Pub Date : 2016-09-19DOI: 10.6092/ISSN.2036-1602/6293
H. Cox
Despite our times being labeled “secular age,” unanticipated currents of spirituality in both new, old and mixed forms keep appearing. I many places pilgrimages have reemerged often to traditional sacred sites but with new meanings layered onto older ones in Europe, America and Asia. In this phenomenology of pilgrimage the author catalogs some of the characteristics of these post-secular journeys. They attract conventionally religious people, seekers, New Age adherents, amateur historians, health buffs, nature lovers and tourists who together constitute a new and different sort of “congregation,” which like many aspects of the world today is temporary, in flux and in motion. They often exhibit an element of commercialization, but hint at one kind of “post-secular” spirituality. This phenomenon presents a challenged to architects, urban planner and scholars of religion.
{"title":"Il monastero, la città e il futuro dell’umanità","authors":"H. Cox","doi":"10.6092/ISSN.2036-1602/6293","DOIUrl":"https://doi.org/10.6092/ISSN.2036-1602/6293","url":null,"abstract":"Despite our times being labeled “secular age,” unanticipated currents of spirituality in both new, old and mixed forms keep appearing. I many places pilgrimages have reemerged often to traditional sacred sites but with new meanings layered onto older ones in Europe, America and Asia. In this phenomenology of pilgrimage the author catalogs some of the characteristics of these post-secular journeys. They attract conventionally religious people, seekers, New Age adherents, amateur historians, health buffs, nature lovers and tourists who together constitute a new and different sort of “congregation,” which like many aspects of the world today is temporary, in flux and in motion. They often exhibit an element of commercialization, but hint at one kind of “post-secular” spirituality. This phenomenon presents a challenged to architects, urban planner and scholars of religion.","PeriodicalId":40536,"journal":{"name":"IN BO-Ricerche e Progetti per il Territorio la Citta e l Architettura","volume":"24 1","pages":"9-16"},"PeriodicalIF":0.0,"publicationDate":"2016-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71258462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-09-19DOI: 10.6092/ISSN.2036-1602/6291
Joongsub Kim
This paper explores spirituality in urban decay. This paper suggests that the spirituality of places in urban decay can be defined in four ways: places in urban decay can be spiritual because they inspire people to do good things for the community (catalytic); places in urban decay can be spiritual because they are consoling (therapeutic); places in urban decay can be spiritual because they help connect individuals to their inner selves (reflective); and places in urban decay can be spiritual because they connect people in different ways (engaging). The literature neglects the catalytic aspect, while supporting other aspects. The results of this paper suggest that the idea of spirituality in architecture needs to be expanded in post-industrial society. This paper suggests that the role that spiritual places in urban decay play in place-making, especially in shrinking cities such as Detroit, deserve further scholarly attention.
{"title":"Alla ricerca della spiritualità nei luoghi del degrado urbano: Casi studio a Detroit","authors":"Joongsub Kim","doi":"10.6092/ISSN.2036-1602/6291","DOIUrl":"https://doi.org/10.6092/ISSN.2036-1602/6291","url":null,"abstract":"This paper explores spirituality in urban decay. This paper suggests that the spirituality of places in urban decay can be defined in four ways: places in urban decay can be spiritual because they inspire people to do good things for the community (catalytic); places in urban decay can be spiritual because they are consoling (therapeutic); places in urban decay can be spiritual because they help connect individuals to their inner selves (reflective); and places in urban decay can be spiritual because they connect people in different ways (engaging). The literature neglects the catalytic aspect, while supporting other aspects. The results of this paper suggest that the idea of spirituality in architecture needs to be expanded in post-industrial society. This paper suggests that the role that spiritual places in urban decay play in place-making, especially in shrinking cities such as Detroit, deserve further scholarly attention.","PeriodicalId":40536,"journal":{"name":"IN BO-Ricerche e Progetti per il Territorio la Citta e l Architettura","volume":"7 1","pages":"65-79"},"PeriodicalIF":0.0,"publicationDate":"2016-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71258452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-09-19DOI: 10.6092/ISSN.2036-1602/6290
K. Schaffer
Daniel Hudson Burnham, the Chicago architect and city planner, is recognized for his work on the development of American tall office building; for the construction of World’s Columbian Exposition of 1893; and for his city plans for Washington, D.C., Cleveland, San Francisco, and Chicago. He is also remembered for the quote “Make no little plans.” What is not recalled is his Swedenborgian faith nor how it influenced his work. Emanuel Swedenborg was a Swedish scientist and engineer who, beginning in the mid 1730s, underwent a spiritual awakening. The focus of his work changed to the mystical aspects of human experience. He believed that all Christian churches were dead and in need of revitalization and the key to revitalization was to be found in a new interpretation of scripture. His followers founded the Church of the New Jerusalem, sometimes referred to as the New Church or the Swedenborgian Church.
