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From Qumran to the Synagogues最新文献

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The Figure of Moses in Ancient Synagogue Art 古代犹太教堂艺术中的摩西形象
Pub Date : 2019-03-18 DOI: 10.1515/9783110615616-019
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引用次数: 0
From the Forefathers to the “Angry Lion” Qumran and the Hasmonaeans 从祖先到“愤怒的狮子”库姆兰和哈斯蒙尼派
Pub Date : 2019-03-18 DOI: 10.1515/9783110615616-005
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引用次数: 0
The Figure of Daniel in Late Antique Synagogue Art* The Figure of Daniel in Late 但以理在晚期古董犹太教堂艺术中的形象*但以理在晚期的形象
Pub Date : 2019-03-18 DOI: 10.1515/9783110615616-021
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引用次数: 1
“Stranger in a Strange Land” Tobiah’s Journey* "异乡异客"多比雅之旅*
Pub Date : 2019-03-18 DOI: 10.1515/9783110615616-008
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引用次数: 0
List of Original Publications 原始刊物一览表
Pub Date : 2019-03-18 DOI: 10.2307/j.ctt1zxsjpf.10
T. B. Menon
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引用次数: 0
The Message of the West Wall of the Dura Synagogue 杜拉犹太教堂西墙的信息
Pub Date : 2019-03-18 DOI: 10.13173/ZEITDEUTMORGGESE.167.1.0111
G. Xeravits
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引用次数: 1
The Angel’s Self-Revelation in Tobit 12 第12章天使的自我启示
Pub Date : 2019-03-18 DOI: 10.1163/9789004324749_074
G. Xeravits
The archangel Raphael is one of the most important characters in the book of Tobit. He appears first at Tob 5:4, to accompany Tobias in his journey. The presence of the angel has a special significance in the development of the events in the following chapters. Before leaving the scene when his mission has been accomplished, Raphael calls Tobit and Tobias and gives a long farewell discourse (12:6b–15, 17b–20a). In his speech delivered within the innermost circle of the three most important characters of the book—Tobit, Tobias, and Raphael himself—the angel interprets his own figure both implicitly and explicitly: his claims depict an angelic being with a very complex scope of duties. In this study, offered in honor of John Collins, an exemplary scholar and a preeminent man, I examine the special multifunctionality of Raphael’s character. In my view, Tob 12 presents a kind of summary of the angelology of Palestinian Judaism of the last centuries Bce.1 First, in a predominantly technical section, I give an overview of the pericope. Then, in the second part, I evaluate the data concerning the character and work of the angel in question.
大天使拉斐尔是托比特书中最重要的人物之一。他首先出现在Tob 5:4,陪托拜厄斯在他的旅程。天使的出现在接下来的章节中具有特殊的意义。在他完成任务离开现场之前,拉斐尔打电话给托比特和托拜厄斯,并进行了很长的告别演说(12:6b - 15,17 b - 20a)。在书中三个最重要的人物——托比特、托拜厄斯和拉斐尔本人——的最里面的圈子里,天使的演讲既含蓄又明确地诠释了他自己的形象:他的言论描绘了一个有着非常复杂职责范围的天使。在这项研究中,为了纪念约翰·柯林斯,一位杰出的学者和杰出的人,我研究了拉斐尔性格中特殊的多功能性。在我看来,传道书第12章是对公元前最后几个世纪巴勒斯坦犹太教天使学的一种总结。首先,在一个主要是技术性的部分,我给出了伯利克里的概述。然后,在第二部分中,我评估了有关天使的性格和工作的资料。
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引用次数: 0
The Reception of the Figure of David in Late Antique Synagogue Art 晚期古代犹太教堂艺术中大卫形象的接受
Pub Date : 2018-02-19 DOI: 10.1515/9783110596373-005
G. Xeravits
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引用次数: 2
Temple and Synagogue in Late Antiquity 古代晚期的寺庙和犹太教堂
Pub Date : 2017-01-26 DOI: 10.1515/9783110467406-022
G. Xeravits, J. Zsengellér, Ibolya Balla
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引用次数: 0
The Crossing of the Sea in Pseudo-Philo 《伪斐洛》中的渡海
Pub Date : 2016-01-25 DOI: 10.1515/9783110418279-017
G. Xeravits
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引用次数: 0
期刊
From Qumran to the Synagogues
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