Pub Date : 2018-10-23DOI: 10.1108/978-1-78756-749-820181016
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Pub Date : 2018-10-23DOI: 10.1108/978-1-78756-749-820181006
C. Abidin
Abstract Depending on whether one premises academic literature, press reports, or vernacular folklore, the origin stories of microcelebrity cultures can differ greatly. As academics, we are often inclined to deem as canon and factual the descriptions detailed in refereed academic publications, viewing them as scientific truths that take precedence over other forms of written records such as traditional press or popular media reports. But what happens if the origin stories of cultural phenomena are not logged in these traditionally privileged outlets that are often in the English language, and in a vocabulary not usually accessible to the general populace? What happens if the origin stories of cultural happenings remain within the domains of material or oral folklore without ever being logged as transmittable text? How do researchers go about reading theory, applying concepts, and interpreting their data while maintaining the critical lens of cultural relativism? In this chapter I contemplate the origin stories of my research on microcelebrity cultures between 2009 and 2018 both thematically and conceptually, by biographically recounting my methodological and theoretical trajectories in studying internet celebrities. As an act of radical transparency in displaying some of my most intimate fieldnotes – such as how I came upon particular schools of thought and theories – and as a reflexive mode of transcribing from material and oral culture the earliest beginnings of microcelebrity culture in Singapore as a participant observer, I hope this methodological biography will contribute toward rethinking the politics of our knowledge production as researchers.
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Pub Date : 2018-10-23DOI: 10.1108/978-1-78756-749-820181010
Lígia Lana
Mercado Livre, a site for e-commerce and online auctions, is popular in Brazil. Given the accessibility of user-friendly technology, any person can open an auction on the internet to trade items such as cars, mobile phones, and domestic electrical appliances. In 2012, a media mobilization was sparked after the online auction of Brazilian Catarina Migliorini’s virginity. Described by the Brazilian media as one of the events of the year, the auction was promoted by Justin Sisely, an Australian filmmaker who designed the project Virgins Wanted. Tracing media reports, this chapter focuses on Migliorini’s savvy attention literacies, upon which she capitalized upon the situation to obtain her celebrity. Seizing the opportunity given by a watchful internet audience, she established herself as an iconic personality through press coverage and the curation of online profiles, and became a microcelebrity.
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Pub Date : 2018-10-23DOI: 10.1108/978-1-78756-749-820181012
M. Brown, H. Phifer
Abstract I followed Belle (@bellecosby, @bonitaapplebelle), or Hanna, from Twitter to Tumblr. Her presence on the blog was thoughtful, defiant, playful, and informed. Looking through Hanna’s posts as Belle from Tumblr, she struck me as “Tumblr famous” – a type of microcelebity that uses Tumblr to connect with an audience and maintain popularity among other Tumblr users. Well before the #MeToo movement had caught fire in 2017, Hanna was ready and willing to challenge mainstream celebrity on behalf of the voiceless. On Twitter she laid out arguments to challenge the impulse to victim-blame when sexual assault survivors do go public challenging the impulse to victim-blame when sexual assault survivors do go public. This chapter traces how Belle’s online community was an opportunity for relationally understanding herself and expressing her identity to specific Tumblr networks, among like-minded peers that also confront social issues.
{"title":"The Rise of Belle from Tumblr","authors":"M. Brown, H. Phifer","doi":"10.1108/978-1-78756-749-820181012","DOIUrl":"https://doi.org/10.1108/978-1-78756-749-820181012","url":null,"abstract":"Abstract \u0000I followed Belle (@bellecosby, @bonitaapplebelle), or Hanna, from Twitter to Tumblr. Her presence on the blog was thoughtful, defiant, playful, and informed. Looking through Hanna’s posts as Belle from Tumblr, she struck me as “Tumblr famous” – a type of microcelebity that uses Tumblr to connect with an audience and maintain popularity among other Tumblr users. Well before the #MeToo movement had caught fire in 2017, Hanna was ready and willing to challenge mainstream celebrity on behalf of the voiceless. On Twitter she laid out arguments to challenge the impulse to victim-blame when sexual assault survivors do go public challenging the impulse to victim-blame when sexual assault survivors do go public. This chapter traces how Belle’s online community was an opportunity for relationally understanding herself and expressing her identity to specific Tumblr networks, among like-minded peers that also confront social issues.","PeriodicalId":404490,"journal":{"name":"Microcelebrity Around the Globe","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125400971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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