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Il monastero, la città e il futuro dell’umanità 修道院,城市和人类的未来
0 ARCHITECTURE Pub Date : 2016-09-19 DOI: 10.6092/ISSN.2036-1602/6293
H. Cox
Despite our times being labeled “secular age,” unanticipated currents of spirituality in both new, old and mixed forms keep appearing. I many places pilgrimages have reemerged often to traditional sacred sites but with new meanings layered onto older ones in Europe, America and Asia. In this phenomenology of pilgrimage the author catalogs some of the characteristics of these post-secular journeys. They attract conventionally religious people, seekers, New Age adherents, amateur historians, health buffs, nature lovers and tourists who together constitute a new and different sort of “congregation,” which like many aspects of the world today is temporary, in flux and in motion. They often exhibit an element of commercialization, but hint at one kind of “post-secular” spirituality. This phenomenon presents a challenged to architects, urban planner and scholars of religion.
尽管我们的时代被贴上了“世俗时代”的标签,但意想不到的新、旧和混合形式的灵性潮流不断出现。在许多地方,朝圣活动重新出现,通常是前往传统的圣地,但在欧洲、美洲和亚洲,古老的圣地被赋予了新的意义。在这本朝圣现象学中,作者列出了这些后世俗旅行的一些特征。他们吸引了传统的宗教人士、探索者、新时代的追随者、业余历史学家、健康爱好者、自然爱好者和游客,他们共同构成了一种新的、不同的“会众”,就像当今世界的许多方面一样,这种“会众”是暂时的、在变化的、在运动的。他们经常表现出商业化的元素,但暗示一种“后世俗”的精神。这种现象对建筑师、城市规划师和宗教学者提出了挑战。
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引用次数: 0
Alla ricerca della spiritualità nei luoghi del degrado urbano: Casi studio a Detroit 在城市衰败的地方寻找灵性:底特律的案例研究
0 ARCHITECTURE Pub Date : 2016-09-19 DOI: 10.6092/ISSN.2036-1602/6291
Joongsub Kim
This paper explores spirituality in urban decay. This paper suggests that the spirituality of places in urban decay can be defined in four ways: places in urban decay can be spiritual because they inspire people to do good things for the community (catalytic); places in urban decay can be spiritual because they are consoling (therapeutic); places in urban decay can be spiritual because they help connect individuals to their inner selves (reflective); and places in urban decay can be spiritual because they connect people in different ways (engaging). The literature neglects the catalytic aspect, while supporting other aspects. The results of this paper suggest that the idea of spirituality in architecture needs to be expanded in post-industrial society. This paper suggests that the role that spiritual places in urban decay play in place-making, especially in shrinking cities such as Detroit, deserve further scholarly attention.
这篇论文探讨了城市衰败中的精神性。本文认为,城市衰败场所的精神性可以用四种方式来定义:城市衰败场所可以具有精神性,因为它们激励人们为社区做好事(催化);在城市衰败的地方可以是精神上的,因为它们是安慰(治疗);城市衰败的地方可以是精神上的,因为它们有助于将个人与内心的自我联系起来(反思);城市衰败的地方可以是精神上的,因为它们以不同的方式将人们联系在一起(吸引人)。文献忽略了催化方面,而支持其他方面。本文的研究结果表明,在后工业社会中,建筑的精神性理念需要扩展。这篇论文认为,城市衰败中的精神场所在场所形成中所起的作用,尤其是在底特律等萎缩的城市中,值得进一步的学术关注。
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引用次数: 0
Heaven on Earth: Swedenborgian Correspondences in the Plan of Chicago 地球上的天堂:芝加哥计划中的斯威登堡信件
0 ARCHITECTURE Pub Date : 2016-09-19 DOI: 10.6092/ISSN.2036-1602/6290
K. Schaffer
Daniel Hudson Burnham, the Chicago architect and city planner, is recognized for his work on the development of American tall office building; for the construction of World’s Columbian Exposition of 1893; and for his city plans for Washington, D.C., Cleveland, San Francisco, and Chicago. He is also remembered for the quote “Make no little plans.” What is not recalled is his Swedenborgian faith nor how it influenced his work. Emanuel Swedenborg was a Swedish scientist and engineer who, beginning in the mid 1730s, underwent a spiritual awakening. The focus of his work changed to the mystical aspects of human experience. He believed that all Christian churches were dead and in need of revitalization and the key to revitalization was to be found in a new interpretation of scripture. His followers founded the Church of the New Jerusalem, sometimes referred to as the New Church or the Swedenborgian Church.