{"title":"Heaven on Earth: Swedenborgian Correspondences in the Plan of Chicago","authors":"K. Schaffer","doi":"10.6092/ISSN.2036-1602/6290","DOIUrl":"https://doi.org/10.6092/ISSN.2036-1602/6290","url":null,"abstract":"Daniel Hudson Burnham, the Chicago architect and city planner, is recognized for his work on the development of American tall office building; for the construction of World’s Columbian Exposition of 1893; and for his city plans for Washington, D.C., Cleveland, San Francisco, and Chicago. He is also remembered for the quote “Make no little plans.” What is not recalled is his Swedenborgian faith nor how it influenced his work. Emanuel Swedenborg was a Swedish scientist and engineer who, beginning in the mid 1730s, underwent a spiritual awakening. The focus of his work changed to the mystical aspects of human experience. He believed that all Christian churches were dead and in need of revitalization and the key to revitalization was to be found in a new interpretation of scripture. His followers founded the Church of the New Jerusalem, sometimes referred to as the New Church or the Swedenborgian Church.","PeriodicalId":40536,"journal":{"name":"IN BO-Ricerche e Progetti per il Territorio la Citta e l Architettura","volume":"7 1","pages":"51-64"},"PeriodicalIF":0.0,"publicationDate":"2016-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71258439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-09-01DOI: 10.6092/ISSN.2036-1602/6289
Nader Ardalan
Caught between the past when traditional religious beliefs structured most world views and the current reign of quantity and material consumerism that is threatening the very existence of life on earth, we remain in anxious anticipation of the yet unknown next phase of human consciousness to help mitigate life’s unfolding challenges. Thus, human beings exist in a transitional situation that is precarious and yet full of potential. Within this panorama this paper focuses on two less challenging, yet pivotal questions regarding our urban environments: “What are the transcendent foundations that have given birth and historically sustained great cities of the Middle East over the last ten millennia and what can we learn from them that may inform and influence the holistic transformation and life patterns of our cities today and their future?”
{"title":"The transcendent Dimension of Cities","authors":"Nader Ardalan","doi":"10.6092/ISSN.2036-1602/6289","DOIUrl":"https://doi.org/10.6092/ISSN.2036-1602/6289","url":null,"abstract":"Caught between the past when traditional religious beliefs structured most world views and the current reign of quantity and material consumerism that is threatening the very existence of life on earth, we remain in anxious anticipation of the yet unknown next phase of human consciousness to help mitigate life’s unfolding challenges. Thus, human beings exist in a transitional situation that is precarious and yet full of potential. Within this panorama this paper focuses on two less challenging, yet pivotal questions regarding our urban environments: “What are the transcendent foundations that have given birth and historically sustained great cities of the Middle East over the last ten millennia and what can we learn from them that may inform and influence the holistic transformation and life patterns of our cities today and their future?”","PeriodicalId":40536,"journal":{"name":"IN BO-Ricerche e Progetti per il Territorio la Citta e l Architettura","volume":"7 1","pages":"34-49"},"PeriodicalIF":0.0,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71258372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2015-12-29DOI: 10.6092/ISSN.2036-1602/6077
Maria Anna Caminiti
La configurazione dei cimiteri e strettamente connessa al territorio, alla cultura e alle tradizioni delle comunita che vi afferiscono. Gli impianti — inizialmente definiti secondo specifici modelli di riferimento, sulla base delle normative vigenti all’atto di fondazione — subiscono nel tempo trasformazioni, ampliamenti, alterazioni e degrado che ne fanno perdere l’identita. Rimane il valore imprescindibile in quanto luoghi della memoria collettiva ed espressione del sentimento connesso al culto della morte. Questi i temi trattati nell’ambito di una ricerca universitaria, sviluppando un’ampia analisi sul Gran Camposanto di Messina e sui complessi cimiteriali della fascia collinare messinese e delle Eolie, caratterizzati dalla presenza visiva del mare e dalla marcata aderenza alla morfologia dei siti, attraverso l’uso dei terrazzamenti.
