Pub Date : 2021-09-01DOI: 10.5840/epoche2021830203
N. Fisher
{"title":"Schelling’s Plato Notebooks, 1792–1794 in advance","authors":"N. Fisher","doi":"10.5840/epoche2021830203","DOIUrl":"https://doi.org/10.5840/epoche2021830203","url":null,"abstract":"<jats:p />","PeriodicalId":376128,"journal":{"name":"Epoché: A Journal for the History of Philosophy","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133789733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Readings of Plato’s Ion are usually guided by one of two broad assumptions about the nature of the text. The Romantic school sees the dialogue as making explicit the idea of Genius, and of the artist as a privileged seer of hidden truths. The Rationalist tendency sees the dialogue as a Socratic attack on poetry, of a piece with other dialogues—most notably, the Republic—that also critique the art. In this paper, I claim that applying a phenomenological method to the dialogue uncovers a way beyond the impasse between these two schools. Specifically, I argue that we must turn our attention away from the question of whether poetry is a human art or divinely inspired, and toward the phenomenon at the heart of the dialogue, which is poetry itself, or better put, the creative act that generates poetic language. Moreover, the Ion itself calls for such a reading.
{"title":"The Ion and Creativity","authors":"Santiago Ramos","doi":"10.5840/EPOCHE202167188","DOIUrl":"https://doi.org/10.5840/EPOCHE202167188","url":null,"abstract":"Readings of Plato’s Ion are usually guided by one of two broad assumptions about the nature of the text. The Romantic school sees the dialogue as making explicit the idea of Genius, and of the artist as a privileged seer of hidden truths. The Rationalist tendency sees the dialogue as a Socratic attack on poetry, of a piece with other dialogues—most notably, the Republic—that also critique the art. In this paper, I claim that applying a phenomenological method to the dialogue uncovers a way beyond the impasse between these two schools. Specifically, I argue that we must turn our attention away from the question of whether poetry is a human art or divinely inspired, and toward the phenomenon at the heart of the dialogue, which is poetry itself, or better put, the creative act that generates poetic language. Moreover, the Ion itself calls for such a reading.","PeriodicalId":376128,"journal":{"name":"Epoché: A Journal for the History of Philosophy","volume":"203 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121631736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-27DOI: 10.5840/EPOCHE2021526177
Michael Naas
Water, hydōr: it is the first word of ancient Greek philosophy, the word used by Thales, the first philosopher, to describe the material principle subtending all things. By the time of Plato, philosophers were proposing other kinds of non-material principles to explain diverse phenomena, principles like soul, mind, or ideas. But Plato would continue to be interested in—even fascinated by—water, water in every imaginable form, at once pure and impure, transparent and troubled, drinkable and undrinkable, flowing and still, fresh and salt, shallow and deep. In this paper, I look at Plato’s fascination with and fundamental ambivalence toward water, his understanding of water as both a political question (in his depiction of the island of Atlantis and the city of Athens) and a philosophical problem (in the myth of the cave and the divided line in the Republic and the myth of the earth in the Phaedo). I suggest by the end of the paper, using the work of Jacques Derrida in “Plato’s Pharmacy” to guide my argument, that, for Plato, water was at once the greatest danger for philosophy and its most powerful resource.
{"title":"Staying Hydrated","authors":"Michael Naas","doi":"10.5840/EPOCHE2021526177","DOIUrl":"https://doi.org/10.5840/EPOCHE2021526177","url":null,"abstract":"Water, hydōr: it is the first word of ancient Greek philosophy, the word used by Thales, the first philosopher, to describe the material principle subtending all things. By the time of Plato, philosophers were proposing other kinds of non-material principles to explain diverse phenomena, principles like soul, mind, or ideas. But Plato would continue to be interested in—even fascinated by—water, water in every imaginable form, at once pure and impure, transparent and troubled, drinkable and undrinkable, flowing and still, fresh and salt, shallow and deep. In this paper, I look at Plato’s fascination with and fundamental ambivalence toward water, his understanding of water as both a political question (in his depiction of the island of Atlantis and the city of Athens) and a philosophical problem (in the myth of the cave and the divided line in the Republic and the myth of the earth in the Phaedo). I suggest by the end of the paper, using the work of Jacques Derrida in “Plato’s Pharmacy” to guide my argument, that, for Plato, water was at once the greatest danger for philosophy and its most powerful resource.","PeriodicalId":376128,"journal":{"name":"Epoché: A Journal for the History of Philosophy","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117211798","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-19DOI: 10.5840/epoche2020108170
Simon Lambek
This article presents a reading of Nietzsche’s use of rhetoric as inseparable from his philosophical project. I provide an exegesis of Nietzsche’s own reflections on rhetoric and consider its actual deployment, arguing that Nietzsche’s rhetoric is often deliberately dissonant and oriented toward facilitating receptive effects. The aim, I suggest, is to shift politics of possibility—to alter what can and cannot be done and said politically. Dissonant rhetoric, rhetoric that marries aesthetic attunement with affective turbulence, helps to accomplish this end by shaping the way that rhetoric is received by audiences. I conclude by suggesting that Nietzsche’s rhetoric has implications for contemporary theory, shifting how we might view critical political engagement in the public sphere. Understood in this way, Nietzsche’s rhetoric provides a perhaps surprising model for a critically robust form of rhetoric.
