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Reviewers 2020 评论者2020
Q2 Social Sciences Pub Date : 2021-02-11 DOI: 10.1080/00320447.2021.1884933
Robert J. Hoard
(2021). Reviewers 2020. Plains Anthropologist: Vol. 66, No. 258, pp. 171-171.
(2021)。评论者2020。平原人类学家:第66卷,第258期,第171-171页。
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引用次数: 0
Household Economy at Wall Ridge: A Fourteenth-Century Central Plains Farmstead in the Missouri Valley Wall Ridge的家庭经济:密苏里河谷14世纪的中原农场
Q2 Social Sciences Pub Date : 2021-02-01 DOI: 10.1080/00320447.2020.1864713
D. Gradwohl
This attractive and informative tome deals with a farmstead occupied during the early 1300s AD along the Missouri River Valley in the Glenwood locality of southwest Iowa. The editors and principal ...
这本引人入胜、内容丰富的大部头书讲述了公元13世纪初,爱荷华州西南部格伦伍德地区密苏里河谷沿岸的一个农场。编辑和校长。。。
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引用次数: 0
New discoveries of Vertical Series and Foothills Abstract rock art at Writing-on-Stone, DgOv-2, southern Alberta 垂直系列和山麓的新发现在阿尔伯塔省南部DgOv-2的石刻抽象岩石艺术
Q2 Social Sciences Pub Date : 2021-02-01 DOI: 10.1080/00320447.2021.1875315
M. Turney, L. Bendiak, J. Brink
Writing-on-Stone Provincial Park and the surrounding region is home to one of the largest collections of rock art on the Great Plains. The painted and carved rock art images have been classified as overwhelmingly belonging to the established Plains Biographic and Plains Ceremonial traditions. Images associated with two lesser known Plains traditions, Vertical Series and Foothills Abstract, have not been previously reported anywhere within the greater Writing-on-Stone region. This paper reports on the discovery of several unambiguous instances of Vertical Series and Foothills Abstract rock art at a site located in the heart of the Writing-on-Stone rock art complex. These panels are illustrated and described, possible age and affiliation are discussed, and the placement of this discovery within the Vertical Series and Foothills Abstract traditions is addressed. It is argued that more instances of these poorly known rock art traditions exist within the Writing-on-Stone region but have previously defied recognition.
斯通省级公园及其周边地区的文字收藏是大平原上最大的岩石艺术收藏之一。绘画和雕刻的岩石艺术图像被归类为绝大多数属于既定的平原传记和平原仪式传统。与两个鲜为人知的平原传统,垂直系列和山麓摘要有关的图像,以前在更大的石上书写地区没有报道过。本文报道了在位于石上书写艺术综合体中心的一个地点发现的几个明确的垂直系列和山麓抽象岩石艺术实例。对这些面板进行了说明和描述,讨论了可能的年龄和隶属关系,并讨论了这一发现在垂直系列和山麓抽象传统中的位置。有人认为,这些鲜为人知的岩石艺术传统在石上书写地区存在着更多的例子,但以前从未得到认可。
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引用次数: 0
Mortars, maize, and Central Plains tradition farmers 臼,玉米,和中原传统农民
Q2 Social Sciences Pub Date : 2021-02-01 DOI: 10.1080/00320447.2021.1878003
D. Bamforth
Plains archaeologists have referred to a class of features they have labelled mortar holes at least since the 1940s. These features are typically postholes identified in locations in the floors of houses that seem unlikely to have supported the weight of the house’s roof. Instead, researchers suggest that these holes once held wooden mortars used to process maize and other materials. These references are uneven: essentially identical features are labelled pocket caches or simply marked as posts in many cases. This paper discusses archaeological features likely to have held mortars in light of the use of wooden mortars in recent times on the Plains, outlines patterns in the distribution of possible mortar holes on the Central Plains and Middle Missouri, and sketches some of the important topics they may help us to study. These include the possibility that they can help to identify broad differences in the general kinds of maize grown in different areas and that they document variation in the gendered use of space within the house in different parts of the Plains.