{"title":"I complessi cimiteriali e il paesaggio antropizzato","authors":"Maria Anna Caminiti","doi":"10.6092/ISSN.2036-1602/6077","DOIUrl":"https://doi.org/10.6092/ISSN.2036-1602/6077","url":null,"abstract":"La configurazione dei cimiteri e strettamente connessa al territorio, alla cultura e alle tradizioni delle comunita che vi afferiscono. Gli impianti — inizialmente definiti secondo specifici modelli di riferimento, sulla base delle normative vigenti all’atto di fondazione — subiscono nel tempo trasformazioni, ampliamenti, alterazioni e degrado che ne fanno perdere l’identita. Rimane il valore imprescindibile in quanto luoghi della memoria collettiva ed espressione del sentimento connesso al culto della morte. Questi i temi trattati nell’ambito di una ricerca universitaria, sviluppando un’ampia analisi sul Gran Camposanto di Messina e sui complessi cimiteriali della fascia collinare messinese e delle Eolie, caratterizzati dalla presenza visiva del mare e dalla marcata aderenza alla morfologia dei siti, attraverso l’uso dei terrazzamenti.","PeriodicalId":40536,"journal":{"name":"IN BO-Ricerche e Progetti per il Territorio la Citta e l Architettura","volume":"6 1","pages":"61-72"},"PeriodicalIF":0.0,"publicationDate":"2015-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71257911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2015-12-29DOI: 10.6092/ISSN.2036-1602/6087
K. Palánová, J. Kovář, T. Babor, I. Dlábiková, O. Juračka
Le sepolture dei defunti sono sempre state parte della vita di ogni societa e rimangono per sempre. Nella nostra cultura occidentale mitteleuropea, basata principalmente sulla tradizione cristiana, e esistita fino alla fine del XIX secolo, solo l’inumazione. Sul inizi del ‘20 secolo, a poco a poco si e cominciato ad utilizzare anche la cremazione. I suoi sostenitori hanno puntato sulla sua superiorita igienica rispetto alle pratiche tradizionali. Cio ha portato alla creazione e sviluppo graduale di un nuovo tipo di edificio-crematorio. Colore che sono favorevoli promuovono anche l’alto profilo della cerimonia funebre e questo ha determinato la qualita della sepoltura e della cultura cimiteriale durante tutto il XX secolo. L’obiettivo e di avvicinare questa nuovo tipo di edificio al pubblico professionale e specificarne l’organizzazione e la tipologia per promuoverne l’alta etica, cerimonia, estetica e rispetto.