{"title":"Nietzsche’s Rhetoric: Dissonance and Reception","authors":"Simon Lambek","doi":"10.5840/epoche2020108170","DOIUrl":"https://doi.org/10.5840/epoche2020108170","url":null,"abstract":"This article presents a reading of Nietzsche’s use of rhetoric as inseparable from his philosophical project. I provide an exegesis of Nietzsche’s own reflections on rhetoric and consider its actual deployment, arguing that Nietzsche’s rhetoric is often deliberately dissonant and oriented toward facilitating receptive effects. The aim, I suggest, is to shift politics of possibility—to alter what can and cannot be done and said politically. Dissonant rhetoric, rhetoric that marries aesthetic attunement with affective turbulence, helps to accomplish this end by shaping the way that rhetoric is received by audiences. I conclude by suggesting that Nietzsche’s rhetoric has implications for contemporary theory, shifting how we might view critical political engagement in the public sphere. Understood in this way, Nietzsche’s rhetoric provides a perhaps surprising model for a critically robust form of rhetoric.","PeriodicalId":376128,"journal":{"name":"Epoché: A Journal for the History of Philosophy","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114824964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-19DOI: 10.5840/epoche2020108168
Magnus Ferguson
I propose that Hannah Arendt’s hermeneutical philosophy can make important contributions to ongoing debates in the study of epistemic injustice. Building on Kristie Dotson’s concern that Miranda Fricker’s formulation of hermeneutical injustice is needlessly restrictive, I argue that Arendt’s concept of ‘thinking’ challenges us to imagine a form of hermeneutical virtue that is rigorously self-critical. The self-destructive tendency of Arendtian thinking may help to guard against the specific danger that Dotson identifies - namely, that an overly rigid approach to hermeneutical injustice and hermeneutical virtue can itself generate situations of epistemic injustice. Despite important differences that emerge, it is productive to bring together Fricker’s concept of hermeneutical virtue and Arendt’s concept of self-undermining thinking in order to reveal the ways in which these two corrective strategies might enrich and pose important challenges for the other.
{"title":"Hermeneutical Justice in Fricker, Dotson, and Arendt","authors":"Magnus Ferguson","doi":"10.5840/epoche2020108168","DOIUrl":"https://doi.org/10.5840/epoche2020108168","url":null,"abstract":"I propose that Hannah Arendt’s hermeneutical philosophy can make important contributions to ongoing debates in the study of epistemic injustice. Building on Kristie Dotson’s concern that Miranda Fricker’s formulation of hermeneutical injustice is needlessly restrictive, I argue that Arendt’s concept of ‘thinking’ challenges us to imagine a form of hermeneutical virtue that is rigorously self-critical. The self-destructive tendency of Arendtian thinking may help to guard against the specific danger that Dotson identifies - namely, that an overly rigid approach to hermeneutical injustice and hermeneutical virtue can itself generate situations of epistemic injustice. Despite important differences that emerge, it is productive to bring together Fricker’s concept of hermeneutical virtue and Arendt’s concept of self-undermining thinking in order to reveal the ways in which these two corrective strategies might enrich and pose important challenges for the other.","PeriodicalId":376128,"journal":{"name":"Epoché: A Journal for the History of Philosophy","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130703249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-19DOI: 10.5840/epoche2020108172
Jeffrey Reid
Greek tragedy, in Hegel’s Phenomenology of Spirit, represents the performative realization of binary political difference, for example, “private versus public,” “man versus woman” or “nation versus state.” On the other hand, Roman comedy and French Revolutionary Terror, in Hegel, can be taken as radical expressions of political in-difference, defined as a state where all mediating structures of association and governance have collapsed into a world of “bread and circuses.” In examining the dialectical interplay between binary, tragic difference and comedic, terrible in-difference, the paper arrives at hypothetical conclusions regarding how these political forms may be observed today.
