In this paper I consider how debates in critical cartography about the classificatory and calculative logics of the map might be renegotiated through the concepts of “making-kin,” “sympoesis,” and the chthonic. Between Haraway’s (2014) Staying With The Trouble and Foucault’s (2002) writings on mathesis and taxinomia in The Order of Things, I argue that a more situated understanding of mapping—as an entanglement between people, tools, landscapes, cultures—might realise a more open, and more attentive, way of mapping. I return to the popular case study, OpenStreetMap, to excavate how the use and misuse of taxonomic and mathematical logics through its collaborative and amateur affordabilities shed light on different ways of sorting-with the world. I argue that, in the unexpected emergence of proposed classifications (and despite the disciplining power of cartographic discourses), roots of a new and more inclusive cartography linger in the archive, waiting to be fertilsed.
{"title":"“Mapping-with”: The Politics of (Counter-)classification in OpenStreetMap","authors":"C. Wilmott","doi":"10.14714/CP92.1451","DOIUrl":"https://doi.org/10.14714/CP92.1451","url":null,"abstract":"In this paper I consider how debates in critical cartography about the classificatory and calculative logics of the map might be renegotiated through the concepts of “making-kin,” “sympoesis,” and the chthonic. Between Haraway’s (2014) Staying With The Trouble and Foucault’s (2002) writings on mathesis and taxinomia in The Order of Things, I argue that a more situated understanding of mapping—as an entanglement between people, tools, landscapes, cultures—might realise a more open, and more attentive, way of mapping. I return to the popular case study, OpenStreetMap, to excavate how the use and misuse of taxonomic and mathematical logics through its collaborative and amateur affordabilities shed light on different ways of sorting-with the world. I argue that, in the unexpected emergence of proposed classifications (and despite the disciplining power of cartographic discourses), roots of a new and more inclusive cartography linger in the archive, waiting to be fertilsed.","PeriodicalId":35716,"journal":{"name":"Cartographic Perspectives","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44903628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review of Mapping Asia: Cartographic Encounters Between East and West","authors":"Jasmin Khangura","doi":"10.14714/CP93.1553","DOIUrl":"https://doi.org/10.14714/CP93.1553","url":null,"abstract":"","PeriodicalId":35716,"journal":{"name":"Cartographic Perspectives","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47869887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review of Theater of the World: The Maps that Made History","authors":"Carolyn Hansen","doi":"10.14714/CP92.1539","DOIUrl":"https://doi.org/10.14714/CP92.1539","url":null,"abstract":"","PeriodicalId":35716,"journal":{"name":"Cartographic Perspectives","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47607050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this article, we aim to show the implementation of a kind of mapping that combines spatial experience, sensitive cartography, and choreographic scores. We explore this approach through an experiment led in the city of Washington, DC, in and around the Franklin Delano Roosevelt (FDR) Memorial, in July 2017. Showing how research and creation can support each other, such an experiment locates the map in the sensory and emotional side of cartographic practices, which leads us to reconsider how the spatialized and temporalized language of an experience might be reconstructed with drawings and writings. In other words, the map-score methodology allows us to observe how the experience of a place may be recorded during fieldwork (memory, drawings, notebooks) to create an archive that extends and enhances our knowledge of sensory perceptions, emotions, and points of view. This kind of experiment allows another regime of reflective cartographic practice, one that reconsiders its spatial and temporal dimensions and its modes of creation.
{"title":"Perform the Map: Using Map-Score Experiences to Write and Reenact Places","authors":"Élise Olmedo, Mathilde Christmann","doi":"10.14714/CP91.1486","DOIUrl":"https://doi.org/10.14714/CP91.1486","url":null,"abstract":"In this article, we aim to show the implementation of a kind of mapping that combines spatial experience, sensitive cartography, and choreographic scores. We explore this approach through an experiment led in the city of Washington, DC, in and around the Franklin Delano Roosevelt (FDR) Memorial, in July 2017. Showing how research and creation can support each other, such an experiment locates the map in the sensory and emotional side of cartographic practices, which leads us to reconsider how the spatialized and temporalized language of an experience might be reconstructed with drawings and writings. In other words, the map-score methodology allows us to observe how the experience of a place may be recorded during fieldwork (memory, drawings, notebooks) to create an archive that extends and enhances our knowledge of sensory perceptions, emotions, and points of view. This kind of experiment allows another regime of reflective cartographic practice, one that reconsiders its spatial and temporal dimensions and its modes of creation. ","PeriodicalId":35716,"journal":{"name":"Cartographic Perspectives","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48928190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review of Getting to Know Web GIS, Third Edition","authors":"Melo King","doi":"10.14714/CP92.1537","DOIUrl":"https://doi.org/10.14714/CP92.1537","url":null,"abstract":"","PeriodicalId":35716,"journal":{"name":"Cartographic Perspectives","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47057278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Is the cover art for Joy Division’s 1979 a lbum Unknown Pleasures (Figure 1) the most famous data visualization in popular culture? I suspect so. The image, based on a plot from an astronomy dissertation (Craft 1970), displays radio intensities from the first known pulsar. As designed by Peter Saville, though, all we see is an unlabeled, mysterious landscape. Forty years later the artwork remains both a sublime representation of the band’s sound and an icon of commercial art.
