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The Quiet Delight of the Nineteenth Century: ῾Serenity and Delight᾽ at the Saint Petersburg Manege (12 November 2021-30 January 2022) 19世纪宁静的喜悦:圣彼得堡马涅涅的宁静与喜悦(2021年11月12日- 2022年1月30日)
Временник Зубовского института
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_1_183
A. Korolev
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引用次数: 0
Mark Zakharov᾽s Production of All In(Va-bank, Lenkom, 2004): Plot, Genre, Hero, and Acting Methods 马克·扎哈罗夫制作的《All In》(Va-bank, Lenkom, 2004):情节、类型、英雄和表演方法
Временник Зубовского института
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_1_171
A. Ryaposov
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引用次数: 0
Roman Ilych Gruber: Additions to the ‘Saint Petersburg Portfolio’ 罗曼·伊里奇·格鲁伯:“圣彼得堡作品集”的补充
Временник Зубовского института
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_3_161
A. Logunova
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引用次数: 0
Performances from Bygone Eras: The History of the Maly Wooden Theatre 从过去时代的表演:马利木剧院的历史
Временник Зубовского института
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_1_154
M. Konstantinova
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引用次数: 0
Dmitri Bortniansky’s Spiritual Cantatas with Orchestra 德米特里·波特尼扬斯基与管弦乐队的精神康塔塔
Временник Зубовского института
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_3_48
A. Chuvashov
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引用次数: 0
Conceptualising Abram Gozenpud’s Creative Identity through his Correspondence, 1972-1984 从1972-1984年的书信中概念化亚伯兰·戈赞普德的创造性身份
Временник Зубовского института
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_2_203
Lyudmila Zhuikova
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引用次数: 0
An Apologia for Analogies, or Prolegomena on Typological Parallels Between the Instrumental Sections of Maqoms, and Kyrgyz Kyu 对类比的辩解，或玛库姆和吉尔吉斯·圭的乐器部分类型学上的相似之处的导论
Временник Зубовского института
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_2_84
Sagynaly Subanaliev
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引用次数: 0
Creating Virtual Values: The Art Space from Hypertextual ‘Reality’ to Transcendental Virtuality 创造虚拟价值:从超文本“现实”到超越虚拟的艺术空间
Временник Зубовского института
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_3_31
Maxim Karpets
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引用次数: 0
The Dramaturgy of Metaproductive Identity in Cinema 电影中元生产身份的戏剧化
Временник Зубовского института
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_3_98
V. Kolotaev
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引用次数: 0
The Limits of Interpretation: Brian Ferneyhough’s Piano Music 诠释的极限:布莱恩·费尼霍夫的钢琴音乐
Временник Зубовского института
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_2_131
O. Krasnogorova
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引用次数: 0
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