芝加哥建筑师和城市规划师丹尼尔·哈德森·伯纳姆(Daniel Hudson Burnham)因其在美国高层办公大楼开发方面的工作而获得认可;为1893年哥伦比亚世界博览会的建设;以及他对华盛顿特区、克利夫兰、旧金山和芝加哥的城市规划。他的名言“不做小计划”也被人们铭记。人们不记得的是他的斯威登堡信仰,也不记得它是如何影响他的作品的。伊曼纽尔·斯威登堡是一位瑞典科学家和工程师,从18世纪30年代中期开始,他经历了一次精神上的觉醒。他的工作重心转向了人类经验的神秘方面。他认为所有的基督教会都已经死亡,需要复兴,复兴的关键在于对圣经进行新的解释。他的追随者建立了新耶路撒冷教会,有时被称为新教会或斯威登堡教会。
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引用次数: 0
The transcendent Dimension of Cities 城市的超然维度
0 ARCHITECTURE Pub Date : 2016-09-01 DOI: 10.6092/ISSN.2036-1602/6289
Nader Ardalan
Caught between the past when traditional religious beliefs structured most world views and the current reign of quantity and material consumerism that is threatening the very existence of life on earth, we remain in anxious anticipation of the yet unknown next phase of human consciousness to help mitigate life’s unfolding challenges. Thus, human beings exist in a transitional situation that is precarious and yet full of potential. Within this panorama this paper focuses on two less challenging, yet pivotal questions regarding our urban environments: “What are the transcendent foundations that have given birth and historically sustained great cities of the Middle East over the last ten millennia and what can we learn from them that may inform and influence the holistic transformation and life patterns of our cities today and their future?”
过去,传统的宗教信仰构成了大多数世界观,而现在,数量和物质消费主义的统治正威胁着地球上生命的存在,我们仍然焦虑地期待着人类意识的未知下一阶段,以帮助减轻生活中正在展开的挑战。因此,人类处于一种不稳定但又充满潜力的过渡状态。在这幅全景图中,本文关注的是关于我们的城市环境的两个不那么具有挑战性,但却至关重要的问题:“在过去的一万年里,是什么卓越的基础孕育了中东的伟大城市,并在历史上维持了这些城市的发展?我们可以从这些基础中学到什么,从而为我们今天和未来的城市的整体转型和生活模式提供信息和影响?”
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引用次数: 0
I complessi cimiteriali e il paesaggio antropizzato 复杂的墓地和人工景观
0 ARCHITECTURE Pub Date : 2015-12-29 DOI: 10.6092/ISSN.2036-1602/6077
Maria Anna Caminiti
La configurazione dei cimiteri e strettamente connessa al territorio, alla cultura e alle tradizioni delle comunita che vi afferiscono. Gli impianti — inizialmente definiti secondo specifici modelli di riferimento, sulla base delle normative vigenti all’atto di fondazione — subiscono nel tempo trasformazioni, ampliamenti, alterazioni e degrado che ne fanno perdere l’identita. Rimane il valore imprescindibile in quanto luoghi della memoria collettiva ed espressione del sentimento connesso al culto della morte. Questi i temi trattati nell’ambito di una ricerca universitaria, sviluppando un’ampia analisi sul Gran Camposanto di Messina e sui complessi cimiteriali della fascia collinare messinese e delle Eolie, caratterizzati dalla presenza visiva del mare e dalla marcata aderenza alla morfologia dei siti, attraverso l’uso dei terrazzamenti.
