{"title":"DVD review: Udi Aloni. 2016. Junction 48","authors":"D. A. McDonald","doi":"10.1558/JWPM.37289","DOIUrl":"https://doi.org/10.1558/JWPM.37289","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1558/JWPM.37289","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67599422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
J. Griffith Rollefson. 2017. Flip the Script: European Hip Hop and the Politics of Postcoloniality. Chicago, IL: University of Chicago Press. 304pp. ISBN 978-0-22649-621-4 (pbk).
{"title":"J. Griffith Rollefson. 2017. Flip the Script: European Hip Hop and the Politics of Postcoloniality","authors":"K. Hammou","doi":"10.1558/JWPM.36681","DOIUrl":"https://doi.org/10.1558/JWPM.36681","url":null,"abstract":"J. Griffith Rollefson. 2017. Flip the Script: European Hip Hop and the Politics of Postcoloniality. Chicago, IL: University of Chicago Press. 304pp. ISBN 978-0-22649-621-4 (pbk).","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1558/JWPM.36681","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41428708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Christina Sunardi. Stunning Males and Powerful Females: Gender and Tradition in East Javanese Dance","authors":"D. Harwood","doi":"10.1558/jwpm.33213","DOIUrl":"https://doi.org/10.1558/jwpm.33213","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43770430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change. Bloomington and Indianapolis: Indiana University Press. 311pp. ISBN 978-0-25302-304-9 (pbk).
{"title":"Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change","authors":"Dave Wilson","doi":"10.1558/JWPM.37471","DOIUrl":"https://doi.org/10.1558/JWPM.37471","url":null,"abstract":"Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change. Bloomington and Indianapolis: Indiana University Press. 311pp. ISBN 978-0-25302-304-9 (pbk).","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1558/JWPM.37471","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44428315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Website review: Nomadic Wax. http://nomadicwax.com","authors":"Francisco D. Lara","doi":"10.1558/jwpm.36180","DOIUrl":"https://doi.org/10.1558/jwpm.36180","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1558/jwpm.36180","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41541752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Peter Gough. Sounds of the New Deal: The Federal Music Project in the West","authors":"D. Margolies","doi":"10.1558/JWPM.33173","DOIUrl":"https://doi.org/10.1558/JWPM.33173","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43488400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"South African Dialogue","authors":"Warrick Moses","doi":"10.1558/JWPM.36671","DOIUrl":"https://doi.org/10.1558/JWPM.36671","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43251681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
From its inception in the late 1980s to the present day, hip hop culture in Mozambique underwent several stages in which the process of “keeping it real” was in constant negotiation with the associ ...
{"title":"Hip Hop Activism: Dynamic Tension between the Global and Local in Mozambique","authors":"M. Guissemo","doi":"10.1558/JWPM.36673","DOIUrl":"https://doi.org/10.1558/JWPM.36673","url":null,"abstract":"From its inception in the late 1980s to the present day, hip hop culture in Mozambique underwent several stages in which the process of “keeping it real” was in constant negotiation with the associ ...","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41644614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The “Schizophrenic Nation”: Ethics of Critique in Morocco’s Post-Arab Spring Popular Music","authors":"K. Salois","doi":"10.1558/JWPM.36675","DOIUrl":"https://doi.org/10.1558/JWPM.36675","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47691266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
It is difficult to point exactly to the day multilingual activism emerged in South African hip hop culture, though we can arguably state such activism emerged out of a confluence of historical events that involved the oppression of black and coloured people by an aggressively oppressive apartheid regime. This article discusses the tactics and strategies of multilingual activism undertaken by pioneering hip hop groups Prophets of da City at the inception of hip hop in South Africa. It considers the historical transition from apartheid South Africa to the new South Africa and how new and emerging forms of multilingual activism such as the AfriKaaps movement are contributing to redefining what we mean by multilingualism. The article also links these forms of multilingual activism to an alternative politics of multilingual voice being promoted in the public space of the country.
{"title":"Multilingual Activism in South African Hip Hop","authors":"Q. Williams","doi":"10.1558/JWPM.36672","DOIUrl":"https://doi.org/10.1558/JWPM.36672","url":null,"abstract":"It is difficult to point exactly to the day multilingual activism emerged in South African hip hop culture, though we can arguably state such activism emerged out of a confluence of historical events that involved the oppression of black and coloured people by an aggressively oppressive apartheid regime. This article discusses the tactics and strategies of multilingual activism undertaken by pioneering hip hop groups Prophets of da City at the inception of hip hop in South Africa. It considers the historical transition from apartheid South Africa to the new South Africa and how new and emerging forms of multilingual activism such as the AfriKaaps movement are contributing to redefining what we mean by multilingualism. The article also links these forms of multilingual activism to an alternative politics of multilingual voice being promoted in the public space of the country.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44841719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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