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Alien Listening: Voyager’s Golden Record and Music from Earth Daniel K. L Chua and Alexander Rehding 《外星人的聆听:旅行者号的黄金唱片》和《来自地球的音乐》丹尼尔·k·L·蔡和亚历山大·雷丁
Pub Date : 2023-08-01 DOI: 10.1093/ml/gcad038
Jacomien Prins
Journal Article Alien Listening: Voyager’s Golden Record and Music from EarthDaniel K. L Chua and Alexander Rehding Get access Alien Listening: Voyager’s Golden Record and Music from Earth. By Daniel K. L Chua and Alexander Rehding. Pp. 272. ( Princeton University Press/Zone Books, Princeton and Oxford, 2021. ISBN 978-1-942-13053-6, £25.) Jacomien Prins Jacomien Prins Utrecht University Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 104, Issue 3, August 2023, Pages 523–525, https://doi.org/10.1093/ml/gcad038 Published: 07 August 2023 Article history Editorial decision: 15 June 2023 Received: 15 June 2023 Accepted: 16 June 2023 Corrected and typeset: 07 August 2023 Published: 07 August 2023
期刊文章《外星人聆听:旅行者号的黄金唱片和来自地球的音乐》daniel K. L Chua和Alexander Rehding获得《外星人聆听:旅行者号的黄金唱片和来自地球的音乐》。作者:Daniel K. L Chua, Alexander Rehding。272页。普林斯顿大学出版社/Zone Books,普林斯顿和牛津,2021年。Isbn 978-1-942-13053-6, 25英镑。)Jacomien Prins Jacomien Prins Utrecht大学搜索作者的其他作品:牛津学术谷歌学者音乐和信件,第104卷,第3期,2023年8月,523-525页,https://doi.org/10.1093/ml/gcad038发布:2023年8月07日文章历史编辑决定:2023年6月15日收到:2023年6月15日接受:2023年6月16日校正和排版:2023年8月07日发布:2023年8月07日
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引用次数: 0
String Quartets in Beethoven’s Europe Nancy November 贝多芬《欧洲十一月南茜》弦乐四重奏
Pub Date : 2023-07-03 DOI: 10.1093/ml/gcad046
Marie Sumner Lott
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引用次数: 0
Music, Subjectivity, and Schumann Benedict Taylor 音乐、主观性和舒曼·本尼迪克特·泰勒
Pub Date : 2023-07-03 DOI: 10.1093/ml/gcad048
E. Clarke
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引用次数: 0
Aurélien de Réome: Musica disciplina Christian Meyer and Shin Nishimagi Christian Meyer和Shin Nishimagi的纪律音乐
Pub Date : 2023-07-03 DOI: 10.1093/ml/gcad047
Charles M. Atkinson
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引用次数: 0
Contextualizing Melodrama in the Czech Lands in Concert and on Stage Judith A Mabary 捷克音乐与舞台上情节剧的语境化朱迪思·A·马巴里
Pub Date : 2023-07-03 DOI: 10.1093/ml/gcad042
Austin Glatthorn
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引用次数: 0
The Music of Leoš Janáček: Motive, Rhythm, Structure Zdeněk Skoumal Eastman Studies in Music 列奥什的音乐Janáček:动机,节奏,结构zdenk Skoumal Eastman音乐研究
Pub Date : 2023-07-03 DOI: 10.1093/ml/gcad051
Geoffrey F. Chew
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引用次数: 0
The Law and the Profits: Lewis Granom and the Royal Licence as a Form of Music Copyright Protection 法律与利润:刘易斯·格兰姆和皇家许可作为音乐版权保护的一种形式
Pub Date : 2023-05-22 DOI: 10.1093/ml/gcad028
Cheryll Duncan
ABSTRACT:In 1753 the composer Lewis Granom instigated proceedings against several London music sellers, led by John Cox, for breach of copyright. The complaint unravelled because the royal licence/privilege he had acquired to protect his XII New Songs and Ballads against piracy post-dated their publication. After explaining why most composers relied on the licence for protection, and not the 1710 Copyright Act, a survey of its use c.1720–c.1765 leads to a re-examination of three test cases that corrects previous misconceptions about its efficacy. Detailed discussion of the litigation exposes weaknesses in Granom’s case, identifies the engraver Cox employed to copy the songs, shows that the outcome was consistent with evolving legal thinking about privileges, and reveals that an unwritten convention bound composers to notify music sellers if their publications were licensed. This study is an antidote to prevailing scholarly claims that the licence was a toothless instrument that did little to discourage piracy.