{"title":"Requirements for cremation architecture in contemporary secularized society","authors":"K. Palánová, J. Kovář, T. Babor, I. Dlábiková, O. Juračka","doi":"10.6092/ISSN.2036-1602/6087","DOIUrl":"https://doi.org/10.6092/ISSN.2036-1602/6087","url":null,"abstract":"Le sepolture dei defunti sono sempre state parte della vita di ogni societa e rimangono per sempre. Nella nostra cultura occidentale mitteleuropea, basata principalmente sulla tradizione cristiana, e esistita fino alla fine del XIX secolo, solo l’inumazione. Sul inizi del ‘20 secolo, a poco a poco si e cominciato ad utilizzare anche la cremazione. I suoi sostenitori hanno puntato sulla sua superiorita igienica rispetto alle pratiche tradizionali. Cio ha portato alla creazione e sviluppo graduale di un nuovo tipo di edificio-crematorio. Colore che sono favorevoli promuovono anche l’alto profilo della cerimonia funebre e questo ha determinato la qualita della sepoltura e della cultura cimiteriale durante tutto il XX secolo. L’obiettivo e di avvicinare questa nuovo tipo di edificio al pubblico professionale e specificarne l’organizzazione e la tipologia per promuoverne l’alta etica, cerimonia, estetica e rispetto.","PeriodicalId":40536,"journal":{"name":"IN BO-Ricerche e Progetti per il Territorio la Citta e l Architettura","volume":"6 1","pages":"150-158"},"PeriodicalIF":0.0,"publicationDate":"2015-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71258286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2015-12-29DOI: 10.6092/issn.2036-1602/6082
Nilly R. Harag
Most cultures use the past for stability and risk seeing not the other there but itself. One has to be able to see and sense a situation rather than be drawn into the reality depicted by formal historiography and national narratives. Departing from acute memories of conflict, enlisted for barricading identity, we can develop the capacity to contain an event and simultaneously progress towards a new beginning. I aim to question mapped boundaries through a biographical lens; to this end I observe onsite/insightfully the remains of village and its neighbour in northern Israel. The art of mapping debris can introduce new practices into the architecture of conflict.
{"title":"Il passato è un terreno morto","authors":"Nilly R. Harag","doi":"10.6092/issn.2036-1602/6082","DOIUrl":"https://doi.org/10.6092/issn.2036-1602/6082","url":null,"abstract":"Most cultures use the past for stability and risk seeing not the other there but itself. One has to be able to see and sense a situation rather than be drawn into the reality depicted by formal historiography and national narratives. Departing from acute memories of conflict, enlisted for barricading identity, we can develop the capacity to contain an event and simultaneously progress towards a new beginning. I aim to question mapped boundaries through a biographical lens; to this end I observe onsite/insightfully the remains of village and its neighbour in northern Israel. The art of mapping debris can introduce new practices into the architecture of conflict.","PeriodicalId":40536,"journal":{"name":"IN BO-Ricerche e Progetti per il Territorio la Citta e l Architettura","volume":"1 1","pages":"125-131"},"PeriodicalIF":0.0,"publicationDate":"2015-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71258220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2015-12-29DOI: 10.6092/ISSN.2036-1602/6088
Paniz Moayeri
Behesht-e Zahra, unico cimitero attivo di Teheran per i musulmani della citta, e cresciuto rapidamente nei suoi soli quaranta anni di attivita. Nonostante la sua distanza significativa dal tessuto urbano, e comunque presente nella vita di tutti gli iraniani che vedono il cimitero riflesso nei media come un luogo di grande importanza per la Repubblica Islamica. Ospitando sul proprio suolo i martiri del regime e la sepoltura di Khomeini, questo cimitero si e evoluto utilizzando le pratiche culturali preesistenti e le credenze per consentire la visione delle morti secolari attraverso una lente di religione politica. Questo documento racconta come il governo teocratico della Repubblica islamica utilizza le lunghe tradizioni di martirio e di pellegrinaggio a Behesht-e Zahra come pratica di governo, e le assimila nella vita moderna iraniana.