{"title":"Hegel and the Politics of Tragedy, Comedy and Terror","authors":"Jeffrey Reid","doi":"10.5840/epoche2020108172","DOIUrl":"https://doi.org/10.5840/epoche2020108172","url":null,"abstract":"Greek tragedy, in Hegel’s Phenomenology of Spirit, represents the performative realization of binary political difference, for example, “private versus public,” “man versus woman” or “nation versus state.” On the other hand, Roman comedy and French Revolutionary Terror, in Hegel, can be taken as radical expressions of political in-difference, defined as a state where all mediating structures of association and governance have collapsed into a world of “bread and circuses.” In examining the dialectical interplay between binary, tragic difference and comedic, terrible in-difference, the paper arrives at hypothetical conclusions regarding how these political forms may be observed today.","PeriodicalId":376128,"journal":{"name":"Epoché: A Journal for the History of Philosophy","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115688530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-19DOI: 10.5840/epoche20201014173
Pascal J. Massie
This essay addresses the following questions: How does the meta-sensory function of koine aisthesis (sensing-that-I-sense) relate to its other functions? How can a meta-level arise from the immanence of sensation? Can we give an account of meta-sensation that doesn’t assume a transcendental plane? My contention is that (a) the representationalist model doesn’t apply to Aristotle and that (b) Aristotle offers an alternative that is worth exploring. I propose to interpret the meta-sensory power of the koine aisthesis in terms of the sensing of the limits of perception. The sensing of the limit of sensation is the sensing of sensation itself qua potentiality as exemplified by Aristotle’s observations on the experience of seeing darkness or hearing silence. If it is so, sensing-that-I-sense doesn’t require an appeal to a transcendent faculty and arises from the immanent experience of sensation itself.
这篇文章解决了以下问题:koine aisthesis(感觉-that- i -sense)的元感觉功能如何与它的其他功能相关?元层次是如何从感觉的内在性中产生的?我们能否给出一个不假设先验层面的元感觉解释?我的论点是:(a)表征主义模型不适用于亚里士多德，(b)亚里士多德提供了一个值得探索的替代方案。我建议从感知感知极限的角度来解释共通论题的超感官力量。对感觉极限的感知是对感觉本身的一种潜在的感知，正如亚里士多德对看到黑暗或听到寂静的经验的观察所例证的那样。如果是这样的话，感觉即我的感觉不需要求助于超验的能力，而是来自感觉本身的内在经验。
{"title":"Seeing Darkness, Hearing Silence","authors":"Pascal J. Massie","doi":"10.5840/epoche20201014173","DOIUrl":"https://doi.org/10.5840/epoche20201014173","url":null,"abstract":"This essay addresses the following questions: How does the meta-sensory function of koine aisthesis (sensing-that-I-sense) relate to its other functions? How can a meta-level arise from the immanence of sensation? Can we give an account of meta-sensation that doesn’t assume a transcendental plane? My contention is that (a) the representationalist model doesn’t apply to Aristotle and that (b) Aristotle offers an alternative that is worth exploring. I propose to interpret the meta-sensory power of the koine aisthesis in terms of the sensing of the limits of perception. The sensing of the limit of sensation is the sensing of sensation itself qua potentiality as exemplified by Aristotle’s observations on the experience of seeing darkness or hearing silence. If it is so, sensing-that-I-sense doesn’t require an appeal to a transcendent faculty and arises from the immanent experience of sensation itself.","PeriodicalId":376128,"journal":{"name":"Epoché: A Journal for the History of Philosophy","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131061406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-19DOI: 10.5840/epoche2020108167
Matthew S. Berry
Scholars have advanced many different interpretations of Aristotle’s discussion of “the naturally just” in the Nicomachean Ethics. Most of these interpretations, however, pay insufficient attention to the context into which Aristotle introduces the concept, and in particular to Aristotle’s discussion of political justice, of which “the naturally just” is only a part. This paper seeks to recover that context and to offer a new interpretation of “the naturally just” as the part of political justice that is derived from the nature of republican politics, rather than from the agreement of fellow citizens.