Joy Division 1979年的封面艺术是流行文化中最著名的数据可视化吗？我怀疑是这样。这张图片是根据天文学论文（Craft 1970）中的一张图绘制的，显示了第一颗已知脉冲星的无线电强度。然而，正如彼得·萨维尔所设计的那样，我们所看到的只是一个未标记的神秘景观。四十年后，这件艺术品仍然是乐队声音的崇高代表，也是商业艺术的象征。
{"title":"Cartographic Pleasures: Maps Inspired by Joy Division’s Unknown Pleasures Album Art","authors":"T. White","doi":"10.14714/CP92.1536","DOIUrl":"https://doi.org/10.14714/CP92.1536","url":null,"abstract":"Is the cover art for Joy Division’s 1979 a lbum Unknown Pleasures (Figure 1) the most famous data visualization in popular culture? I suspect so. The image, based on a plot from an astronomy dissertation (Craft 1970), displays radio intensities from the first known pulsar. As designed by Peter Saville, though, all we see is an unlabeled, mysterious landscape. Forty years later the artwork remains both a sublime representation of the band’s sound and an icon of commercial art.","PeriodicalId":35716,"journal":{"name":"Cartographic Perspectives","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43988351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review of Service-Oriented Mapping: Changing Paradigm in Map Production and Geoinformation Management","authors":"Amy E. Rock","doi":"10.14714/CP92.1535","DOIUrl":"https://doi.org/10.14714/CP92.1535","url":null,"abstract":"","PeriodicalId":35716,"journal":{"name":"Cartographic Perspectives","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48677770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Locating places using maps on mobile devices is an increasingly common practice in modern life. Such maps, including Google Maps and Apple Maps, inform and shape users’ geographic understandings. Existing research finds that those who navigate with mobile devices tend to recall landmarks rather than more comprehensive forms of geographic knowledge. However, most of that research gives minimal consideration to social context. Utilizing a qualitative approach and drawing on critical work on vision, maps, and digital data, we explore the contextual, economic circumstances that partially shape the production of users’ geographic knowledge through their consumption of mobile device maps. In a focus group experiment, mobile device map users frequently referred to a particular business, a Starbucks location, in a location-finding task. This indicates that social, contextual considerations are important to informing geographic knowledges; the map application providers’ business strategies, chiefly advertising, lead to an emphasis on business-type points of interest in mobile maps, which could shape users’ subsequent geographic knowledges. This has implications not only for mobile device use, but how technology companies’ maps potentially affect everyday understandings of the world around us.
{"title":"Seeing by the Starbucks: The Social Context of Mobile Maps and Users’ Geographic Knowledges","authors":"Craig M. Dalton, Jim Thatcher","doi":"10.14714/CP92.1447","DOIUrl":"https://doi.org/10.14714/CP92.1447","url":null,"abstract":"Locating places using maps on mobile devices is an increasingly common practice in modern life. Such maps, including Google Maps and Apple Maps, inform and shape users’ geographic understandings. Existing research finds that those who navigate with mobile devices tend to recall landmarks rather than more comprehensive forms of geographic knowledge. However, most of that research gives minimal consideration to social context. Utilizing a qualitative approach and drawing on critical work on vision, maps, and digital data, we explore the contextual, economic circumstances that partially shape the production of users’ geographic knowledge through their consumption of mobile device maps. In a focus group experiment, mobile device map users frequently referred to a particular business, a Starbucks location, in a location-finding task. This indicates that social, contextual considerations are important to informing geographic knowledges; the map application providers’ business strategies, chiefly advertising, lead to an emphasis on business-type points of interest in mobile maps, which could shape users’ subsequent geographic knowledges. This has implications not only for mobile device use, but how technology companies’ maps potentially affect everyday understandings of the world around us. ","PeriodicalId":35716,"journal":{"name":"Cartographic Perspectives","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45731579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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