墓地的布局与组成墓地的社区的领土、文化和传统密切相关。工厂- -最初是根据建立时适用的规则根据具体的参考模型定义的- -随着时间的推移而发生变化、扩大、改变和退化,使其失去其特性。作为集体记忆和对死亡的崇拜的表达的场所,它的价值仍然是不可分割的。这些都是大学研究的主题,对大墨西拿墓地和复杂的墨西拿丘陵和风能墓地进行了广泛的分析。
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引用次数: 0
Requirements for cremation architecture in contemporary secularized society 当代世俗化社会对火葬建筑的要求
0 ARCHITECTURE Pub Date : 2015-12-29 DOI: 10.6092/ISSN.2036-1602/6087
K. Palánová, J. Kovář, T. Babor, I. Dlábiková, O. Juračka
Le sepolture dei defunti sono sempre state parte della vita di ogni societa e rimangono per sempre. Nella nostra cultura occidentale mitteleuropea, basata principalmente sulla tradizione cristiana, e esistita fino alla fine del XIX secolo, solo l’inumazione. Sul inizi del ‘20 secolo, a poco a poco si e cominciato ad utilizzare anche la cremazione. I suoi sostenitori hanno puntato sulla sua superiorita igienica rispetto alle pratiche tradizionali. Cio ha portato alla creazione e sviluppo graduale di un nuovo tipo di edificio-crematorio. Colore che sono favorevoli promuovono anche l’alto profilo della cerimonia funebre e questo ha determinato la qualita della sepoltura e della cultura cimiteriale durante tutto il XX secolo. L’obiettivo e di avvicinare questa nuovo tipo di edificio al pubblico professionale e specificarne l’organizzazione e la tipologia per promuoverne l’alta etica, cerimonia, estetica e rispetto.
死者的葬礼一直是每个社会生活的一部分,并将永远存在。在我们的西方中欧文化中,主要以基督教传统为基础,直到19世纪末,只有埋葬。20世纪初,火葬也逐渐开始使用。他的支持者认为他比传统做法更卫生。这导致了一种新型火葬场的创建和逐步发展。颜色也促进了葬礼的高调,这决定了整个20世纪墓地的埋葬质量和文化。其目的是使这种新型建筑更接近专业公众,并具体说明其组织和类型,以促进其崇高的道德、仪式、美学和尊重。
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引用次数: 0
Il passato è un terreno morto 过去是一片死寂的土地
0 ARCHITECTURE Pub Date : 2015-12-29 DOI: 10.6092/issn.2036-1602/6082
Nilly R. Harag
Most cultures use the past for stability and risk seeing not the other there but itself. One has to be able to see and sense a situation rather than be drawn into the reality depicted by formal historiography and national narratives. Departing from acute memories of conflict, enlisted for barricading identity, we can develop the capacity to contain an event and simultaneously progress towards a new beginning. I aim to question mapped boundaries through a biographical lens; to this end I observe onsite/insightfully the remains of village and its neighbour in northern Israel. The art of mapping debris can introduce new practices into the architecture of conflict.
大多数文化都利用过去来保持稳定,并冒着看到自己而不是别人的风险。一个人必须能够看到和感觉到一种情况,而不是被正式的历史编纂和民族叙事所描绘的现实所吸引。从冲突的尖锐记忆中解脱出来,我们可以发展出控制事件的能力,同时朝着一个新的开始前进。我的目标是通过传记镜头来质疑地图上的边界;为此,我在现场/深刻地观察了以色列北部村庄及其邻居的遗迹。绘制碎片的艺术可以为冲突的架构引入新的实践。
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引用次数: 0
L’uso della memoria collettiva al cimitero di Teheran Behesht-e Zahra come strumento di propaganda 利用在德黑兰Behesht-e Zahra公墓的集体记忆作为宣传工具
0 ARCHITECTURE Pub Date : 2015-12-29 DOI: 10.6092/ISSN.2036-1602/6088
Paniz Moayeri
Behesht-e Zahra, unico cimitero attivo di Teheran per i musulmani della citta, e cresciuto rapidamente nei suoi soli quaranta anni di attivita. Nonostante la sua distanza significativa dal tessuto urbano, e comunque presente nella vita di tutti gli iraniani che vedono il cimitero riflesso nei media come un luogo di grande importanza per la Repubblica Islamica. Ospitando sul proprio suolo i martiri del regime e la sepoltura di Khomeini, questo cimitero si e evoluto utilizzando le pratiche culturali preesistenti e le credenze per consentire la visione delle morti secolari attraverso una lente di religione politica. Questo documento racconta come il governo teocratico della Repubblica islamica utilizza le lunghe tradizioni di martirio e di pellegrinaggio a Behesht-e Zahra come pratica di governo, e le assimila nella vita moderna iraniana.
