{"title":"Étapes nouvelles dans la controverse sur les fonts baptismaux de l'Église Saint-Barthélémy à Liège","authors":"Pierre Colman","doi":"10.3406/barb.2008.21077","DOIUrl":"https://doi.org/10.3406/barb.2008.21077","url":null,"abstract":"","PeriodicalId":388643,"journal":{"name":"Bulletin de la Classe des Arts","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121480105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Olivier Messiaen. Musicien des paradoxes","authors":"Benoît Mernier","doi":"10.3406/barb.2008.21072","DOIUrl":"https://doi.org/10.3406/barb.2008.21072","url":null,"abstract":"","PeriodicalId":388643,"journal":{"name":"Bulletin de la Classe des Arts","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128047067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The investigation o f the large engraving production in the Netherlands of the 16th, century, it is to say of the efflorescence of the engraving, unique phenomenon in the history of art, is envisaged in: the framework of the relation Michelangelo - Netherlands, Would Buonarroti have plaid a major roles Michelangelo being specialist in the human representation, in particular for what concerns the nude, whould the Netherlandish engraving have inherited absolutely of his art? Vasari,. DoIce and many others have set the master at the top of the hierarchy of the masters of his time. However, the Netherlandish engraving seems not to be totally solidary o f the Sixtine Chapel or of the statues of the master.
{"title":"L'art de Michel-Ange et la gravure néerlandaise au XVIe siècle","authors":"J. Maldague","doi":"10.3406/barb.2009.21106","DOIUrl":"https://doi.org/10.3406/barb.2009.21106","url":null,"abstract":"The investigation o f the large engraving production in the Netherlands of the 16th, century, it is to say of the efflorescence of the engraving, unique phenomenon in the history of art, is envisaged in: the framework of the relation Michelangelo - Netherlands, Would Buonarroti have plaid a major roles Michelangelo being specialist in the human representation, in particular for what concerns the nude, whould the Netherlandish engraving have inherited absolutely of his art? Vasari,. DoIce and many others have set the master at the top of the hierarchy of the masters of his time. However, the Netherlandish engraving seems not to be totally solidary o f the Sixtine Chapel or of the statues of the master.","PeriodicalId":388643,"journal":{"name":"Bulletin de la Classe des Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129618741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Peinture et renoncements","authors":"Léon Wuidar","doi":"10.3406/barb.2009.21099","DOIUrl":"https://doi.org/10.3406/barb.2009.21099","url":null,"abstract":"","PeriodicalId":388643,"journal":{"name":"Bulletin de la Classe des Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130303571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"L'inconnu en soi","authors":"Philippe Roberts-Jones","doi":"10.3406/barb.2011.21144","DOIUrl":"https://doi.org/10.3406/barb.2011.21144","url":null,"abstract":"","PeriodicalId":388643,"journal":{"name":"Bulletin de la Classe des Arts","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124766370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bernin au tournant du maniérisme et du baroque","authors":"P. Somville","doi":"10.3406/barb.2012.21165","DOIUrl":"https://doi.org/10.3406/barb.2012.21165","url":null,"abstract":"","PeriodicalId":388643,"journal":{"name":"Bulletin de la Classe des Arts","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127467931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Oser l'inconnu et assumer sa différence","authors":"Baudouin Oosterlynck","doi":"10.3406/barb.2011.21138","DOIUrl":"https://doi.org/10.3406/barb.2011.21138","url":null,"abstract":"","PeriodicalId":388643,"journal":{"name":"Bulletin de la Classe des Arts","volume":"262 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122822219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Harmonie, croisements, couleurs et variations dans la musique d'Henri Pousseur","authors":"Pierre Bartholomée","doi":"10.3406/barb.2010.21116","DOIUrl":"https://doi.org/10.3406/barb.2010.21116","url":null,"abstract":"","PeriodicalId":388643,"journal":{"name":"Bulletin de la Classe des Arts","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115471663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Caravage et caravagisme","authors":"P. Somville","doi":"10.3406/barb.2013.21191","DOIUrl":"https://doi.org/10.3406/barb.2013.21191","url":null,"abstract":"","PeriodicalId":388643,"journal":{"name":"Bulletin de la Classe des Arts","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127110898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"L'échange de locaux avorté entre le Conservatoire royal de Musique et le Théâtre du Parc (1847-1849)","authors":"H. Vanhulst","doi":"10.3406/barb.2011.21153","DOIUrl":"https://doi.org/10.3406/barb.2011.21153","url":null,"abstract":"","PeriodicalId":388643,"journal":{"name":"Bulletin de la Classe des Arts","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127552876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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