Die Kritik an den bestehenden sozialen Verhältnissen im vorrevolutionären Deutschland zählt zu den zentralen Themen des prägnanten Werks Georg Büchners. In seinen Dramen denunziert er die Heuchelei und Frivolität der oberen Klassen sowie ihre Unterdrückung der ärmeren Schichten zur Befestigung der sozialen Hierarchien. In Anlehnung an die Arbeiten Martins (2015, 2017) zur entstehungsgeschichtlichen und konzeptionellen Parallelität von Georg Büchners letzten Dramen Leonce und Lena und Woyzeck wird im vorliegenden Beitrag versucht, die Rolle der Ästhetik des Grotesken bei der Darstellung sozialer Umstände in den erwähnten Stücken Büchners zu bestimmen. Der Fokus der Untersuchung liegt auf den grotesken Elementen und Motiven bei der Darstellung der unterschiedlichen gesellschaftlichen Sphären. Dazu zählen u.a. die Automaten, die Aufhebung der Grenzen zwischen Tieren und Menschen sowie der Wahnsinn des Titelhelden in Woyzeck. Dabei werden die Theorien Kaysers und Bachtins zum Grotesken herangezogen, die exemplarisch die Ambivalenz dieser ästhetischen Kategorie zeigen.
{"title":"GEORG BÜCHNERS 'LEONCE UND LENA' UND 'WOYZECK': ZUR ROLLE DES GROTESKEN BEI DER SCHILDERUNG GESELLSCHAFTLICHER VERHÄLTNISSE","authors":"Marc Arevalo","doi":"10.1344/AFLC2020.10.7","DOIUrl":"https://doi.org/10.1344/AFLC2020.10.7","url":null,"abstract":"Die Kritik an den bestehenden sozialen Verhältnissen im vorrevolutionären Deutschland zählt zu den zentralen Themen des prägnanten Werks Georg Büchners. In seinen Dramen denunziert er die Heuchelei und Frivolität der oberen Klassen sowie ihre Unterdrückung der ärmeren Schichten zur Befestigung der sozialen Hierarchien. In Anlehnung an die Arbeiten Martins (2015, 2017) zur entstehungsgeschichtlichen und konzeptionellen Parallelität von Georg Büchners letzten Dramen Leonce und Lena und Woyzeck wird im vorliegenden Beitrag versucht, die Rolle der Ästhetik des Grotesken bei der Darstellung sozialer Umstände in den erwähnten Stücken Büchners zu bestimmen. Der Fokus der Untersuchung liegt auf den grotesken Elementen und Motiven bei der Darstellung der unterschiedlichen gesellschaftlichen Sphären. Dazu zählen u.a. die Automaten, die Aufhebung der Grenzen zwischen Tieren und Menschen sowie der Wahnsinn des Titelhelden in Woyzeck. Dabei werden die Theorien Kaysers und Bachtins zum Grotesken herangezogen, die exemplarisch die Ambivalenz dieser ästhetischen Kategorie zeigen.","PeriodicalId":40185,"journal":{"name":"Anuari de Filologia-Literatures Contemporanies","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74433123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this article I shall show how deftly Fàbregas creates in her novel Landen two separate but thematically connected stories and leads them to a very satisfying and totally unexpected ending. Landen is an intriguing psychological novel where the two main characters, Him and Her, tell, in alternating chapters, their own story in the first person. They only meet once, in the first chapter, where the Him character dies. I shall first look at the main characters’ life experiences, i.e. the car accident in which the Her character loses her parents and the experiences of the Him character as an emigrant and later as a widower. I shall then describe the contrasting attitudes they each adopt and look at parallels between both narratives. Finally, I shall give an interpretation of the imagery as a link that also enhances the contrast between the characters.
