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El relieve de Nicomedia (Izmit) y los “Tetrarcas” de Venecia. Dignitatis aequalitas y abrazos dinásticos (Pan. Lat. V, 8, 3.1) 尼科梅迪亚(伊兹米特)的浮雕和威尼斯的“分封国”。Dignitatis Aqualitas和王朝拥抱(Pan.Lat.V,8,3.1)
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.1344/pyrenae2023.vol54num2.7
J. Arce
In this paper, I intend to insist on the approach, defended by very few authors, that the “Tetrarchs” of Venice are not the members of the first tetrarchy, but represent the sons of Constantine that adorned two columns of the Philadelpheion , in Constantinople, from where they were taken as spolia to Venice by the crusaders in 1204. This reflection and this study arise from the discovery of the Nicomedia relief (Izmit) and a comparison is made between both groups. Many researchers have doubted the identification of the group of Venice with the tetrarchs and they propose different solutions. Cagiano de Azevedo identified them with Valentinian and Valens, but there are few who are decidedly inclined to think that they are the sons of Constantine, as in fact the inhabitants of Constantinople believed.
在这篇论文中,我打算坚持一种方法,很少有作者支持这种方法,即威尼斯的“四王公”不是第一个四王公的成员,而是代表君士坦丁的儿子,他们装饰了君士坦丁堡Philadelpheion的两根柱子,他们在1204年被十字军从那里作为斯波利亚带到威尼斯。这种反思和研究源于Nicomedia浮雕(Izmit)的发现,并对两组进行了比较。许多研究人员对威尼斯人与四帝的身份认同表示怀疑,他们提出了不同的解决方案。卡吉亚诺·德·阿泽维多把他们同瓦伦丁尼安和瓦伦斯等同起来,但很少有人像君士坦丁堡的居民那样,坚决地认为他们是君士坦丁的儿子。
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引用次数: 0
Joan Sanmartí Grego Joan Sanmarti Grego
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.1344/pyrenae2023.vol54num1.1
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引用次数: 0
No tan sols per menjar. Aproximació als mol·luscs marins com a elements simbòlics en les societats prehistòriques de Mallorca 不仅仅是为了食物。马略卡岛史前社会中海洋分子作为象征元素的近似
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.1344/pyrenae2023.vol54num1.3
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引用次数: 0
Las pinturas de la domus de Can Cruzate de Iluro (Mataró). Estudio técnico y decorativo 伊鲁罗的domus de Can Cruzate的画作(mataro)。技术和装饰研究
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.1344/pyrenae2023.vol54num1.6
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引用次数: 0
Josep Anton Remolà Vallverdú (ed. cient.), Vil·la romana dels Munts (Tarraco) Josep Anton RemolàVallverdú(编辑),Vil·la romana dels Munts(塔拉科)
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.1344/pyrenae2023.vol54num2.16
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引用次数: 0
Juan Jesús Padilla Fernández, Identidades y tecnología social en la Edad del Hierro. Las cerámicas de Las Cogotas Juan jesus Padilla fernandez,铁器时代的身份与社会技术。Cogotas的陶瓷
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.1344/pyrenae2023.vol54num2.10
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引用次数: 1
Dos inscripciones inéditas conservadas en el Museo Arqueológico y Etnológico de Lucena: los epitafios de Rusticus, marmorarius, y Rutilia Corneliana 卢塞纳考古和民族学博物馆保存着两份未发表的铭文:Rusticus、marmorarius和Rutilia Corneliana的墓志铭
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.1344/pyrenae2023.vol54num2.6
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引用次数: 0
De la Numancia imaginada a la evidencia arqueológica: las fortificaciones de la segunda Edad del Hierro 从想象中的努曼西亚到考古证据:第二铁器时代的防御工事
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.1344/pyrenae2023.vol54num1.4
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引用次数: 0
Late Roman Unguentaria en Tarragona, ss VII – inicios del VIII dC 塔拉戈纳的晚期膏油罗马,SS VII-公元8世纪初
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.1344/pyrenae2023.vol54num1.8
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引用次数: 0
El ritual funerario romano y los cuatro elementos 罗马葬礼仪式和四要素
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.1344/pyrenae2023.vol54num1.2
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引用次数: 0
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