Pub Date : 1900-01-01DOI: 10.30525/978-9934-26-065-0-17
O. Tsyhanok
In the article of values practical problems of legal circulation of cultural property. A range of issues related to the relocation of cultural property from problem areas has been identified. The focus is on an analysis of the meaning of the term ‘due diligence standards’. Compliance with due diligence standards is one of the prerequisites that allow to secure the owner against financial, time and reputational losses in the future. The author refers to the international legal instruments which gave rise to the practical application of due diligence standards. Listed the international façade associations that have established and implemented moral codes of conduct based on UNESCO’s recommendations.
{"title":"DUE DILIGENCE STANDARDS IN THE CIRCULATION OF CULTURAL PROPERTY","authors":"O. Tsyhanok","doi":"10.30525/978-9934-26-065-0-17","DOIUrl":"https://doi.org/10.30525/978-9934-26-065-0-17","url":null,"abstract":"In the article of values practical problems of legal circulation of cultural property. A range of issues related to the relocation of cultural property from problem areas has been identified. The focus is on an analysis of the meaning of the term ‘due diligence standards’. Compliance with due diligence standards is one of the prerequisites that allow to secure the owner against financial, time and reputational losses in the future. The author refers to the international legal instruments which gave rise to the practical application of due diligence standards. Listed the international façade associations that have established and implemented moral codes of conduct based on UNESCO’s recommendations.","PeriodicalId":385306,"journal":{"name":"ART: METAMORPHOSES AND DISCOURSES","volume":"169 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129396369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.30525/978-9934-26-065-0-15
Galyna Sklyarenko
{"title":"“NEOBAROQUE” IN UKRAINIAN ART IN 1980S–2000S: ANALYSIS OF NATIONAL EXPERIENCE","authors":"Galyna Sklyarenko","doi":"10.30525/978-9934-26-065-0-15","DOIUrl":"https://doi.org/10.30525/978-9934-26-065-0-15","url":null,"abstract":"","PeriodicalId":385306,"journal":{"name":"ART: METAMORPHOSES AND DISCOURSES","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128786517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.30525/978-9934-26-065-0-16
Iryna SOLYARSKA-KOMARCHUK
{"title":"WALKING MAN: FROM AESTHETICS TO ART PRACTICES","authors":"Iryna SOLYARSKA-KOMARCHUK","doi":"10.30525/978-9934-26-065-0-16","DOIUrl":"https://doi.org/10.30525/978-9934-26-065-0-16","url":null,"abstract":"","PeriodicalId":385306,"journal":{"name":"ART: METAMORPHOSES AND DISCOURSES","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115811731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.30525/978-9934-26-065-0-2
T. Daimi
{"title":"ART AND FAITH: THE ARTIST AS A SUBJECT OF RESISTANCE TO EVERYTHING","authors":"T. Daimi","doi":"10.30525/978-9934-26-065-0-2","DOIUrl":"https://doi.org/10.30525/978-9934-26-065-0-2","url":null,"abstract":"","PeriodicalId":385306,"journal":{"name":"ART: METAMORPHOSES AND DISCOURSES","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124680167","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.30525/978-9934-26-065-0-6
C. Schlemmer
{"title":"CELEBRATING OLYMPIAN EXHILARATION REFLECTIONS ON THE ANCESTORS","authors":"C. Schlemmer","doi":"10.30525/978-9934-26-065-0-6","DOIUrl":"https://doi.org/10.30525/978-9934-26-065-0-6","url":null,"abstract":"","PeriodicalId":385306,"journal":{"name":"ART: METAMORPHOSES AND DISCOURSES","volume":"127 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134014043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.30525/978-9934-26-065-0-12
Iryna Nesen
{"title":"SEMIOTIC CODES OF THE COSTUME IN THE POLITICAL THEATER PERFORMANCES IN THE USSR OF THE 1930S","authors":"Iryna Nesen","doi":"10.30525/978-9934-26-065-0-12","DOIUrl":"https://doi.org/10.30525/978-9934-26-065-0-12","url":null,"abstract":"","PeriodicalId":385306,"journal":{"name":"ART: METAMORPHOSES AND DISCOURSES","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115509798","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.30525/978-9934-26-065-0-4
Olivier de Cayron
{"title":"TO TURN THE VIEWER TO THE ACTOR COMPLETELY","authors":"Olivier de Cayron","doi":"10.30525/978-9934-26-065-0-4","DOIUrl":"https://doi.org/10.30525/978-9934-26-065-0-4","url":null,"abstract":"","PeriodicalId":385306,"journal":{"name":"ART: METAMORPHOSES AND DISCOURSES","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127371744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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