{"title":"The Natural Part of Political Justice in Aristotle’s Nicomachean Ethics","authors":"Matthew S. Berry","doi":"10.5840/epoche2020108167","DOIUrl":"https://doi.org/10.5840/epoche2020108167","url":null,"abstract":"Scholars have advanced many different interpretations of Aristotle’s discussion of “the naturally just” in the Nicomachean Ethics. Most of these interpretations, however, pay insufficient attention to the context into which Aristotle introduces the concept, and in particular to Aristotle’s discussion of political justice, of which “the naturally just” is only a part. This paper seeks to recover that context and to offer a new interpretation of “the naturally just” as the part of political justice that is derived from the nature of republican politics, rather than from the agreement of fellow citizens.","PeriodicalId":376128,"journal":{"name":"Epoché: A Journal for the History of Philosophy","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116759321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-19DOI: 10.5840/epoche2020108171
L. Privitello
This paper is Part II of my study entitled “Approaching the Parmenidean Sublime: A New Translation and Resequencing of the Fragments of Parmenides.” What I seek to accomplish here is to elaborate on my resequencing/translation decisions, and take up the more thorny philosophical/juridical aspects of my position previously mentioned, yet condensed, in “Notes to Translator’s Introduction,” and “Notes on the Fragments.” I believe that this continued engagement with the fragments of Parmenides makes up the “dutiful apprenticeship” intrinsically represented in the poem’s teacher-student exchange, and in the request to convey the story. The request to convey the story is still alive and well in Parmenidean studies. This passing along of a teaching, its history, and its style, makes up the essence of an apprenticeship, whether artistic, philosophical, or as a social ontology. To streamline my references to the poem, I will use only my translated and resequenced fragment and line numbers found in my article, “Approaching the Parmenidean Sublime: A New Translation and Resequencing of the Fragments of Parmenides,” from Volume 23, Number 1, pages 1–18, Fall 2018, of this journal.
{"title":"Approaching the Parmenidean Sublime—Part II","authors":"L. Privitello","doi":"10.5840/epoche2020108171","DOIUrl":"https://doi.org/10.5840/epoche2020108171","url":null,"abstract":"This paper is Part II of my study entitled “Approaching the Parmenidean Sublime: A New Translation and Resequencing of the Fragments of Parmenides.” What I seek to accomplish here is to elaborate on my resequencing/translation decisions, and take up the more thorny philosophical/juridical aspects of my position previously mentioned, yet condensed, in “Notes to Translator’s Introduction,” and “Notes on the Fragments.” I believe that this continued engagement with the fragments of Parmenides makes up the “dutiful apprenticeship” intrinsically represented in the poem’s teacher-student exchange, and in the request to convey the story. The request to convey the story is still alive and well in Parmenidean studies. This passing along of a teaching, its history, and its style, makes up the essence of an apprenticeship, whether artistic, philosophical, or as a social ontology. To streamline my references to the poem, I will use only my translated and resequenced fragment and line numbers found in my article, “Approaching the Parmenidean Sublime: A New Translation and Resequencing of the Fragments of Parmenides,” from Volume 23, Number 1, pages 1–18, Fall 2018, of this journal.","PeriodicalId":376128,"journal":{"name":"Epoché: A Journal for the History of Philosophy","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131525829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-19DOI: 10.5840/epoche20201014174
Beau Shaw
Paul Celan’s “Tenebrae” is a scandalous poem: it describes how “unity with the dying Jesus” (in Hans-Georg Gadamer’s words) is achieved by means of the Jewish experience of the concentration camps. In this paper, I provide a new interpretation of “Tenebrae” that breaks from the two traditional ways in which the poem has been viewed—on the one hand, as a Christian poem that suggests that Jesus, insofar as he suffers just like Jewish concentration camp victims do, can provide “hope and redemption for the faithful” (Gadamer), and, on the other hand, as an ironic criticism of this Christian idea. Rather, I suggest that “Tenebrae” is a modification of Christianity: preserving Christian belief about Jesus’s death, it destroys that belief, and does so for the sake of the defense against Christian persecution. Finally, I suggest that this view reveals the peculiar poetic form of “Tenebrae”—what I call “political form.”
{"title":"Political Form in Paul Celan","authors":"Beau Shaw","doi":"10.5840/epoche20201014174","DOIUrl":"https://doi.org/10.5840/epoche20201014174","url":null,"abstract":"Paul Celan’s “Tenebrae” is a scandalous poem: it describes how “unity with the dying Jesus” (in Hans-Georg Gadamer’s words) is achieved by means of the Jewish experience of the concentration camps. In this paper, I provide a new interpretation of “Tenebrae” that breaks from the two traditional ways in which the poem has been viewed—on the one hand, as a Christian poem that suggests that Jesus, insofar as he suffers just like Jewish concentration camp victims do, can provide “hope and redemption for the faithful” (Gadamer), and, on the other hand, as an ironic criticism of this Christian idea. Rather, I suggest that “Tenebrae” is a modification of Christianity: preserving Christian belief about Jesus’s death, it destroys that belief, and does so for the sake of the defense against Christian persecution. Finally, I suggest that this view reveals the peculiar poetic form of “Tenebrae”—what I call “political form.”","PeriodicalId":376128,"journal":{"name":"Epoché: A Journal for the History of Philosophy","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130537466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：