Journal Article Alien Listening: Voyager’s Golden Record and Music from EarthDaniel K. L Chua and Alexander Rehding Get access Alien Listening: Voyager’s Golden Record and Music from Earth. By Daniel K. L Chua and Alexander Rehding. Pp. 272. ( Princeton University Press/Zone Books, Princeton and Oxford, 2021. ISBN 978-1-942-13053-6, £25.) Jacomien Prins Jacomien Prins Utrecht University Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 104, Issue 3, August 2023, Pages 523–525, https://doi.org/10.1093/ml/gcad038 Published: 07 August 2023 Article history Editorial decision: 15 June 2023 Received: 15 June 2023 Accepted: 16 June 2023 Corrected and typeset: 07 August 2023 Published: 07 August 2023
期刊文章《外星人聆听:旅行者号的黄金唱片和来自地球的音乐》daniel K. L Chua和Alexander Rehding获得《外星人聆听:旅行者号的黄金唱片和来自地球的音乐》。作者:Daniel K. L Chua, Alexander Rehding。272页。普林斯顿大学出版社/Zone Books，普林斯顿和牛津，2021年。Isbn 978-1-942-13053-6, 25英镑。)Jacomien Prins Jacomien Prins Utrecht大学搜索作者的其他作品:牛津学术谷歌学者音乐和信件，第104卷，第3期，2023年8月，523-525页，https://doi.org/10.1093/ml/gcad038发布:2023年8月07日文章历史编辑决定:2023年6月15日收到:2023年6月15日接受:2023年6月16日校正和排版:2023年8月07日发布:2023年8月07日
{"title":"<i>Alien Listening: Voyager’s Golden Record and Music from Earth</i> Daniel K. L Chua and Alexander Rehding","authors":"Jacomien Prins","doi":"10.1093/ml/gcad038","DOIUrl":"https://doi.org/10.1093/ml/gcad038","url":null,"abstract":"Journal Article Alien Listening: Voyager’s Golden Record and Music from EarthDaniel K. L Chua and Alexander Rehding Get access Alien Listening: Voyager’s Golden Record and Music from Earth. By Daniel K. L Chua and Alexander Rehding. Pp. 272. ( Princeton University Press/Zone Books, Princeton and Oxford, 2021. ISBN 978-1-942-13053-6, £25.) Jacomien Prins Jacomien Prins Utrecht University Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 104, Issue 3, August 2023, Pages 523–525, https://doi.org/10.1093/ml/gcad038 Published: 07 August 2023 Article history Editorial decision: 15 June 2023 Received: 15 June 2023 Accepted: 16 June 2023 Corrected and typeset: 07 August 2023 Published: 07 August 2023","PeriodicalId":381181,"journal":{"name":"Music and Letters","volume":"183 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136072191","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Aurélien de Réome: Musica disciplina\u0000 Christian Meyer and Shin Nishimagi","authors":"Charles M. Atkinson","doi":"10.1093/ml/gcad047","DOIUrl":"https://doi.org/10.1093/ml/gcad047","url":null,"abstract":"","PeriodicalId":381181,"journal":{"name":"Music and Letters","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134525476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contextualizing Melodrama in the Czech Lands in Concert and on Stage\u0000 Judith A Mabary","authors":"Austin Glatthorn","doi":"10.1093/ml/gcad042","DOIUrl":"https://doi.org/10.1093/ml/gcad042","url":null,"abstract":"","PeriodicalId":381181,"journal":{"name":"Music and Letters","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115076581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Music of Leoš Janáček: Motive, Rhythm, Structure\u0000 Zdeněk Skoumal Eastman Studies in Music","authors":"Geoffrey F. Chew","doi":"10.1093/ml/gcad051","DOIUrl":"https://doi.org/10.1093/ml/gcad051","url":null,"abstract":"","PeriodicalId":381181,"journal":{"name":"Music and Letters","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128228899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT:In 1753 the composer Lewis Granom instigated proceedings against several London music sellers, led by John Cox, for breach of copyright. The complaint unravelled because the royal licence/privilege he had acquired to protect his XII New Songs and Ballads against piracy post-dated their publication. After explaining why most composers relied on the licence for protection, and not the 1710 Copyright Act, a survey of its use c.1720–c.1765 leads to a re-examination of three test cases that corrects previous misconceptions about its efficacy. Detailed discussion of the litigation exposes weaknesses in Granom’s case, identifies the engraver Cox employed to copy the songs, shows that the outcome was consistent with evolving legal thinking about privileges, and reveals that an unwritten convention bound composers to notify music sellers if their publications were licensed. This study is an antidote to prevailing scholarly claims that the licence was a toothless instrument that did little to discourage piracy.