{"title":"L’uso della memoria collettiva al cimitero di Teheran Behesht-e Zahra come strumento di propaganda","authors":"Paniz Moayeri","doi":"10.6092/ISSN.2036-1602/6088","DOIUrl":"https://doi.org/10.6092/ISSN.2036-1602/6088","url":null,"abstract":"Behesht-e Zahra, unico cimitero attivo di Teheran per i musulmani della citta, e cresciuto rapidamente nei suoi soli quaranta anni di attivita. Nonostante la sua distanza significativa dal tessuto urbano, e comunque presente nella vita di tutti gli iraniani che vedono il cimitero riflesso nei media come un luogo di grande importanza per la Repubblica Islamica. Ospitando sul proprio suolo i martiri del regime e la sepoltura di Khomeini, questo cimitero si e evoluto utilizzando le pratiche culturali preesistenti e le credenze per consentire la visione delle morti secolari attraverso una lente di religione politica. Questo documento racconta come il governo teocratico della Repubblica islamica utilizza le lunghe tradizioni di martirio e di pellegrinaggio a Behesht-e Zahra come pratica di governo, e le assimila nella vita moderna iraniana.","PeriodicalId":40536,"journal":{"name":"IN BO-Ricerche e Progetti per il Territorio la Citta e l Architettura","volume":"40 1","pages":"179-193"},"PeriodicalIF":0.0,"publicationDate":"2015-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71258307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2015-12-01DOI: 10.6092/ISSN.2036-1602/6080
D. L. Cohen, Amanda R. Culp
“Il cimitero narrativo” propone una riconsiderazione dei rituali americani contemporanei di sepoltura e dei metodi degli individui per commemorare. Un archivio di storie di famiglia e stato sviluppato per diventare un campo di monumenti confrontando diversi problemi all’interno della cultura contemporanea della sepoltura. Le narrazioni mantengono un ruolo fondamentale nell’afflizione, nel processo di “riassetto”. Il monumento narrativo impegna questo fenomeno interpretando ed esponendo storie del defunto su un campo di segni e monumenti. Segni personalizzati e tattili coinvolgono i parenti in lutto e costruiscono un ambiente coinvolgente per il rituale, in cui la presenza del singolo e sentita e immortalata.
{"title":"Narrative Cemetery: Ritual Arrangement and Rearrangement. A Design Proposal for Michigan Memorial Park Cemetery USA","authors":"D. L. Cohen, Amanda R. Culp","doi":"10.6092/ISSN.2036-1602/6080","DOIUrl":"https://doi.org/10.6092/ISSN.2036-1602/6080","url":null,"abstract":"“Il cimitero narrativo” propone una riconsiderazione dei rituali americani contemporanei di sepoltura e dei metodi degli individui per commemorare. Un archivio di storie di famiglia e stato sviluppato per diventare un campo di monumenti confrontando diversi problemi all’interno della cultura contemporanea della sepoltura. Le narrazioni mantengono un ruolo fondamentale nell’afflizione, nel processo di “riassetto”. Il monumento narrativo impegna questo fenomeno interpretando ed esponendo storie del defunto su un campo di segni e monumenti. Segni personalizzati e tattili coinvolgono i parenti in lutto e costruiscono un ambiente coinvolgente per il rituale, in cui la presenza del singolo e sentita e immortalata.","PeriodicalId":40536,"journal":{"name":"IN BO-Ricerche e Progetti per il Territorio la Citta e l Architettura","volume":"6 1","pages":"114-124"},"PeriodicalIF":0.0,"publicationDate":"2015-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71258190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2015-12-01DOI: 10.6092/ISSN.2036-1602/6089
L. Rabelo
The origins of cemeteries occurred because of a change in funeral habits, when burials were transferred from the church to saint fields. In 1850, the first public cemetery was inaugurated in the city of Belem, Brazil. The Cemetery Nossa Senhora da Soledade (CNSS) has a strong symbolic representation. Although its burials have ceased 30 years after its opening, the place is still visited for religious purpose, expressed in the practice souls and popular saints cults, held every Monday when the cemetery is open to the public. Hundreds of people come to the CNSS for pray near the graves. They deposit candies, soft drinks, flowers, and some sculptures adorned with shirts and ribbons, as a signal of gratitude for the graces received, attributed to the souls represented by the saints. Summed to the offerings, the tombs abandon, dirty plus graffiti, the cemetery is in a bad condition.
墓地的起源是由于葬礼习惯的变化,当葬礼从教堂转移到圣田。1850年,第一个公共墓地在巴西贝伦市落成。Nossa Senhora da Soledade公墓(CNSS)具有强烈的象征意义。虽然它的葬礼在开放30年后已经停止,但这个地方仍然出于宗教目的而访问,表现为实践灵魂和流行的圣徒崇拜,每周一墓地向公众开放时举行。数百人来到CNSS墓地附近祈祷。他们存放糖果、软饮料、鲜花和一些装饰着衬衫和丝带的雕塑,作为对收到的恩惠表示感谢的信号,这些恩惠被认为是由圣人代表的灵魂所获得的。总而言之,墓葬被遗弃,肮脏加上涂鸦,墓地的状况很糟糕。
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