The writer represented the prospect of overcoming collective and individual trauma in a very original way. He describes in details the painful experiences caused by the forced resettlement of people, and most of all – the feeling of guilt due to the death of close ones. Rafieienko’s novel reflects the world of imagination of a person with a disturbed psyche. In such a way, he suggests a new kind of narration where imaginarium (the world of fantasy, visions and the dreams of the characters) and the pictures of an unbearable reality, which must be recalled to understand the depth of the pain in order to continue living, are crossed in a natural way. Petrichor… represents the author’s individual vision of the cultural trauma, which causes a radical change in human identity. This new identity is the creative force and at the same time, it impresses on one the state of total danger, nationwide mobilization and solidarity. The writer raises the issue of sacred sacrifice. We mean the price that must be paid for the renunciation of the difficult past. All this leads to a persistent psychological disorder within the novel’s characters. Thus, Rafieienko carries out a mental topography of trauma, indicating its important markers and motives within a specific geocultural space.","PeriodicalId":35094,"journal":{"name":"Slavia Orientalis","volume":" 43","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141829390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-17DOI: 10.24425/slo.2024.150665
A. Fałowski
To some extend this paper should be regarded as a polemic with two papers devoted to the lexem pantałyk and the phrasal verb zbić z pantałyku, recently published in “Slavia Orientalis”: Е. Николаева, С. Николаев, О сложности взаимовлияния близкородственных языков (на примере выражения сбить с панталыку), “Slavia Orientalis” 2019, no. 4, pp. 741-750; Л. Даниленко, Український пантелик та його рецепція у слов’янських мовах (до походження фразеологізму збити з пантелику), “Slavia Orientalis” 2020, no. 2, pp. 319-334. The article consists of two parts. The first presents the views revealed in the above mentioned texts. The author generally agrees with them, attempting to introduce some supplementary information and corrections concerning the chronology of the word and phrase in Ukrainian, Polish, Russian and Belorusian. In the second part, of an etymological character, both proposals have been subjected to criticism. A new approach to the issue of the origin of the lexeme and phrasal verb both has been presented. The author’s approach is restricted to the Greek etymology: special attention is paid to the original meaning of the above-mentioned lexeme and phrasal verb. Taking into account the broader context of “zbić z pantałyku” referred to in Ivan Kotlyarevsky’s poem we can come to the conclusion that in meaning the point is “to dispel somebody’s sense, reason” and such being the case – “to deprive of self-confidence, courage, cunning, craftiness, the ability to overcome any difficulties, to cause somebody confusion and disorientation, to reduce somebody to madness”.
在某种程度上，本文应被视为与最近发表在 "Slavia Orientalis "上的两篇论文的论战，这两篇论文专门讨论了词条 "pantałyk "和短语动词 "zbić z pantałyku"：Е.Николаева，С.Николаев, О сложности взаимовлияния близкородственных языков (на примере выражения сбить с панталыку), "Slavia Orientalis" 2019, no.4, pp.Даниленко, Український пантелик тайого рецепція у слов'янських мовах (до походження фразеологізму збити з пантелику), "Slavia Orientalis" 2020 年第 2 期，第 319-334 页。文章由两部分组成。第一部分介绍了上述文献中揭示的观点。作者基本同意这些观点，并试图就乌克兰语、波兰语、俄语和白俄罗斯语中的单词和短语的时间顺序提供一些补充信息和更正。在第二部分，即词源学部分，两个建议都受到了批评。对于词素和短语动词的起源问题，提出了一种新的方法。作者的方法仅限于希腊词源学：特别关注上述词素和短语动词的本义。考虑到伊万-科特里亚列夫斯基诗歌中提到的 "zbić z pantałyku "的更广泛语境，我们可以得出结论，其含义是 "驱散某人的理智、理性"，既然如此--"剥夺某人的自信、勇气、狡猾、狡黠、克服任何困难的能力，使某人困惑、迷失方向，使某人陷入疯狂"。
{"title":"O pantałyku raz jeszcze","authors":"A. Fałowski","doi":"10.24425/slo.2024.150665","DOIUrl":"https://doi.org/10.24425/slo.2024.150665","url":null,"abstract":"To some extend this paper should be regarded as a polemic with two papers devoted to the lexem pantałyk and the phrasal verb zbić z pantałyku, recently published in “Slavia Orientalis”: Е. Николаева, С. Николаев, О сложности взаимовлияния близкородственных языков (на примере выражения сбить с панталыку), “Slavia Orientalis” 2019, no. 4, pp. 741-750; Л. Даниленко, Український пантелик та його рецепція у слов’янських мовах (до походження фразеологізму збити з пантелику), “Slavia Orientalis” 2020, no. 2, pp. 319-334. The article consists of two parts. The first presents the views revealed in the above mentioned texts. The author generally agrees with them, attempting to introduce some supplementary information and corrections concerning the chronology of the word and phrase in Ukrainian, Polish, Russian and Belorusian. In the second part, of an etymological character, both proposals have been subjected to criticism. A new approach to the issue of the origin of the lexeme and phrasal verb both has been presented. The author’s approach is restricted to the Greek etymology: special attention is paid to the original meaning of the above-mentioned lexeme and phrasal verb. Taking into account the broader context of “zbić z pantałyku” referred to in Ivan Kotlyarevsky’s poem we can come to the conclusion that in meaning the point is “to dispel somebody’s sense, reason” and such being the case – “to deprive of self-confidence, courage, cunning, craftiness, the ability to overcome any difficulties, to cause somebody confusion and disorientation, to reduce somebody to madness”.","PeriodicalId":35094,"journal":{"name":"Slavia Orientalis","volume":" 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141829522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-17DOI: 10.24425/slo.2024.150669