beheshet -e Zahra是德黑兰该市唯一活跃的穆斯林墓地,在短短40年的活动中迅速成长。尽管它与城市结构有很大的距离,但它仍然存在于所有伊朗人的生活中,他们认为媒体反映的墓地对伊斯兰共和国非常重要。通过收容政权烈士和埋葬霍梅尼,这座墓地发展起来,利用原有的文化习俗和信仰,从政治宗教的角度看待世俗死亡。这份文件描述了伊斯兰共和国神权政体政府是如何利用在Behesht-e Zahra的长期殉难和朝圣传统作为政府实践,并将其融入伊朗现代生活的。
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引用次数: 0
Narrative Cemetery: Ritual Arrangement and Rearrangement. A Design Proposal for Michigan Memorial Park Cemetery USA 叙事墓地:仪式安排与重新安排。美国密歇根纪念公园公墓设计方案
0 ARCHITECTURE Pub Date : 2015-12-01 DOI: 10.6092/ISSN.2036-1602/6080
D. L. Cohen, Amanda R. Culp
“Il cimitero narrativo” propone una riconsiderazione dei rituali americani contemporanei di sepoltura e dei metodi degli individui per commemorare. Un archivio di storie di famiglia e stato sviluppato per diventare un campo di monumenti confrontando diversi problemi all’interno della cultura contemporanea della sepoltura. Le narrazioni mantengono un ruolo fondamentale nell’afflizione, nel processo di “riassetto”. Il monumento narrativo impegna questo fenomeno interpretando ed esponendo storie del defunto su un campo di segni e monumenti. Segni personalizzati e tattili coinvolgono i parenti in lutto e costruiscono un ambiente coinvolgente per il rituale, in cui la presenza del singolo e sentita e immortalata.
“叙事公墓”提议重新考虑当代美国的葬礼仪式和人们的纪念方式。一份家族史档案被开发成一个纪念碑场,比较当代埋葬文化中的各种问题。叙事在悲伤和“恢复”过程中仍然扮演着重要的角色。叙事纪念碑通过解释和展示死者的故事来描述这一现象。个性化和触觉标记让悲伤的亲属参与进来,并为仪式创造了一个环境,在这个环境中,个人的存在是真实的和不朽的。
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引用次数: 0
Soledade. The first cemetery of the Amazon Soledade。亚马逊河的第一个墓地
0 ARCHITECTURE Pub Date : 2015-12-01 DOI: 10.6092/ISSN.2036-1602/6089
L. Rabelo
The origins of cemeteries occurred because of a change in funeral habits, when burials were transferred from the church to saint fields. In 1850, the first public cemetery was inaugurated in the city of Belem, Brazil. The Cemetery Nossa Senhora da Soledade (CNSS) has a strong symbolic representation. Although its burials have ceased 30 years after its opening, the place is still visited for religious purpose, expressed in the practice souls and popular saints cults, held every Monday when the cemetery is open to the public. Hundreds of people come to the CNSS for pray near the graves. They deposit candies, soft drinks, flowers, and some sculptures adorned with shirts and ribbons, as a signal of gratitude for the graces received, attributed to the souls represented by the saints. Summed to the offerings, the tombs abandon, dirty plus graffiti, the cemetery is in a bad condition.
墓地的起源是由于葬礼习惯的变化,当葬礼从教堂转移到圣田。1850年,第一个公共墓地在巴西贝伦市落成。Nossa Senhora da Soledade公墓(CNSS)具有强烈的象征意义。虽然它的葬礼在开放30年后已经停止,但这个地方仍然出于宗教目的而访问,表现为实践灵魂和流行的圣徒崇拜,每周一墓地向公众开放时举行。数百人来到CNSS墓地附近祈祷。他们存放糖果、软饮料、鲜花和一些装饰着衬衫和丝带的雕塑,作为对收到的恩惠表示感谢的信号,这些恩惠被认为是由圣人代表的灵魂所获得的。总而言之,墓葬被遗弃,肮脏加上涂鸦,墓地的状况很糟糕。
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引用次数: 0
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IN BO-Ricerche e Progetti per il Territorio la Citta e l Architettura
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