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A New Prehistoric Settlement in Southeastern Anatolia: Bahçebaşı Caves, Mardin/Yeşilli 安纳托利亚东南部一处新的史前聚落:马尔丁/耶西利的巴切巴希尔洞穴
Pub Date : 2023-12-29 DOI: 10.54930/tare.2023.13498
Ergul Kodas, Yunus Çiftçi, Kazım Özkan, Cebrail İder
After the studies carried out in recent years, a large number of prehistoric settlements have been identified in Mardin Threshold, an important part of the Southeastern Anatolia Region. The chipped stone finds found in caves and on their terraces in deep valleys in the northern border of the Upper Khabur Region provide new information about the Epipaleolithic and Neolithic periods of the region. Bahçebaşı caves, located at the northern end of a deep valley that serves as a natural transition between the plain and the mountainous region within the borders of Yeşilli district of Mardin province, provide new information about these periods. The caves in question provide new data about the prehistoric ages of the region and set the stage for new research questions.
经过近几年的研究,在安纳托利亚东南部地区的重要组成部分马尔丁门槛(Mardin Threshold)发现了大量史前定居点。在上哈布尔地区北部边境深谷的洞穴及其阶地上发现的碎石提供了有关该地区上旧石器时代和新石器时代的新信息。Bahçebaşı 洞穴位于马尔丁省叶西利县境内深谷的北端,该深谷是平原与山区之间的自然过渡地带,Bahçebaşı 洞穴提供了有关这些时期的新信息。这些洞穴提供了有关该地区史前时代的新数据,并为新的研究问题奠定了基础。
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引用次数: 0
Preliminary Report of the First Season of the “Land of the Storm God Survey” in Şehitkamil, Gaziantep, Türkiye 土尔其加济安泰普谢希特卡米尔 "风暴之神调查 "第一季初步报告
Pub Date : 2023-12-28 DOI: 10.54930/tare.2023.67350
Birgül Öğüt, Michael Blömer, Matthias Lange, Eva Strothenke-Koch, Deniz Yaşin
The results of the first campaign of the “Land of the Storm God Survey” in the Şehitkamil district of Gaziantep province in Southeastern Türkiye are—according to the two foci of the survey—twofold: First, an off-site survey on the slopes of Dülük Baba Tepesi, the home of a storm god temple built during the Middle Iron Age, was conducted. Here, an expansion of the Roman “priest necropolis,” a second necropolis on the Southern slope, as well as economical installations of Late Antiquity have been documented. The second focus is an on-site survey, where the investigation of six archaeological sites in the vicinity revealed longer settlement phases than previously assumed.
在土尔其东南部加济安泰普省谢赫特卡米尔区开展的 "风暴之神土地调查 "的第一项活动,根据调查的两个重点,取得了两方面的成果:首先,在 Dülük Baba Tepesi 的山坡上进行了异地调查,该山坡上有一座建于中铁器时代的风暴神庙。在这里,记录了罗马 "祭司墓地 "的扩建、南坡上的第二个墓地以及古代晚期的经济设施。第二个重点是现场调查,通过对附近六个考古遗址的调查,发现了比之前假设的更长的定居阶段。
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引用次数: 0
Beyond Sun, Sand, and Sea: The Role of Hittite Heritage in the Transformation of Turkey s Cultural Heritage Regimes 超越阳光、沙滩和大海:赫梯遗产在土耳其文化遗产制度变革中的作用
Pub Date : 2023-12-28 DOI: 10.54930/tare.2023.29475
Gökay Kanmazalp
This article scrutinizes the cultural heritage regimes pertaining to the Hittite Empire within the Turkish context, with a specific emphasis on archival records, media narratives, and significant political figures. Drawing upon the concept of cultural heritage regimes, this paper argues that the Hittite cultural heritage played a pivotal role in crafting the self-understanding of the emergent Turkish Republic. The focus lies on the strategic appropriation of Hittite symbols by the Republic to foster a palpable connection with an ancient past that thrived within the geographical bounds of contemporary Turkey. This connection aimed to kindle a sense of unity and shared origins among Turkish citizens. In a significant shift, the twenty-first century exhibits a noticeable change in priorities where the media discourse primarily accentuates the economic potential of Hittite cultural artifacts, largely in the context of heritage tourism. Coupled with this economic and touristic orientation is a deliberate endeavor to redefine Turkey’s image. By strategically projecting Turkey’s historical depth, the aim is to catalyze heritage tourism and move beyond the country’s mere representation as a natural “paradise” known for its stereotypical trio of sun, sand, and sea. This shift exemplifies a metamorphosis of cultural heritage regimes, where the anticipated fiscal returns from heritage tourism begin to steer the narrative, simultaneously highlighting the economic dividends of cultural preservation and catalyzing a redefinition of Turkey’s global image.