摘要:1753年,作曲家刘易斯·格兰姆起诉以约翰·考克斯为首的几家伦敦音乐销售商侵犯版权。由于他为保护他的《十二首新歌和民谣》免遭盗版而获得的皇家特许/特权,这一投诉最终被驳回。在解释了为什么大多数作曲家依靠许可证而不是1710年版权法来保护之后,对其使用情况进行了调查。1765导致了对三个测试案例的重新检查,纠正了之前对其有效性的误解。对诉讼的详细讨论暴露了格兰姆案件的弱点,确定了考克斯雇用的抄袭歌曲的雕刻师,表明结果与不断发展的关于特权的法律思想是一致的,并揭示了一个不成文的公约,要求作曲家通知音乐销售商,如果他们的出版物获得许可。这项研究是对流行的学术主张的一剂解药,该主张认为许可证是一个没有牙齿的工具,对打击盗版几乎没有作用。
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引用次数: 0
Colonial Mobility and the Cultural Replication of British Music: Granville Bantock’s Australian Tour, 1938–1939 殖民地流动和英国音乐的文化复制:格兰维尔·班托克的澳大利亚之旅,1938-1939
Pub Date : 2023-03-31 DOI: 10.1093/ml/gcad026
Paul Watt, Jennifer Oates
ABSTRACT Legions of foreign musicians have toured Australia in an effort to transplant old musical cultures. One such tour was undertaken by Granville Bantock in late 1938 to further the examinations business of Trinity College of Music, London. As argued in this article, however, there was more to his visit than meets the eye: it was an attempt by Bantock to secure new audiences for his music. The press’s role in this tour was marked by fawning journalists reporting on the composer’s endorsement of local music-making as evidence of Australia’s musical maturity. Bantock’s music was celebrated by the press except for one journalist, who condemned his peddling of old-fashioned music in a modern Australia. Although Bantock’s visit to Australia in late 1938 was designed to promote Trinity College, it was in fact an exercise in cultural mobility, and the replication of a certain style of British music that invoked narratives concerning the cultural cringe in which Bantock, and most of the press, were complicit.
大批外国音乐家在澳大利亚巡回演出,试图移植古老的音乐文化。1938年底,格兰维尔·班托克(Granville Bantock)为了促进伦敦三一音乐学院(Trinity College of Music)的考试业务,进行了一次这样的旅行。然而,正如本文所述,班托克的这次访问比表面上看到的要复杂得多:这是班托克为自己的音乐争取新听众的一次尝试。媒体在这次巡演中扮演的角色是,阿谀奉承的记者们报道了这位作曲家对当地音乐制作的认可,认为这是澳大利亚音乐成熟的证据。班托克的音乐受到了新闻界的赞扬,只有一位记者例外,他谴责班托克在现代澳大利亚兜售老式音乐。尽管班托克在1938年底访问澳大利亚的目的是推广三一学院,但事实上,这是一次文化流动的练习,是对某种英国音乐风格的复制,这种音乐风格引发了关于班托克和大多数媒体同谋的文化畏缩的叙述。
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引用次数: 0
Music and Encounter at the Mediterranean Crossroads: A Sea of Voices Ruth F Davis and Brian Oberlander 音乐与邂逅在地中海的十字路口:声音的海洋露丝F戴维斯和布莱恩奥伯兰德
Pub Date : 2023-03-30 DOI: 10.1093/ml/gcad014
Matthew Machin-Autenrieth
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引用次数: 0
L’Air italien sur la scène des théâtres parisiens (1687–1715) Barbara Nestola 巴黎剧院舞台上的意大利空气(1687 - 1715
Pub Date : 2023-03-30 DOI: 10.1093/ml/gcad021
Graham Sadler
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引用次数: 0
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