{"title":"The Law and the Profits: Lewis Granom and the Royal Licence as a Form of Music Copyright Protection","authors":"Cheryll Duncan","doi":"10.1093/ml/gcad028","DOIUrl":"https://doi.org/10.1093/ml/gcad028","url":null,"abstract":"ABSTRACT:In 1753 the composer Lewis Granom instigated proceedings against several London music sellers, led by John Cox, for breach of copyright. The complaint unravelled because the royal licence/privilege he had acquired to protect his XII New Songs and Ballads against piracy post-dated their publication. After explaining why most composers relied on the licence for protection, and not the 1710 Copyright Act, a survey of its use c.1720–c.1765 leads to a re-examination of three test cases that corrects previous misconceptions about its efficacy. Detailed discussion of the litigation exposes weaknesses in Granom’s case, identifies the engraver Cox employed to copy the songs, shows that the outcome was consistent with evolving legal thinking about privileges, and reveals that an unwritten convention bound composers to notify music sellers if their publications were licensed. This study is an antidote to prevailing scholarly claims that the licence was a toothless instrument that did little to discourage piracy.","PeriodicalId":381181,"journal":{"name":"Music and Letters","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115450345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT Legions of foreign musicians have toured Australia in an effort to transplant old musical cultures. One such tour was undertaken by Granville Bantock in late 1938 to further the examinations business of Trinity College of Music, London. As argued in this article, however, there was more to his visit than meets the eye: it was an attempt by Bantock to secure new audiences for his music. The press’s role in this tour was marked by fawning journalists reporting on the composer’s endorsement of local music-making as evidence of Australia’s musical maturity. Bantock’s music was celebrated by the press except for one journalist, who condemned his peddling of old-fashioned music in a modern Australia. Although Bantock’s visit to Australia in late 1938 was designed to promote Trinity College, it was in fact an exercise in cultural mobility, and the replication of a certain style of British music that invoked narratives concerning the cultural cringe in which Bantock, and most of the press, were complicit.
大批外国音乐家在澳大利亚巡回演出，试图移植古老的音乐文化。1938年底，格兰维尔·班托克(Granville Bantock)为了促进伦敦三一音乐学院(Trinity College of Music)的考试业务，进行了一次这样的旅行。然而，正如本文所述，班托克的这次访问比表面上看到的要复杂得多:这是班托克为自己的音乐争取新听众的一次尝试。媒体在这次巡演中扮演的角色是，阿谀奉承的记者们报道了这位作曲家对当地音乐制作的认可，认为这是澳大利亚音乐成熟的证据。班托克的音乐受到了新闻界的赞扬，只有一位记者例外，他谴责班托克在现代澳大利亚兜售老式音乐。尽管班托克在1938年底访问澳大利亚的目的是推广三一学院，但事实上，这是一次文化流动的练习，是对某种英国音乐风格的复制，这种音乐风格引发了关于班托克和大多数媒体同谋的文化畏缩的叙述。
{"title":"Colonial Mobility and the Cultural Replication of British Music: Granville Bantock’s Australian Tour, 1938–1939","authors":"Paul Watt, Jennifer Oates","doi":"10.1093/ml/gcad026","DOIUrl":"https://doi.org/10.1093/ml/gcad026","url":null,"abstract":"ABSTRACT Legions of foreign musicians have toured Australia in an effort to transplant old musical cultures. One such tour was undertaken by Granville Bantock in late 1938 to further the examinations business of Trinity College of Music, London. As argued in this article, however, there was more to his visit than meets the eye: it was an attempt by Bantock to secure new audiences for his music. The press’s role in this tour was marked by fawning journalists reporting on the composer’s endorsement of local music-making as evidence of Australia’s musical maturity. Bantock’s music was celebrated by the press except for one journalist, who condemned his peddling of old-fashioned music in a modern Australia. Although Bantock’s visit to Australia in late 1938 was designed to promote Trinity College, it was in fact an exercise in cultural mobility, and the replication of a certain style of British music that invoked narratives concerning the cultural cringe in which Bantock, and most of the press, were complicit.","PeriodicalId":381181,"journal":{"name":"Music and Letters","volume":"354 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135733132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Music and Encounter at the Mediterranean Crossroads: A Sea of Voices\u0000 Ruth F Davis and Brian Oberlander","authors":"Matthew Machin-Autenrieth","doi":"10.1093/ml/gcad014","DOIUrl":"https://doi.org/10.1093/ml/gcad014","url":null,"abstract":"","PeriodicalId":381181,"journal":{"name":"Music and Letters","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121895480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"L’Air italien sur la scène des théâtres parisiens (1687–1715)\u0000 Barbara Nestola","authors":"Graham Sadler","doi":"10.1093/ml/gcad021","DOIUrl":"https://doi.org/10.1093/ml/gcad021","url":null,"abstract":"","PeriodicalId":381181,"journal":{"name":"Music and Letters","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132324234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：