本文仔细研究了土耳其背景下与赫梯帝国有关的文化遗产制度,特别侧重于档案记录、媒体叙事和重要政治人物。本文借鉴文化遗产制度的概念,认为赫梯文化遗产在塑造新兴土耳其共和国的自我认识方面发挥了关键作用。重点在于土耳其共和国对赫梯符号的战略性利用,以促进与在当代土耳其地理范围内繁荣发展的古代历史的明显联系。这种联系旨在激发土耳其公民的团结和共同起源感。二十一世纪发生了重大变化,媒体报道的重点主要放在赫梯文物的经济潜力上,这主要体现在遗产旅游方面。与这种经济和旅游导向相辅相成的是重新定义土耳其形象的刻意努力。通过战略性地展示土耳其的历史深度,目的是促进遗产旅游,超越土耳其仅仅作为一个以阳光、沙滩和海洋三位一体的自然 "天堂 "而闻名的刻板印象。这种转变体现了文化遗产制度的蜕变,即遗产旅游的预期财政回报开始引导叙事,同时突出文化保护的经济红利,并促进土耳其全球形象的重新定义。
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引用次数: 0
Assessments on Chronology, Metrology, and Function of Mastoid-Shaped Weights 对乳突状砝码的年代学、计量学和功能的评估
Pub Date : 2023-12-28 DOI: 10.54930/tare.2023.41490
Yavuz Selim Güler
In this article, we will examine mastoid-shaped weights, a somewhat underrepresented topic in the study of historical metrology. Initially, we will review the research that has been ongoing since the nineteenth century, assessing its contributions to the field. Following this, we will address three central debates encountered in this research area, revolving around the chronology of mastoid-shaped weights, their metrological system, and their function, offering insights through examples that have been previously published. Then, we will investigate two previously unpublished mastoid-shaped weights found in the Suna and İnan Kıraç Foundation Pera Museum Anatolian Weights and Measures Collection, looking at them through the lenses of both chronology and metrology. Through this work, we hope to facilitate a deeper understanding of mastoid-shaped weights, supporting future identifications in Turkish museums and archaeological excavations and shedding light on their place in the historical metrology of the Eastern Mediterranean.