Tetyana Kosmeda, Oksana Khaliman
The material of the study was a post on the official page of the writer Serhiy Zhadan on the Facebook social network dated 03.07.2022 and comments to it, which present a heated and intense discussion about the semantic and pragmatic interpretation of feminitives during the latest linguistic feminization of the Ukrainian language and the active development of Gender linguistics, in particular within the focus of linguoaxiology. Lexicographic sources were involved: dictionaries of feminitives and explanatory dictionaries, in particular the newest ones, as well as lexicons of the language of writers (Ivan Kotlyarevsky, Taras Shevchenko, Hryhoriy Kvitka-Osnovyanenko, Ivan Franko), which made it possible to update not only synchronic, but also diachronic language segments. The Ukrainian lexeme жіночка (plural жіночки) can be placed on the evaluative scale at the “zero” mark (a neutral value in terms of expressing evaluative meanings, in particular in the function of addressing in a conversational style of speech) and slide in the direction of the (+) or (–) vector, which depends on the individual communicative experience and competences of the speaker and proves the analysis of the selected discussion. Clarification of the semantic-pragmatic load is carried out thanks to the appropriate connectivity. For the lexeme жіночка, the positive evaluative conjugation dominates in the linguistic and cultural space of Ukraine, which is characterized by an intimate tonality and makes it possible to soften the modeling of the negative intentions of the speaker.
{"title":"Семантика й прагматика фемінітивів жіночка, жінка в українській лінгвокультурі (синхронно-діахронний аспект)","authors":"Tetyana Kosmeda, Oksana Khaliman","doi":"10.24425/slo.2024.150669","DOIUrl":"https://doi.org/10.24425/slo.2024.150669","url":null,"abstract":"The material of the study was a post on the official page of the writer Serhiy Zhadan on the Facebook social network dated 03.07.2022 and comments to it, which present a heated and intense discussion about the semantic and pragmatic interpretation of feminitives during the latest linguistic feminization of the Ukrainian language and the active development of Gender linguistics, in particular within the focus of linguoaxiology. Lexicographic sources were involved: dictionaries of feminitives and explanatory dictionaries, in particular the newest ones, as well as lexicons of the language of writers (Ivan Kotlyarevsky, Taras Shevchenko, Hryhoriy Kvitka-Osnovyanenko, Ivan Franko), which made it possible to update not only synchronic, but also diachronic language segments. The Ukrainian lexeme жіночка (plural жіночки) can be placed on the evaluative scale at the “zero” mark (a neutral value in terms of expressing evaluative meanings, in particular in the function of addressing in a conversational style of speech) and slide in the direction of the (+) or (–) vector, which depends on the individual communicative experience and competences of the speaker and proves the analysis of the selected discussion. Clarification of the semantic-pragmatic load is carried out thanks to the appropriate connectivity. For the lexeme жіночка, the positive evaluative conjugation dominates in the linguistic and cultural space of Ukraine, which is characterized by an intimate tonality and makes it possible to soften the modeling of the negative intentions of the speaker.","PeriodicalId":35094,"journal":{"name":"Slavia Orientalis","volume":" 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141829956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-17DOI: 10.24425/slo.2024.150670
Інна Гороф’янюк
{"title":"[Recenzja] Наталія Хібеба, БОЙКІВСЬКЕ ВЕСІЛЛЯ В ТЕКСТАХ: ОБРЯД І СЛОВО, НАН України, Інститут українознавства ім. І. Крип’якевича, Львів 2021, 712 с. (Серія «Діалектологічна скриня»)","authors":"Інна Гороф’янюк","doi":"10.24425/slo.2024.150670","DOIUrl":"https://doi.org/10.24425/slo.2024.150670","url":null,"abstract":"","PeriodicalId":35094,"journal":{"name":"Slavia Orientalis","volume":" 31","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141831458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-17DOI: 10.24425/slo.2024.150659
Elżbieta Tyszkowska-Kasprzak
The article presents an analysis of the thread of Yelena Katishonok’s novel Jack Who Built the House (2021), related to the theme of the Katyn massacre. In exploring the context and method of incorporating historical material into a literary text, we proceed from the basic concepts of the “New Historicism”. In the narrative about the fates of modern heroes, the writer weaves a thread related to the history of Poland, namel the arrests of Polish officers in 1939, the Katyn massacre, the formation of the Polish Anders’ Army on the territory of the USSR and the commemoration of the victims in Katyn after the war. The fate of the character associated with this thread, Stanislaw Warzynski, is in many ways the biography of a Polish artist who survived in Katyn, Józef Czapski. Katishonok depicts not only memories of historical events, but above all the efforts of several generations to commemorate the victims.
