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Materialized Identities in Early Modern Culture, 1450-1750最新文献

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8. Moral Materials: Veiling in Early Modern Protestant Cities . The Cases of Basel and Zurich 8. 道德材料:近代早期新教城市的面纱。巴塞尔和苏黎世案例
Pub Date : 2021-12-31 DOI: 10.1515/9789048554058-011
S. Burghartz
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引用次数: 0
Index 指数
Pub Date : 2021-12-31 DOI: 10.1515/9789048554058-012
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引用次数: 0
5. Yellow, Vermilion, and Gold: Colour in Karel van Mander’s Schilder-Boeck 5. 黄色,朱红色和金色:卡雷尔·范·曼德的《席尔德-博克》中的颜色
Pub Date : 2021-12-31 DOI: 10.1515/9789048554058-008
C. Göttler
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引用次数: 0
3. Making Featherwork in Early Modern Europe 3.近代早期欧洲的羽毛制作
Pub Date : 2021-12-31 DOI: 10.1515/9789048554058-006
Stefan Hanß
This chapter charts the unknown history of early modern European featherworking and its relationship with the world of matter and making. Focusing on featherworkers’ activities in Antwerp, Brussels, Dresden, Leipzig, London, Madrid, Milan, Nuremberg, Paris, Prague, Stuttgart, Turin, and Venice between 1500 and 1800, I study the people, production, networks, materials, techniques, and products of this largely forgotten craft. Over the course of these centuries, artisans developed their initial engagements with feathers from a culture of making to an entrepreneurial culture of decorum. These European artisans’ forms of material engagement, I argue, engendered feathers’ affective atmospheres. The craft of featherworking affected the material translation of aesthetics since the application of complex techniques helped to perform the material properties of feathers.
这一章描绘了早期现代欧洲羽毛加工的未知历史,以及它与物质和制造世界的关系。重点关注1500年至1800年间安特卫普、布鲁塞尔、德累斯顿、莱比锡、伦敦、马德里、米兰、纽伦堡、巴黎、布拉格、斯图加特、都灵和威尼斯的羽毛工人的活动,我研究了这个基本上被遗忘的工艺的人员、生产、网络、材料、技术和产品。在这几个世纪的过程中,工匠们最初与羽毛的接触从一种制作文化发展到一种礼仪文化。我认为,这些欧洲工匠的物质参与形式产生了羽毛的情感氛围。羽毛加工工艺影响了美学的材料翻译,因为复杂技术的应用有助于表现羽毛的材料特性。
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引用次数: 0
4. Performing America: Featherwork and Affective Politics 4. 表演美国:羽毛和情感政治
Pub Date : 2021-12-31 DOI: 10.1515/9789048554058-007
U. Rublack
This article analyses feather-work as central material in the culture of a German court around 1600. Materials afforded meanings, invited specif ic practices, and thus became agents that “enmeshed” an audience to endorse new social, economic, and political norms. They formed part of an affective culture and habitus, reproduced in similar spaces and atmospheres. Feathers could be part of specif ic emotional styles and embodied practices. Their appreciation intertwined with specif ic collecting and media strategies as well as the encounter of the Americas. Artefacts fostered emotional communication and aimed at affective transformation in performances such as those at the Württemberg court. They strongly appealed to tactile sensory engagement as much as to vision as modes
本文分析了1600年左右的德国宫廷文化中作为核心材料的羽毛制品。材料提供了意义,邀请了特定的实践,从而成为“吸引”观众支持新的社会、经济和政治规范的媒介。它们形成了一种情感文化和习惯的一部分,在类似的空间和氛围中复制。羽毛可能是特定情感风格和具体实践的一部分。他们的欣赏与特定的收藏和媒体策略以及美洲的相遇交织在一起。人工制品促进情感交流,并旨在情感转化的表演,如在符腾堡法院。他们强烈呼吁触觉感官参与,就像视觉模式一样
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引用次数: 0
6. Shimmering Virtue: Joris Hoefnagel and the Uses of Shell Gold in the Early Modern Period 6. 闪光的美德:霍弗纳格尔与近代早期贝壳金的使用
Pub Date : 2021-12-31 DOI: 10.1515/9789048554058-009
Michèle Seehafer
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引用次数: 0
Frontmatter
Pub Date : 2021-12-31 DOI: 10.1515/9789048554058-fm
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引用次数: 0
7. “Fashioned with Marvellous Skill”: Veils and the Costume Books of Sixteenth- Century Europe 7. “技艺精湛”:16世纪欧洲的面纱和服装书籍
Pub Date : 2021-12-31 DOI: 10.1515/9789048554058-010
Katherine Bond
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引用次数: 0
2. Shaping Identity through Glass in Renaissance Venice 2. 文艺复兴时期威尼斯的玻璃塑造身份
Pub Date : 2021-12-31 DOI: 10.1515/9789048554058-005
Rachele Scuro
This essay investigates the role of the glass business in shaping the identity of glassmakers in Renaissance Venice. First, it re-examines the debated issue of secretiveness, highlighting the role played by immigration and emigration, and stressing how mobility affected the intersection between secrets and the creation of a distinctive identity. It then focuses on trade, examining the role played by the Venetian high political bodies in protecting a manufacturing that became a matter of state. It argues that thanks to government protection the participation of glass entrepreneurs in commerce did not need any formal branding, yet only to be recognized as “Venetian.” Lastly, the case study of the Bortolussi family shows the strategies of those glassmakers who tried to ascend to a superior social status, that of Venetian “cittadini originari.”
这篇文章调查了玻璃业务在塑造文艺复兴时期威尼斯玻璃制造商身份的作用。首先,它重新审视了有争议的秘密问题,突出了移民和移民所起的作用,并强调流动性如何影响秘密和独特身份的创造之间的交集。然后,它将重点放在贸易上,考察威尼斯高级政治机构在保护成为国家事务的制造业方面所起的作用。它认为,由于政府的保护,玻璃企业家参与商业活动不需要任何正式的品牌,而只需要被认可为“威尼斯人”。最后,对Bortolussi家族的案例研究显示了那些试图提升到更高社会地位的玻璃制造商的策略,即威尼斯的“cittadini originari”。
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引用次数: 0
1. Negotiating the Pleasure of Glass : Production, Consumption, and Affective Regimes in Renaissance Venice 1. 协商玻璃的乐趣:文艺复兴时期威尼斯的生产、消费和情感制度
Pub Date : 2021-12-31 DOI: 10.1515/9789048554058-004
Lucas Burkart
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引用次数: 1
期刊
Materialized Identities in Early Modern Culture, 1450-1750
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