在本文中,我们将研究乳突形砝码,这是一个在历史计量学研究中代表性略显不足的课题。首先,我们将回顾自十九世纪以来一直在进行的研究,评估其对该领域的贡献。随后,我们将围绕乳突形砝码的年代学、其计量系统和功能,讨论该研究领域遇到的三个核心争论,并通过以前发表的实例提供见解。然后,我们将研究苏纳和伊南克拉克基金会佩拉博物馆安纳托利亚度量衡藏品中发现的两件以前未发表过的乳突形砝码,从年代学和计量学两个角度对它们进行研究。我们希望通过这项工作加深对乳突形砝码的了解,为今后在土耳其博物馆和考古发掘中进行鉴定提供支持,并阐明它们在东地中海历史计量学中的地位。
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引用次数: 0
The Goodwill and Consistency of Türkiye in the Repatriation of Foreign Cultural Property: Case Studies of China and Iraq 土耳其在归还外国文化财产方面的善意和一致性:中国和伊拉克案例研究
Pub Date : 2023-12-28 DOI: 10.54930/tare.2023.32054
Levent Tökün, İpek Bayraktar
There are many national and international legal frameworks for the protection of cultural property. However, even though states enact laws to protect cultural property, ratify multilateral conventions, and adopt bilateral agreements, the illicit trade in cultural property remains a problem. The return of any cultural property is a multi-layered process, and it is critical that a state’s policy towards displaced cultural property is consistent and based on goodwill to ensure international protection of cultural properties. This article elaborates on Türkiye’s goodwill and consistency in returning foreign cultural property to its country of origin. Two repatriation cases are examined to assess how Türkiye applies the principles of the 1970 UNESCO Convention and the bilateral agreements done accordingly regarding goodwill and consistency. The first case is, the Republic of Türkiye & the People’s Republic of China where the return was based on a bilateral agreement while the second case is the Republic of Türkiye & the Republic of Iraq where the repatriation took place based on diplomatic relations.
保护文化财产有许多国家和国际法律框架。然而,即使各国颁布了保护文化财产的法律、批准了多边公约并通过了双边协定,文化财产的非法贸易仍然是一个问题。任何文化财产的回归都是一个多层次的过程,一个国家对流失文化财产的政策必须是一致的,并以善意为基础,以确保对文化财产的国际保护。 本文阐述了土耳其在将外国文化财产送回原有国方面的善意和一致性。本文对两个送回案例进行了研究,以评估土耳其是如何执行联合国教科文组织 1970 年《公约》的原则以及相应的双边协定中关于善意和一致性的规定的。第一个案例是土耳其共和国和中华人民共和国,归还是根据双边协议进行的,第二个 案例是土耳其共和国和伊拉克共和国,归还是根据外交关系进行的。
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引用次数: 0
From Excavation to Exhibition: Tekfur Palace (Palace of Porphyrogenitus) Museum 从发掘到展览:泰克福尔宫(普菲罗吉尼斯宫)博物馆
Pub Date : 2023-12-28 DOI: 10.54930/tare.2023.50183
Filiz Yenişehirlioğlu
Situated in the proximity of Eğrikapı in Istanbul’s historical Fatih District, Tekfur Palace (Palace of Porphyrogenitus), a Byzantine structure, was repurposed during the Ottoman era. The eighteenth-century ceramic production initiated by Sultan Ahmed III in the site is also known by the name of the palace. Archaeological excavations carried out in two phases (between 1993–1995 and 2000–2001) have unearthed ceramic kilns, shedding invaluable light on the intricacies of the crafting process. Following the completion of the restoration project by the Istanbul Metropolitan Municipality in 2014, the building opened its doors as the Tekfur Palace Museum in 2019. The museum, designed to be an educational space, showcases artifacts unearthed during the excavations and employs interactive exhibits to enhance the visitor experience. This article will first offer an overview of the archaeological undertakings and then delve into the museological journey of the palace, outlining how the unearthed artifacts are displayed.
泰克福尔宫(Palace of Porphyrogenitus)位于伊斯坦布尔历史悠久的法提赫区 Eğrikapı 附近,是一座拜占庭式建筑,在奥斯曼帝国时期被重新利用。十八世纪苏丹艾哈迈德三世(Sultan Ahmed III)在该遗址发起的陶瓷生产也以该宫殿的名称而闻名。分两个阶段(1993-1995 年和 2000-2001 年)进行的考古发掘出土了陶瓷窑,为了解复杂的制作过程提供了宝贵的资料。继伊斯坦布尔市政府于 2014 年完成修复项目后,该建筑于 2019 年作为泰克福尔宫博物馆对外开放。该博物馆旨在成为一个教育空间,展示发掘过程中出土的文物,并采用互动展品来增强游客体验。本文将首先概述考古工作,然后深入宫殿的博物馆之旅,概述如何展示出土文物。
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引用次数: 0
Cartoons of the Baghdad Railway: A Media Hype in German, French and British Journals 巴格达铁路的漫画:德国,法国和英国杂志的媒体炒作
Pub Date : 2022-12-31 DOI: 10.54930/tare.2022.4273
Axel Heimsoth
Starting around the turn of the twentieth century and abruptly declining with the First World War, public discussions on the Baghdad Railway made international headlines and cartoons captured widespread interest as a medium of communication. Pictorial representations where illustrators were able to simplify and exaggerate themes attracted much attention and enabled the fears and expectations regarding the construction project to be articulated in an unfiltered way. The European public debates appearing in satirical magazines in caricature format presented here chronologically allowed the audience to follow the heated discussions in Europe on the construction of initially the Anatolian and thereafter the Baghdad Railway.
