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How to Critique Authoritarian Populism最新文献

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Franz Neumann’s Behemoth and Trumpism: Comprehending the Beast of Bad Government 弗朗茨·诺伊曼的《巨兽与特朗普主义:理解坏政府的巨兽》
Pub Date : 2021-02-09 DOI: 10.1163/9789004444744_014
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引用次数: 0
“Variation within a Single Paradigm”: The Latent Authoritarian Dynamics of the Culture Industry “单一范式内的变异”:文化工业的潜在权威动力
Pub Date : 2021-02-09 DOI: 10.1163/9789004444744_010
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引用次数: 0
A Dialectical Constellation of Authoritarian Populism in the United States and Brazil 美国和巴西威权民粹主义的辩证星座
Pub Date : 2021-02-09 DOI: 10.1163/9789004444744_004
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引用次数: 3
Afterword 后记
Pub Date : 2021-02-09 DOI: 10.1163/9789004444744_021
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引用次数: 0
Dialectical Images and Contemporary Times: Thinking Critically about Authoritarian Populism 辩证形象与当代:对威权民粹主义的批判性思考
Pub Date : 2021-02-09 DOI: 10.1163/9789004444744_020
Mariana Caldas Pinto Ferreira
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引用次数: 0
What Would Jesus Do? 耶稣会怎么做?
Pub Date : 2021-02-09 DOI: 10.1163/9789004444744_011
Ak Thompson
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引用次数: 0
How to Mediate Reality: Thinking Documentary Film with Adorno and Horkheimer 如何调解现实:阿多诺与霍克海默对纪录片的思考
Pub Date : 2021-02-09 DOI: 10.1163/9789004444744_017
S. Baumann
When Robert Kramer wrote, in 1991, that “[p] ower is the possibility to define what is real,”1 he was referring to the complex political and ideological potency of documentary formats. A documentary filmmaker himself, he was well aware of the political element of perception and the persuasive force of films claiming to address reality directly. And indeed, documentaries, especially those that are transmitted through official channels, are commonly considered as serious, trustworthy productions. Allegedly based on facts, they are supposed to document, explain, reveal that which matters in the actual state of the world – the real world, the one that we share with those that appear in the films and in which “issues of life and death are always at hand,” as Bill Nichols puts it (Nichols 1991: 109). Therein lies the additional value and characteristic seriousness of documentary. And therein also lies its assumed authority: its direct association with the factual world grants it with a specific credibility
罗伯特·克莱默(Robert Kramer)在1991年写道,“权力是定义什么是真实的可能性”1,他指的是纪录片形式所具有的复杂的政治和意识形态潜能。作为一名纪录片制片人,他非常清楚感知的政治因素,以及声称直接处理现实的电影的说服力。事实上,纪录片,尤其是那些通过官方渠道传播的纪录片,通常被认为是严肃、值得信赖的作品。据称,它们是基于事实,应该记录、解释、揭示在现实世界中什么是重要的——现实世界,我们与电影中出现的人共享的世界,正如比尔·尼科尔斯所说的那样,“生死问题总是近在眼前”(尼科尔斯1991:109)。这就是纪录片的附加价值和特有的严肃性。这也体现了它被假定的权威:它与现实世界的直接联系赋予了它特定的可信度
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引用次数: 0
Capital Fetishism and the Authoritarian Personality: Critical Theory in the Weimar Years 资本拜物教与威权人格:魏玛时期的批判理论
Pub Date : 2021-02-09 DOI: 10.1163/9789004444744_005
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引用次数: 0
Mythology, Enlightenment, and Dialectic: Determinate Negation 神话、启蒙与辩证法:决定性的否定
Pub Date : 2021-02-09 DOI: 10.1163/9789004444744_006
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引用次数: 0
Donald Trump and the Stigmata of Democracy: Adorno and the Consolidation of a Religious Racket 唐纳德·特朗普与民主的污点:阿多诺与宗教骗局的巩固
Pub Date : 2021-02-09 DOI: 10.1163/9789004444744_015
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引用次数: 0
期刊
How to Critique Authoritarian Populism
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