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Drawing: Research, Theory, Practice最新文献

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Drawing absence 图纸没有
Q3 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1386/drtp_00070_7
Graça Magalhães
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引用次数: 0
From the ground up: Drawing on phenomenology 从头开始:利用现象学
Q3 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1386/drtp_00066_1
T. Borg
To draw on something means to allow yourself to be informed by and to heed the clues, suggestions and directions emanating from another source. The aim of this article is to describe how walking, as an embodied form of visual and performative practice, might open up opportunities and avenues for an expanded drawing approach. The first step is to plant one’s feet on the ground and let yourself be drawn to the terrain. The whole experience emerges from the terrain and thus it can be considered as drawing from the ground up. This article discusses and considers how un/planned perambulations can be transformed into a drawing(-out) tool that extends the meaning of the practice to comprise multimodal extrapolations and a diverse range of media. The eclectic approaches discussed in this article draw heavily on phenomenology and bear traces of a grounded theory that borrows from deep mapping combined with aspects of Dasein, which can be discerned throughout the process. The discussion explores the wider meaning of drawing as a form of seeing and making in response to place and time, while it attempts to push drawing beyond the limits imposed by a restricted flat surface.
To draw on something的意思是让自己从另一个来源获得信息,并注意线索、建议和方向。这篇文章的目的是描述行走,作为一种视觉和表演实践的具体形式,如何为扩展的绘画方法开辟机会和途径。第一步是脚踏实地,让自己被地形所吸引。整个体验从地形中浮现出来,因此它可以被认为是从地面开始绘制的。本文讨论并考虑了如何将未计划的漫步转化为一种绘图(输出)工具,将实践的意义扩展到包括多模态外推和多种媒体。本文中讨论的折衷主义方法在很大程度上借鉴了现象学,并留下了一种扎根理论的痕迹,这种理论借鉴了与此在的各个方面相结合的深度映射,这可以在整个过程中辨别出来。讨论探讨了绘画作为一种对地点和时间作出反应的观看和制作形式的更广泛意义,同时它试图推动绘画超越受限制的平面所施加的限制。
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引用次数: 0
Black book blackboard black book: A drawing-based strategy for knowledge transfer 黑板书黑板书:一种基于绘图的知识转移策略
Q3 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1386/drtp_00071_1
Rui Barreira
This paper reflects on a project run in a first-year class of art and design degree, in the Curricular Unit of Art and Design Theory. The objective of the project was to investigate the potential of a teaching protocol where a set of drawings were generated in class by the teacher to facilitate knowledge transfer in the classroom. The drawings generated by the teacher in class have not been treated or explored as a strategy as such, but they supported the delivery of theoretical content in the classroom. As part of the teaching theory protocol, a series of drawings were built as a sequential visual narrative, in the form of a story; these drawings, acting as visual narratives, sought to enable students to understand the theoretical content. At the end of the sessions, all students involved in the project were evaluated through surveys, to gather evidence of their understanding of theory. The results obtained suggest that the use of drawing as a tool in explaining theory facilitates a better understanding of theoretical concepts for students. It also allows the teacher to clarify and adjust unclear points in the lectures, and as such this protocol could function as a recursive strategy. In conclusion, the simplicity of this strategy could benefit students with cognitive difficulties, offering a complementary approach in the dialogue between teacher and student. This approach is particularly useful in contributing to the transfer of knowledge in the classroom in a digital age.
本文反映了艺术与设计学位一年级课程中艺术与设计理论课程单元的一个项目。该项目的目的是研究一种教学协议的潜力,在这种协议中,教师在课堂上生成一套图纸,以促进课堂上的知识转移。老师在课堂上生成的图画并没有被当作一种策略来对待或探索,但它们支持了课堂上理论内容的传递。作为教学理论协议的一部分,一系列的图画以故事的形式作为连续的视觉叙事;这些图画作为视觉叙事,试图让学生理解理论内容。在课程结束时,所有参与该项目的学生都通过调查进行评估,以收集他们对理论理解的证据。结果表明,使用绘图作为解释理论的工具有助于学生更好地理解理论概念。它还允许教师澄清和调整讲座中不清楚的点,因此该协议可以作为递归策略发挥作用。总之,这种策略的简单性可以使有认知困难的学生受益,为师生之间的对话提供了一种互补的方法。这种方法在促进数字时代课堂上的知识转移方面特别有用。
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引用次数: 1
Evoking a Sign | Perceiving an Image. Toba Khedoori: Drawn Painting (trans. M. L. Dobrian), Monika Leisch-Kiesl (2021) 唤醒一个符号b|感知一个图像。Toba Khedoori:绘画(译)M. L.多布里安),莫妮卡·莱希-基斯尔(2021)
Q3 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1386/drtp_00075_7
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引用次数: 0
Drawing studies: An academic field established in the twenty-first century 绘画研究:21世纪建立的一个学术领域
Q3 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1386/drtp_00063_2
E. Côrte-Real
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引用次数: 0
Practical Considerations for Health Professionals on Using Drawing 卫生专业人员使用绘图的实际考虑
Q3 Arts and Humanities Pub Date : 2021-10-25 DOI: 10.1108/978-1-83867-325-320211005
Curie Scott
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引用次数: 0
Useful Drawing Resources 有用的绘图资源
Q3 Arts and Humanities Pub Date : 2021-10-25 DOI: 10.1108/978-1-83867-325-320211007
Curie Scott
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引用次数: 0
Ways of Engaging with Drawing 参与绘画的方式
Q3 Arts and Humanities Pub Date : 2021-10-25 DOI: 10.1108/978-1-83867-325-320211004
Curie Scott
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引用次数: 0
Potential Challenges of Drawing and How to Conquer Them 绘画的潜在挑战以及如何克服它们
Q3 Arts and Humanities Pub Date : 2021-10-25 DOI: 10.1108/978-1-83867-325-320211006
Curie Scott
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引用次数: 0
An Introduction to Drawing 绘画入门
Q3 Arts and Humanities Pub Date : 2021-10-25 DOI: 10.1108/978-1-83867-325-320211001
Curie Scott
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引用次数: 0
期刊
Drawing: Research, Theory, Practice
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