从20世纪之交开始,随着第一次世界大战的爆发,公众对巴格达铁路的讨论成为国际头条新闻,漫画作为一种交流媒介引起了广泛的兴趣。插图画家能够简化和夸大主题的图像表示吸引了很多关注,并使对建筑项目的恐惧和期望以一种未经过滤的方式表达出来。以漫画形式出现在讽刺杂志上的欧洲公众辩论按时间顺序呈现,使观众能够了解欧洲对安纳托利亚铁路和后来的巴格达铁路建设的热烈讨论。
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引用次数: 0
Techno-Typological Analysis of the Late Epipaleolithic/ Proto-Neolithic Chipped Stone Tools at Çemka Höyük Çemka Höyük上石器时代晚期/原始新石器时代的石器碎片的技术类型分析
Pub Date : 2022-12-30 DOI: 10.54930/tare.2022.3972
Ergül Kodaş
The Late Epipaleolithic period, also referred to as the Proto-Neolithic and dated back to the eleventh millennium BCE and early tenth millennium BCE, is closely linked with the communities located east of the Fertile Crescent that began to be settled during the Younger Dryas. This period, which started in the first half of the twentieth century and is defined by settlements in the northwestern Zagros region, has long been under the radar, but has been catching on again, especially since the 2000s, for the identification of a Younger Dryas layer found in settlements in the Upper Tigris Valley. The period in question has few architectural data for support and is represented by the chipped stone tool industry, which is thought to be observed in Zagros. It also appears that this period, which was primarily defined through its chipped stone tool industry, is no longer limited to the northwestern Zagros region, but also now includes the Upper Tigris Valley and the Eastern Jazeera (Eastern Fertile Crescent) region. The Younger Dryas layers, also found in the Çemka Höyük settlement during the 2019 excavations, shed new light on the chipped stone tool industry in the Upper Tigris Valley between the eleventh and tenth millennium BCE. The layers also contribute to redeliberating and redefining local and interregional relations.
晚上石器时代,也被称为原新石器时代,可以追溯到公元前11千年和公元前10千年早期,与新月沃土以东的社区密切相关,这些社区在新仙女木时期开始定居。这一时期始于20世纪上半叶,由西北部扎格罗斯地区的定居点定义,长期以来一直处于雷达之下,但由于在上底格里斯河流域的定居点中发现了新仙女木层的鉴定,特别是自2000年以来,它再次受到关注。这一时期几乎没有建筑学上的数据支持,其代表是在扎格罗斯观察到的石制工具工业。这一时期主要是通过其石器工业来定义的,它不再局限于西北部的扎格罗斯地区,现在还包括上底格里斯河流域和东部半岛(东部新月沃土)地区。在2019年的发掘中,在Çemka Höyük定居点也发现了新仙女木层,为公元前11世纪至10世纪的底格里斯河上游流域的石器工业提供了新的线索。这些层次也有助于重新审议和重新定义地方和区域间的关系。
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引用次数: 1
A “New” Method in Archaeology: Architectural Energetics 考古学的“新”方法:建筑能量学
Pub Date : 2022-12-30 DOI: 10.54930/tare.2022.5693
Ebru Kaner
The question of how the ancient structures, which evoke admiration among visitors to excavation sites, ruins, and museums, came to be, has puzzled almost everyone. Although experimental studies have sought answers from time to time since the 1900s, many questions were answered with the introduction of the field of study of architectural energetics into archaeology in the 1980s. In this study, architectural energetics is used to answer many unanswered questions, such as how the labor force was calculated and whether the economy of the society could be understood with the resulting costs, what kind of social structure this society had, how the labor force was organized, the distribution of gender roles in the workforce, and how to calculate the population of the settlement. The goal is to find answers through the method and provide confirmation of the existing information. Although the use of this “new” method has been applied to specific architectural structures in many settlements in various parts of the world or to the texture of a city or settlement, this process has not yet been the case for Anatolian archaeology. The aim of this study is to practice the method of architectural energetics in Anatolia in the future.
