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IKON-Journal of Iconographic Studies最新文献

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"The subject of pain is the business I am in": Louise Bourgeois and the Iconography of Hysteria: Reclaiming the Visibility of Pain “痛苦的主题是我所从事的事业”:路易丝·布尔乔亚和歇斯底里的肖像学:重新获得痛苦的可见性
Q4 Arts and Humanities Pub Date : 2019-07-25 DOI: 10.1484/J.IKON.4.2019025
Marta Equi Pierazzini
This essay will present Louise Bourgeois's production on the theme of hysteria by analysing the artist's writings and works, and through a reconstruction of her fundamental iconographic and histori...
这篇文章将通过分析路易丝·布尔乔亚的作品和作品,并通过重建她的基本肖像和历史,来呈现她关于歇斯底里主题的作品。
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引用次数: 0
Beyond Morse Peckham: Love and Pain in the Art of Antoine Watteau 超越莫尔斯·佩卡姆:安托万·华托艺术中的爱与痛苦
Q4 Arts and Humanities Pub Date : 2019-07-25 DOI: 10.1484/J.IKON.4.2019023
V. P. Goss
One of the most intriguing books of the late 20th century on experiencing art is Man's Rage for Chaos by Morse Peckham (1965). As opposed to common belief that art represents a drive for clarity an...
20世纪末关于体验艺术的最有趣的书之一是莫尔斯·佩克汉姆(Morse Peckham)的《人对混乱的愤怒》(1965)。人们普遍认为艺术代表着追求清晰和……
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引用次数: 0
Horrors of the Perverted Eucharist Sensing Pelops' Dismembered Body in Panteleimon cod. 6 变态圣餐的恐怖感应佩洛普斯被肢解的尸体在潘特莱蒙鳕鱼。6
Q4 Arts and Humanities Pub Date : 2019-07-25 DOI: 10.1484/J.IKON.4.2019009
J. Đorđević
In an illuminated manuscript of liturgical homilies of Gregory of Nazianzus, Panteleimon cod. 6, there is a miniature representing Tantalus' feast where ancient gods are offered to eat the dismembe...
在纳齐安祖斯的格列高利的一份彩绘的礼拜布道手稿中,潘特莱蒙神。6、有一幅描绘坦塔罗斯盛宴的微缩图,在那里古代众神被供奉来吃被肢解的人……
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引用次数: 0
Heroes Don't Cry: Physical Pain and Moral Anguish in Greek and Roman Art 英雄不哭:希腊和罗马艺术中的肉体痛苦和道德痛苦
Q4 Arts and Humanities Pub Date : 2019-07-25 DOI: 10.1484/J.IKON.4.2019007
D. Milinović
Like most elemental concepts in human life, pain is a cultural construct. As such, it has been variously interpreted in art. This paper proposes to look at images of pain in Greek and Roman antiqui...
就像人类生活中的大多数基本概念一样,疼痛是一种文化建构。因此,它在艺术上有各种各样的解释。本文建议研究希腊和罗马古代的痛苦形象。
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引用次数: 0
Natural Suffering: Viola, Psellos, and a Christian Ecology of Pain 自然的痛苦:维奥拉、普塞洛斯和基督教的痛苦生态学
Q4 Arts and Humanities Pub Date : 2019-07-25 DOI: 10.1484/J.IKON.4.2019029
B. Crostini
The installation by Bill Viola, Martyrs, depicts four suffering individuals without showing any outward pain. The onslaught of the four elements makes them victims, but their calm acceptance of the...
比尔·维奥拉(Bill Viola)的装置作品《烈士》(Martyrs)描绘了四个受苦受难的人,但没有表现出任何外在的痛苦。四种元素的冲击使他们成为受害者,但他们平静地接受…
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引用次数: 0
Suffering Job: Rethinking the Iconography in the Manuscript of Moralia from Kranj (1410) 痛苦的工作:重新思考克兰吉《莫拉利亚》手稿中的肖像学(1410)
Q4 Arts and Humanities Pub Date : 2019-07-25 DOI: 10.1484/J.IKON.4.2019012
Nataša Golob
The text focuses on textual differences contained in the Biblical Book of Job and in Moralia, an extensive interpretation by Gregory the Great. This commentary also includes several details that, f...
文本侧重于圣经约伯记和莫拉利亚的文本差异,这是格列高利大帝的广泛解释。这篇评论还包括一些细节,如果……
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引用次数: 0
Supressing or Exacerbating Pain: Emulation and Conversion Strategies Utilizing Images by Jesuit Missionaries in New France 压抑或加剧痛苦:新法兰西耶稣会传教士利用形象的模仿与皈依策略
Q4 Arts and Humanities Pub Date : 2019-07-25 DOI: 10.1484/J.IKON.4.2019022
Pierre-Olivier Ouellet
From 1625, as a contingent of three religious that had arrived in Quebec, Jesuits began to get involved in the missionary impulse deployed in New France. Coinciding with the Catholic Counter-Reform...
从1625年起,耶稣会作为一支由三名宗教人士组成的队伍抵达魁北克,开始参与到新法兰西的传教活动中。恰逢天主教反改革运动…
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引用次数: 1
Death Ambushed: Sex, Fertility and Laughter in the Shadow of Pained Bodies 死亡埋伏:痛苦躯体阴影下的性、生育和欢笑
Q4 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1484/J.IKON.4.2019021
Anuradha Gobin
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引用次数: 0
The Pain of Martyrdom: Diane Victor's Ghostly Victims 殉道之痛:黛安·维克多的幽灵受害者
Q4 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1484/j.ikon.4.2019031
Karen von Veh
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引用次数: 0
Schiavoni: Artists, Nation, Ideology 斯齐亚沃尼:艺术家,国家,意识形态
Q4 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1484/J.IKON.4.2019037
Z. Blažević
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引用次数: 0
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IKON-Journal of Iconographic Studies
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