{"title":"‘HIJ’ VERSUS ‘ZIJ’: CONTRASTEN, PARALLELLEN EN BEELDSPRAAK IN LAIA FÀBREGAS’ LANDEN (2010)","authors":"Anne Van Raemdonck","doi":"10.1344/AFLC2019.9.1","DOIUrl":"https://doi.org/10.1344/AFLC2019.9.1","url":null,"abstract":"In this article I shall show how deftly Fàbregas creates in her novel Landen two separate but thematically connected stories and leads them to a very satisfying and totally unexpected ending. Landen is an intriguing psychological novel where the two main characters, Him and Her, tell, in alternating chapters, their own story in the first person. They only meet once, in the first chapter, where the Him character dies. I shall first look at the main characters’ life experiences, i.e. the car accident in which the Her character loses her parents and the experiences of the Him character as an emigrant and later as a widower. I shall then describe the contrasting attitudes they each adopt and look at parallels between both narratives. Finally, I shall give an interpretation of the imagery as a link that also enhances the contrast between the characters.","PeriodicalId":40185,"journal":{"name":"Anuari de Filologia-Literatures Contemporanies","volume":"80 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88520681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
After the independence and the creation of the New Granada in 1819, the young Latin American republics continued faced disputing power. The caudillos spent their energies in partisan struggles because personal, group, class and ethnic interests overlapped, often under romantic formulations. Between chaos and order, 14 constitutions were drafted in Colombia until reaching the Rionegro Constitution of 1863. Promulgated by the leaders of Radical Liberalism, it went too far in its pursuit of utopia. Federalism, defense of individual freedoms, abolition of the death penalty, freedom of press and separation of the Church and the State are some of its most important conquests, but the consequences of its extremes triggered bloody civil wars. In the heat of these disputes arises José María Vargas Vila (1860-1933), the famous pamphleteer, who enlisted in the ranks of Radical Liberalism defending constitutional rights. This article exposes the position of a Colombian liberal intellectual in face of period called Regeneration that seeks to impose peace and order in Colombia restricting the freedoms and rights granted by the Rionegro Constitution.
{"title":"JOSÉ MARÍA VARGAS VILA, DEFENSOR DE LA CONSTITUCIÓN DE RIONEGRO","authors":"Consuelo Triviño Anzola","doi":"10.1344/aflc2019.9.3","DOIUrl":"https://doi.org/10.1344/aflc2019.9.3","url":null,"abstract":"After the independence and the creation of the New Granada in 1819, the young Latin American republics continued faced disputing power. The caudillos spent their energies in partisan struggles because personal, group, class and ethnic interests overlapped, often under romantic formulations. Between chaos and order, 14 constitutions were drafted in Colombia until reaching the Rionegro Constitution of 1863. Promulgated by the leaders of Radical Liberalism, it went too far in its pursuit of utopia. Federalism, defense of individual freedoms, abolition of the death penalty, freedom of press and separation of the Church and the State are some of its most important conquests, but the consequences of its extremes triggered bloody civil wars. In the heat of these disputes arises José María Vargas Vila (1860-1933), the famous pamphleteer, who enlisted in the ranks of Radical Liberalism defending constitutional rights. This article exposes the position of a Colombian liberal intellectual in face of period called Regeneration that seeks to impose peace and order in Colombia restricting the freedoms and rights granted by the Rionegro Constitution.","PeriodicalId":40185,"journal":{"name":"Anuari de Filologia-Literatures Contemporanies","volume":"82 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89846144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In our article we present three literary visions about the Thousand Days War in Colombia (1899 1902) that will end with the loss of Panama and the intervention of the United States in order to build the inter oceanic Canal. The war, the longest of the civil wars in Colombia, marked the course of the years to come and one could speak of a germ of contemporary Violence that has not ceased. It was one of the fundamental events for writers such as Gabriel García Márquez and legendary characters such as Colonel Aureliano Buendía.
{"title":"REINVENCIÓN DE LA GUERRA DE LOS MIL DÍAS (1899-1902) EN TRES NOVELAS COLOMBIANAS","authors":"A. Bejarano","doi":"10.1344/aflc2019.9.4","DOIUrl":"https://doi.org/10.1344/aflc2019.9.4","url":null,"abstract":"In our article we present three literary visions about the Thousand Days War in Colombia (1899 1902) that will end with the loss of Panama and the intervention of the United States in order to build the inter oceanic Canal. The war, the longest of the civil wars in Colombia, marked the course of the years to come and one could speak of a germ of contemporary Violence that has not ceased. It was one of the fundamental events for writers such as Gabriel García Márquez and legendary characters such as Colonel Aureliano Buendía.","PeriodicalId":40185,"journal":{"name":"Anuari de Filologia-Literatures Contemporanies","volume":"330 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77787091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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