这些古老的建筑在考古遗址、遗址和博物馆的游客中引起了人们的赞叹,它们是如何形成的,这个问题几乎困扰着每个人。虽然自20世纪以来,实验研究不时地寻求答案,但随着20世纪80年代建筑能量学研究领域的引入,许多问题得到了回答。在这项研究中,建筑能量学被用来回答许多未解决的问题,例如如何计算劳动力,是否可以用由此产生的成本来理解社会的经济,这个社会有什么样的社会结构,劳动力是如何组织的,劳动力中的性别角色分布,以及如何计算定居点的人口。目的是通过该方法找到答案,并对现有信息进行确认。尽管这种“新”方法已被应用于世界各地许多聚落的特定建筑结构或城市或聚落的结构上,但这一过程尚未应用于安纳托利亚考古学。本研究的目的是在未来的安纳托利亚实践建筑能量学的方法。
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引用次数: 0
Binding Power of Lead: Magical and Amuletic Uses of Lead in Late Antique and Byzantine Periods 铅的结合力:古代晚期和拜占庭时期铅的魔法和非魔法用途
Pub Date : 2022-12-30 DOI: 10.54930/tare.2022.6537
Deniz Sever Georgousakis
This study poses a specific question for a particular usage of lead in the context of magic: Was lead used in the production of Middle Byzantine amulets called hystera due to the unique apotropaic and magical qualities of the material? In order to understand the background of lead in supernatural contexts, this paper begins with a brief examination of the usage of lead from the Classical period to Late Antiquity. Lead was used across a wide range of areas from construction to medicine, due to its accessibility and malleability. In addition to its natural properties, material evidence including lead curse tablets, effigies, and coffins demonstrate the use of lead in contexts of dark magic and the underworld. Correspondingly, Greek, Roman, and Byzantine written sources refer to the deadly and malevolent nature of lead as a metal. Based on this evidence, I propose that lead was perceived as a material with supernatural power that had the ability to manipulateand bind living beings and evil spirits, contributing to the widespread production of lead hystera amulets in the Middle Byzantine period.
这项研究提出了一个关于铅在魔法背景下的特殊用法的具体问题:铅是否被用于生产中拜占庭称为歇斯底里的护身符,因为这种材料具有独特的驱邪和神奇的品质?为了了解铅在超自然环境中的背景,本文首先简要介绍了从古典时期到古代晚期铅的使用情况。由于铅的可获得性和延展性,它被广泛应用于从建筑到医学的各个领域。除了它的自然属性,包括铅诅咒碑、雕像和棺材在内的物证都表明铅在黑魔法和地下世界的背景下使用。相应地,希腊、罗马和拜占庭的书面资料提到铅作为一种金属具有致命和恶毒的性质。基于这一证据,我认为铅被认为是一种具有超自然力量的材料,具有操纵和束缚生物和恶灵的能力,这有助于在拜占庭中期广泛生产铅歇斯底里护身符。
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引用次数: 0
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Turkish Institute of Archaeology and Cultural Heritage
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