至少从20世纪40年代开始,平原考古学家就提到了一类他们称之为灰浆洞的特征。这些特征通常是房屋地板上的凹坑,这些凹坑似乎不太可能支撑房屋屋顶的重量。相反,研究人员认为,这些洞曾经装有用于加工玉米和其他材料的木臼。这些引用是参差不齐的:在许多情况下,本质上相同的特征被标记为口袋缓存或简单地标记为帖子。本文根据近期平原上使用木制迫击炮的情况,讨论了可能持有迫击炮的考古特征,概述了中部平原和密苏里中部可能的迫击炮孔的分布模式,并概述了它们可能有助于我们研究的一些重要主题。其中包括,它们可以帮助识别不同地区种植的一般玉米种类的广泛差异,以及它们记录了平原不同地区房屋内空间的性别使用差异。
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引用次数: 0
Medicine Wheels of the Plains and Rocky Mountains: An Update Compendium (Reeves and Kennedy) and edited collection of the works by John Brumley, Ted Birnie, Rebecca Kallevig, Barry Dau, Trevor Peck and Dean Wetzel 《平原和落基山脉的药轮:更新汇编》(里维斯和肯尼迪出版)和约翰·布鲁姆利、特德·伯尼、丽贝卡·克索维格、巴里·道、特雷弗·派克和迪恩·韦泽尔的作品集
Q2 Social Sciences Pub Date : 2021-01-02 DOI: 10.1080/00320447.2020.1824262
G. Stuart
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引用次数: 0
Texas Clovis Fluted Point Survey (TCFPS): Call for Data 德克萨斯州克洛维斯槽点测量(TCFPS):数据征集
Q2 Social Sciences Pub Date : 2021-01-02 DOI: 10.1080/00320447.2020.1855071
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引用次数: 5
Reanalysis of equid faunal remains from the Blacks Fork River site (48SW8319): A unique look at a protohistoric horse in Wyoming 对Blacks Fork River遗址马类遗骸的重新分析(48SW8319):怀俄明州一匹原始历史马的独特观察
Q2 Social Sciences Pub Date : 2021-01-02 DOI: 10.1080/00320447.2020.1819180
Cassidee A. Thornhill
The reintroduction of Equus caballus (horse) into North America during European-American contact altered Native American life on the Plains. The horse influenced a variety of cultural practices, including transportation and warfare. Despite the impact of the horse on Native Plains cultures, there is a paucity of horse remains in the archaeological record in Wyoming and the Great Plains in general. In this article, the results of a reanalysis of a set of horse remains from the Protohistoric Period are described. The horse remains from the Blacks Fork River site in Wyoming provides a unique opportunity to examine a preserved interaction between humans and a horse from the early contact period. Reanalysis includes a re-examining of the faunal elements to re-establish the horse's age and evidence of butchering and radiocarbon dating to confirm the temporal span of the remains.
在欧美接触期间,马重新引入北美,改变了美洲原住民在平原上的生活。马影响了各种文化习俗,包括运输和战争。尽管马对原住民平原文化产生了影响,但在怀俄明州和大平原的考古记录中,马的遗骸却很少。本文介绍了一组史前时期马遗骸的再分析结果。怀俄明州Blacks Fork河遗址的马遗骸为研究早期接触时期人类和马之间保存下来的相互作用提供了一个独特的机会。重新分析包括重新检查动物区系元素,以重新确定马的年龄,以及屠宰和放射性碳年代测定的证据,以确认遗骸的时间跨度。
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引用次数: 1
Plains Anthropological Society2020 Distinguished Service Award Lawrence L. Loendorf 平原人类学学会2020年杰出服务奖劳伦斯·l·伦多夫
Q2 Social Sciences Pub Date : 2021-01-02 DOI: 10.1080/00320447.2020.1858396
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引用次数: 0
Petroglyphs of the Kansas Smokey Hills 堪萨斯州斯莫基山的岩画
Q2 Social Sciences Pub Date : 2020-12-11 DOI: 10.1080/00320447.2020.1841071
J. Keyser
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引用次数: 0
When Dream Bear Sings: Native Literatures of the Southern Plains 当梦熊歌唱:南方平原的乡土文学
Q2 Social Sciences Pub Date : 2020-12-11 DOI: 10.1080/00320447.2020.1851852
Alison M. Hadley
When Dream Bear Sings edited by Gus Palmer, Jr. is an ambitious volume that brings together the tribal stories, myths, folktales, and personal sketches and poems from multiple scholars and artists. The volume is organized by seven language families and a language isolate. Within these sections are individual works for each language family: one in Athabaskan, one in Kiowa-Tanoan, one in a language isolate (Tonkawa), two in Uto-Aztecan, four in Iroquoian, seven in Caddoan, nine in Siouan, and eleven in Algonquian. Some of the works have been previously