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International Journal of the Humanities最新文献

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A Study on the Teaching Method of Chinese Language Education Utilizing a Chinese Drama - Focusing on the Learners of College Liberal Chinese- 利用中国戏剧进行汉语教学的方法研究——以大学通识语文学习者为研究对象
Q4 Arts and Humanities Pub Date : 2020-12-31 DOI: 10.21211/JHUM.93.2
Changyun Kang
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引用次数: 0
The Characteristics and Meaning of the First Fentence in the Diary, Mukjaeilgy 《Mukjaeilgy》日记第一段的特征与意义
Q4 Arts and Humanities Pub Date : 2019-09-30 DOI: 10.21211/jhum.88.6
Su-mi Cho
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引用次数: 0
Marat/Sade : Appropriating The French Revolution in the 1960s 马拉/萨德:对20世纪60年代法国大革命的挪用
Q4 Arts and Humanities Pub Date : 2019-09-30 DOI: 10.21211/jhum.88.3
Dae-bo Kim
Liberté, Egalité, Pfefferminztee. Zusammen mit den geistig gestörten Insassen einer Nervenheilanstalt probt der Marquis de Sade den Aufstand. Der Tod des Revolutionsführers Jean Marat in seiner Wanne wird wieder und wieder neu gestellt. Wann ist das Bild perfekt? Wer bestimmt über wen? Wer darf wen spielen? Wer bleibt bis zum Ende dabei? Ausgehend von Peter Weiss’ berühmtem Drama Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade inszeniert die preisgekrönte Performancegruppe Monster Truck die Vorlage als Stück im Stück: als Zwangsgemeinschaft in einer geschlossen Klinik, einer reglementierten Behindertenwerkstatt, einer abgegrenzten Theaterbühne – der Willkür von anderen ausgeliefert. Ein Spiel im Spiel zwischen Inklusion und Exekution, Macht und Ohnmacht. Willkommen zur Premiere einer offenen Probe eines unfertigen Stücks. Nonsens statt Konsens. Macht kaputt, was euch kaputt macht.
Liberté,Egalité,薄荷茶蜷.萨德侯爵要和精神变态的囚犯一起暴动革命指挥官让•马拉特在您的浴盆里一而再、再而三地死亡。什么时候完美?谁在控制谁?谁可以演谁?这一切会持续到最后吗?从彼得知道”的“戏剧的迫害和谋杀Jean Paul Marats学家去住所的Schauspielgruppe Charenton转中主的指导(注:演到得奖Performancegruppe怪物卡车作为模板,一点一点在医院里做:Zwangsgemeinschaft关闭一个reglementierten Behindertenwerkstatt变幻无常的两强世局,其他专断的摆布.在包容和行刑、权力和权力之间的游戏。欢迎参观未完成的比试胡说而不是共识毁掉所有能毁掉你们的东西
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引用次数: 0
Motherhood in Noh - grief, madness, and salvation 能能的母性——悲伤、疯狂与救赎
Q4 Arts and Humanities Pub Date : 2019-09-30 DOI: 10.21211/jhum.88.7
Nan-ju Kim
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引用次数: 0
State Violence of the 1960’s in France : focused on the film 「October in Paris」 六十年代法国的国家暴力:以电影《巴黎十月》为中心
Q4 Arts and Humanities Pub Date : 2019-09-30 DOI: 10.21211/jhum.88.4
Kyung-hwa Kang
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引用次数: 0
Thematic Roles of ‘lo’ Phrase - Focusing on EFF, INS, FNS - “lo”短语的主题作用——以EFF、INS、FNS为例
Q4 Arts and Humanities Pub Date : 2019-09-30 DOI: 10.21211/jhum.88.5
H. Choe
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引用次数: 0
Critical Event and Transnational Circulation of Crisis-elements in 1968 1968年的关键事件与危机要素的跨国流通
Q4 Arts and Humanities Pub Date : 2019-09-30 DOI: 10.21211/jhum.88.1
Dong-kyu Shin, Choon-ib Lee, Y. Ha, Dae-sung Jung
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引用次数: 0
Goryeo Students Studying Abroad in China and Successful Examinees of Imperial State Examination 高丽人来华留学与科举考试成功者
Q4 Arts and Humanities Pub Date : 2019-06-30 DOI: 10.21211/jhum.87.7
D. Kim
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引用次数: 0
On the Characteristic of Caiyi(蔡儀)’s Aesthetics, and It’s Influence on Chinese Modern Practical Aesthetics 论彩颐美学的特点及其对中国现代实用美学的影响
Q4 Arts and Humanities Pub Date : 2019-06-30 DOI: 10.21211/jhum.87.9
Sang-Hyeop Lee
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引用次数: 0
Reflection of Initial Yi(疑) in Sino- Japanese So’on and To’on “字”在中日“字”、“字”中的反映
Q4 Arts and Humanities Pub Date : 2019-06-30 DOI: 10.21211/jhum.87.3
Chae-hyun Oh, Lee, Kyong Chul
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引用次数: 0
期刊
International Journal of the Humanities
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