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Faulkner and the Native South最新文献

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Red Laughter: 红色笑声:
Pub Date : 2019-02-15 DOI: 10.2307/j.ctvdf0mp1.15
J. Lowe
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引用次数: 0
“Brother: Is This Truth?”: 哥哥:这是真的吗?”:
Pub Date : 2019-02-15 DOI: 10.2307/j.ctvdf0mp1.11
Katherine M. B. Osburn
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引用次数: 0
“A Valid Signature”: “有效签名”:
Pub Date : 2019-02-15 DOI: 10.2307/j.ctvdf0mp1.10
A. Trefzer
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引用次数: 0
Doom and Deliverance: 厄运与救赎:
Pub Date : 2019-02-15 DOI: 10.2307/j.ctvdf0mp1.7
M. Taylor
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引用次数: 0
Souths as Prologues: 作为开场白的南方:
Pub Date : 2019-02-15 DOI: 10.2307/j.ctvdf0mp1.6
Jodi A. Byrd
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引用次数: 0
From the Mausoleum to a Spider Web: 从陵墓到蜘蛛网:
Pub Date : 2019-02-15 DOI: 10.2307/J.CTVDF0MP1.14
M. R. Anderson
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引用次数: 0
Faulkner Didn’t Invent Yoknapatawpha, Everybody Knows That. 福克纳没有发明约克纳帕塔法,这是人所共知的。
Pub Date : 2019-02-15 DOI: 10.2307/j.ctvdf0mp1.5
Leanne Howe
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引用次数: 0
The Wild and the Tame: 野性与驯服:
Pub Date : 2019-02-15 DOI: 10.2307/j.ctvdf0mp1.12
R. Ethridge
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引用次数: 0
“Brother: Is This Truth?” “哥哥:这是真的吗?”
Pub Date : 2019-02-05 DOI: 10.14325/MISSISSIPPI/9781496818096.003.0007
Katherine M. B. Osburn
This essay approaches Faulkner’s stories about Mississippi Indians from the perspective of a historian of the Native South. It discusses shifting ideas about the role of narrative in historical analysis and reviews what other scholars have said about Faulkner’s Indigenous peoples. It demonstrates the importance of stories crafted from historical documentation to understanding Faulkner’s Mississippi. At the time that Faulkner was writing, Choctaws were engaged in their own storytelling. The tales Mississippi Choctaws spun over the course of Faulkner’s life demonstrate how subaltern peoples use historical narratives, even painful ones, for powerful political purposes. Considering the actions of Mississippi’s actual Indigenous peoples locates Faulkner’s imaginary Indigenous peoples in a critical historical context of colonialism. The stories that Mississippi Choctaws crafted about themselves, excavated from the archives, deserve a place alongside Faulkner’s work as a way to think about Native Southerners and that elusive and contingent thing we call truth
本文从南方土著历史学家的角度来探讨福克纳关于密西西比印第安人的故事。它讨论了关于叙事在历史分析中的作用的观念转变,并回顾了其他学者对福克纳的土著人民的看法。它展示了从历史文献中精心制作的故事对理解福克纳的《密西西比》的重要性。在福克纳写作的时候,乔克托族正忙于自己的故事叙述。密西西比乔克托人在福克纳的一生中讲述的故事表明,底层人民如何利用历史叙事,甚至是痛苦的历史叙事,来达到强大的政治目的。考虑到密西西比实际的土著人民的行为,福克纳将想象中的土著人民置于殖民主义的关键历史背景中。从档案中挖掘出来的密西西比乔克托人关于自己的故事,应该与福克纳的作品并列,作为一种思考南方原住民的方式,以及我们称之为真相的难以捉摸和偶然的东西
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引用次数: 0
Red Laughter 红色的笑声
Pub Date : 2019-02-05 DOI: 10.14325/mississippi/9781496818096.003.0011
J. Lowe
Faulkner’s portraits of Native Americans have been hotly debated, and it is true his lack of deep knowledge of Mississippi’s Native culture forced him to invent rather generously. To his credit, however, he presented multi-faceted characters, who range from the appalling to the appealing, displaying a full spectrum of human feelings. A little explored aspect of these tales is their humor. As Faulkner knew, Native cultures employed humor in virtually every aspect of their lives. This is apparent in his underrated story, “A Courtship,” but also in “Lo.” This essay outlines uses of the comic in these tales, and then relates it to authentic Native humor, showing how his artificial constructions both coincide and conflict with actual comic conventions in Native communities; the way in which his comic inventions create intimacy; and how the tales’ humor subverts accepted notions of nineteenth century history.
福克纳的印第安人肖像一直备受争议,确实,他对密西西比土著文化缺乏深入的了解,迫使他创作了相当多的作品。然而,值得赞扬的是,他塑造了多面性的角色,从令人震惊的到吸引人的,展现了人类全方位的情感。这些故事的一个鲜为人知的方面是它们的幽默。福克纳知道,土著文化几乎在生活的各个方面都运用幽默。这在他被低估的故事《求爱》(A求爱)中很明显,在《罗》(Lo)中也很明显。这篇文章概述了漫画在这些故事中的应用,然后将其与真正的土著幽默联系起来,展示了他的人工结构如何与土著社区的实际喜剧习俗既吻合又冲突;他的喜剧发明创造亲密关系的方式;以及这些故事的幽默如何颠覆了人们对19世纪历史的公认观念。
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引用次数: 0
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Faulkner and the Native South
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