{"title":"Тема катынского расстрела в романе Елены Катишонок Джек, который построил дом","authors":"Elżbieta Tyszkowska-Kasprzak","doi":"10.24425/slo.2024.150659","DOIUrl":"https://doi.org/10.24425/slo.2024.150659","url":null,"abstract":"The article presents an analysis of the thread of Yelena Katishonok’s novel Jack Who Built the House (2021), related to the theme of the Katyn massacre. In exploring the context and method of incorporating historical material into a literary text, we proceed from the basic concepts of the “New Historicism”. In the narrative about the fates of modern heroes, the writer weaves a thread related to the history of Poland, namel the arrests of Polish officers in 1939, the Katyn massacre, the formation of the Polish Anders’ Army on the territory of the USSR and the commemoration of the victims in Katyn after the war. The fate of the character associated with this thread, Stanislaw Warzynski, is in many ways the biography of a Polish artist who survived in Katyn, Józef Czapski. Katishonok depicts not only memories of historical events, but above all the efforts of several generations to commemorate the victims.","PeriodicalId":35094,"journal":{"name":"Slavia Orientalis","volume":" 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141830542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-06DOI: 10.24425/slo.2023.147526
Joanna Piotrowska, Matteo Piccin
{"title":"Roberta De Giorgi, STORIA DI UN’OSSESSIONE. LEV TOLSTOJ E VLADIMIR ČERTKOV, Roma: Del Vecchio Editore 2022, ss. 545 (Recenzja).","authors":"Joanna Piotrowska, Matteo Piccin","doi":"10.24425/slo.2023.147526","DOIUrl":"https://doi.org/10.24425/slo.2023.147526","url":null,"abstract":"","PeriodicalId":35094,"journal":{"name":"Slavia Orientalis","volume":"52 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138595609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-05DOI: 10.24425/slo.2023.147527
Володимир Микитюк
{"title":"Богдан Тихолоз, ФРАНКО ЯК ТЕКСТ: ДОСЛІДИ І ДОСВІДИ, післямова Данила Ільницького, Львів: Простір М; [Львівський національний літературно-меморіальний музей Івана Франка] 2021, 992 с. (Серія «Бібліотека Дому Франка». Вип. 10) (Recenzja).","authors":"Володимир Микитюк","doi":"10.24425/slo.2023.147527","DOIUrl":"https://doi.org/10.24425/slo.2023.147527","url":null,"abstract":"","PeriodicalId":35094,"journal":{"name":"Slavia Orientalis","volume":"75 22","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138600429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-05DOI: 10.24425/slo.2023.147518
Halyna Naienko
{"title":"Східнослов’янські редакції церковнослов’янської мови крізь призму українського мовознавства","authors":"Halyna Naienko","doi":"10.24425/slo.2023.147518","DOIUrl":"https://doi.org/10.24425/slo.2023.147518","url":null,"abstract":"","PeriodicalId":35094,"journal":{"name":"Slavia Orientalis","volume":"15 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138601294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-05DOI: 10.24425/slo.2023.147523
Larysa Nikolayenko
{"title":"Eмпатична та злобна радість в українській мовній картині світу (лінгвоаксіологічний вимір)","authors":"Larysa Nikolayenko","doi":"10.24425/slo.2023.147523","DOIUrl":"https://doi.org/10.24425/slo.2023.147523","url":null,"abstract":"","PeriodicalId":35094,"journal":{"name":"Slavia Orientalis","volume":"80 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138597965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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