published and are newly translated, and some stories are published for the first time. The introduction to the text comments on the cultural landscape of the Southern Great Plains, discussing the people that lived there before and after removal efforts. This edited volume includes works from both of these groups. The introduction also notes the importance of language survival and the noble efforts presented here to retain the original orthography. Much of the introduction discusses the controversies of translations, including the way that stories change when they are transcribed into another language. Additionally, oral narratives are indelibly changedwhen they are written in any language. Cultural context is also important when reading and interpreting the stories included in the book. Palmer notes that native knowledge has increased over the years with Pan-Indianmovements and language preservation programs. An ever-present challenge is accurately translating a work into another language and attempting to convey its meaning by getting to the “heart of things”. The Algonquian language family contains six different groups, Cheyenne with six stories and the other five (Absentee Shawnee, Kickapoo, Lenape, Miami, and Potawatomi) each with a single story. The Cheyenne section of the text begins with a Gordon Yellowman’s explanation of storytelling traditions and the appropriate time of day and season for each type of tale. “The Bear and the Coyote” is documented in Cheyenne and then translated into English by Joyce Twins. The other four stories were told by Birdie Burns of the Cheyenne tribe and discuss ancient lifeways of the Cheyenne. The Absentee Shawnee chapter written by the editor includes a brief background on the language and a pronunciation guide. The short poems in this section were written by Pauline Wahpepah, a native speaker and teacher, and are entitled Eagle, Bear, Sun, and Flower. The selection for the Kickapoo language byMosiah Bluecloud is from a story discovered in the basement of the Kickapoo Secondary Administration Building in McCloud, Oklahoma. The tale is about motorcyclists harassing an Indian man at a diner and the man gets his revenge. The Lenape section contains background on the language as well as a map on the tribe’s removal. The story about the origin of the woman dance is recorded in Lenape and English. An interesting addition in this chapter is a link that directs readers
小古斯·帕尔默主编的《当梦熊歌唱》是一本雄心勃勃的书,汇集了部落故事、神话、民间故事、多位学者和艺术家的个人素描和诗歌。该卷由七个语系和一个语言隔离区组成。在这些章节中,每个语系都有单独的作品:一部在阿萨巴斯卡语,一部在基奥瓦-塔诺安语,一个在语言隔离区(通川语),两部在乌托阿兹特克语,四部在易洛魁语,七部在加多安语,九部在苏安语,十一部在阿尔冈基语。其中一些作品之前已经出版并被新翻译,还有一些故事是首次出版。正文引言评述了南方大平原的文化景观,论述了人们在迁移前后的努力。这本经过编辑的卷包括这两个小组的作品。引言还指出了语言生存的重要性,以及为保留原始正字法所做的崇高努力。引言的大部分内容都讨论了翻译的争议,包括故事被转录成另一种语言时的变化方式。此外,口头叙述在用任何语言书写时都会发生不可磨灭的变化。在阅读和解读书中的故事时,文化背景也很重要。帕尔默指出,随着泛印度运动和语言保护计划的实施,本土知识近年来有所增加。一个永远存在的挑战是将一件作品准确地翻译成另一种语言,并试图通过触及“事物的核心”来传达其含义。阿尔冈基语系包含六个不同的族群,夏安语有六个故事,其他五个族群(Absentee Shawnee、Kickapoo、Lenape、Miami和Potawatomi)各有一个故事。文本的夏安部分以戈登·耶洛曼对讲故事传统的解释以及每种类型故事的适当时间和季节开始。《熊与狼》在夏延有记载,随后由乔伊斯·特温翻译成英文。另外四个故事由夏延族的伯迪·伯恩斯讲述,并讨论了夏延族古老的生活方式。编辑撰写的《缺席的肖尼》一章包括一个简短的语言背景和发音指南。本节中的短诗由母语为波林·瓦佩帕的教师创作,题为《鹰、熊、太阳和花》。Mosiah Bluecloud对Kickapoo语言的选择来自于在俄克拉荷马州麦克劳德市KickapooSecondary Administration大楼地下室发现的一个故事。这个故事是关于摩托车手在一家餐馆骚扰一名印度男子,该男子得到了报复。Lenape部分包含语言背景以及部落迁移地图。关于女子舞蹈起源的故事用勒纳佩语和英语记载。本章中一个有趣的补充是一个链接,引导读者阅读Lenape故事的原始录音。David Costa提供了迈阿密语言的详细背景和叙述者(Kiišikohkwa,或Elizabeth Valley)。迈阿密部分以“狐狸和狼的故事”结尾。Justin Neely引入并转录的Potawatomi选集告诉了春天的起源。平原人类学家,第66卷第258期,2021年5月,172–174
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Plains Anthropologist
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