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The House Gone Missing 失踪的房子
Q3 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.59490/footprint.17.1.7099
Dirk Van den Heuvel, Nelson Mota
The digital turn in architecture seems to have displaced the house as a paradigm for architectural theory. Omitting the house, and with it, housing and dwelling as key sites for the reconstitution of the discipline, recent theorisations of the digital in architecture have almost exclusively focused on new methods of production and notions of materiality alongside profound changes to the urban and social dimensions of the built environment. The Covid-19 pandemic has unveiled the multifaceted dimensions of the impact of the new digital technologies on dwelling as private houses transformed into online workspaces. It calls for a reflection on the question of dwelling as formulated by Martin Heidegger in 1951, when he suggested that answers won’t be found in technology and quantitative approaches to the pressing housing urgency of the time, but rather in a rethinking of culture through existentialist philosophy. The question of dwelling after the digital turn leads to scrutiny of the history of the digitisation of the house and the shifting nature of domesticity, and to an exploration of involved motivations and values, oscillating between a techno-utopianism to a techno-capitalism. While the boundaries between real and virtual realms are blurred, the house and dwelling find a reconceptualisation in ecological and relational terms, thereby dissolving the house as a discrete object or entity. Privacy, autonomy, and physicality are in need of a rebalancing.
建筑的数字化转变似乎已经取代了房屋作为建筑理论范式的地位。忽略了房子,以及它,住房和住宅作为学科重建的关键场所,最近的数字建筑理论几乎只关注新的生产方法和物质概念,以及建筑环境的城市和社会维度的深刻变化。随着私人住宅转变为在线工作空间,新冠肺炎大流行揭示了新数字技术对住宅的多方面影响。它要求对马丁·海德格尔(Martin Heidegger)在1951年提出的居住问题进行反思,当时他提出,解决紧迫的住房问题的答案不会在技术和定量方法中找到,而是通过存在主义哲学对文化进行重新思考。数字化转型后的居住问题引发了对房屋数字化历史的审视和家庭生活性质的转变,以及对相关动机和价值观的探索,在技术乌托邦主义和技术资本主义之间摇摆。虽然真实和虚拟领域之间的界限是模糊的,但房屋和住宅在生态和关系方面找到了重新概念化,从而将房屋作为一个离散的对象或实体。隐私、自主和身体需要重新平衡。
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引用次数: 0
Housing for a Lonely Generation 孤独一代的住房
Q3 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.59490/footprint.17.1.7036
Marija Maric
Organised around the advertising language for three co-living platforms—WeLive, Quarters (now Habyt), and the Collective—this essay frames the corporate housing model as inseparable from the digital media infrastructures that distribute its contents. Building, on one side, upon the existing research in the domain of housing, real estate, and media, and on the other, on the performative reading of the real estate advertisements of the contemporary co-living projects, it positions this housing typology as a genuine product of the 'real-estate-media complex,' referring to the close entanglements of speculative property markets, media infrastructures, and digital technologies in commodification of housing.
围绕三个共同生活平台——welive、Quarters(现在的Habyt)和collective的广告语言,本文将企业住房模式构建为与分发其内容的数字媒体基础设施不可分割的模式。一方面,在现有的住房、房地产和媒体领域的研究基础上,另一方面,在当代共同生活项目的房地产广告的表演性阅读上,它将这种住房类型定位为“房地产-媒体综合体”的真正产物,指的是投机房地产市场、媒体基础设施和数字技术在住房商品化中的密切纠缠。
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引用次数: 0
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