Pub Date : 2022-07-31DOI: 10.24193/diakrisis.2022.5
Florina Dobre Brat
The Vedas are said to be not a human creation (apauruṣeya), but Revelation imparted to the Vedic sages who have put it down in inspired verses. Vedas’ words are therefore divine and eternal, and thus extensively praised. Vāc, the Vedic word, is eulogised in several hymns, among which Vāk Sūkta (X.125) is by far the most illustrative of all. In some teachings of the Upanishads, Vāc is equated to Brahman alongside other interpretations. When analysing the nature of the word, centuries later, philosophers and grammarians refer to it as śabda, and no longer as Vāc, the latter remains somehow confined to a rather poetical and mystical reality. Yet, the idea of the eternal and divine character of the scriptures is superimposed on the Sanskrit language also, despite certain historical change remarks on the grammarians' side. In the 5th century CE, Bhartṛhari displays a genuine linguistic and philosophical thought of the folding and unfolding of Reality and its understanding as Word-Principle (brahman śabda-tattva). From an auxiliary science of preserving the correct forms of the Vedas, Sanskrit grammar acquires a hermeneutical role and empowers itself as a way to salvation, an idea supported by previous evidence of grammar's role in producing celestial happiness (abhyudaya), merit and righteousness (dharma). I seek in this paper to analyse and point out the strongholds that underpin Sanskrit as a divine language and how continuity and change coexist to support over millennia this undaunted approach.
{"title":"The Divine Word and its Expression in Sanskrit: Continuity and Change in Vedic and Classical India","authors":"Florina Dobre Brat","doi":"10.24193/diakrisis.2022.5","DOIUrl":"https://doi.org/10.24193/diakrisis.2022.5","url":null,"abstract":"The Vedas are said to be not a human creation (apauruṣeya), but Revelation imparted to the Vedic sages who have put it down in inspired verses. Vedas’ words are therefore divine and eternal, and thus extensively praised. Vāc, the Vedic word, is eulogised in several hymns, among which Vāk Sūkta (X.125) is by far the most illustrative of all. In some teachings of the Upanishads, Vāc is equated to Brahman alongside other interpretations. When analysing the nature of the word, centuries later, philosophers and grammarians refer to it as śabda, and no longer as Vāc, the latter remains somehow confined to a rather poetical and mystical reality. Yet, the idea of the eternal and divine character of the scriptures is superimposed on the Sanskrit language also, despite certain historical change remarks on the grammarians' side. In the 5th century CE, Bhartṛhari displays a genuine linguistic and philosophical thought of the folding and unfolding of Reality and its understanding as Word-Principle (brahman śabda-tattva). From an auxiliary science of preserving the correct forms of the Vedas, Sanskrit grammar acquires a hermeneutical role and empowers itself as a way to salvation, an idea supported by previous evidence of grammar's role in producing celestial happiness (abhyudaya), merit and righteousness (dharma). I seek in this paper to analyse and point out the strongholds that underpin Sanskrit as a divine language and how continuity and change coexist to support over millennia this undaunted approach.","PeriodicalId":413875,"journal":{"name":"Diakrisis Yearbook of Theology and Philosophy","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125253542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.24193/diakrisis.2022.3
Marius Portaru
This essay proposes a brief reflection on language, considering Patristic apophaticism, as seen in the works of the Cappadocian Fathers, Dionysius and Maximus the Confessor. It discusses Heidegger’s critique of onto-theology and his Letter on Humanism, where language is called “the House of Being”. It tries to show that, according to Patristic apophaticism, the human nous is instead the “House of Being”. The difference between Heidegger and Patristic thought lies in how Being is understood. It also notes that the Letter on Humanism displays a potential openess to the “energetic theory of language”, which characterises Patristic apophaticism.
{"title":"Patristic Apophaticism and the House of Being","authors":"Marius Portaru","doi":"10.24193/diakrisis.2022.3","DOIUrl":"https://doi.org/10.24193/diakrisis.2022.3","url":null,"abstract":"This essay proposes a brief reflection on language, considering Patristic apophaticism, as seen in the works of the Cappadocian Fathers, Dionysius and Maximus the Confessor. It discusses Heidegger’s critique of onto-theology and his Letter on Humanism, where language is called “the House of Being”. It tries to show that, according to Patristic apophaticism, the human nous is instead the “House of Being”. The difference between Heidegger and Patristic thought lies in how Being is understood. It also notes that the Letter on Humanism displays a potential openess to the “energetic theory of language”, which characterises Patristic apophaticism.","PeriodicalId":413875,"journal":{"name":"Diakrisis Yearbook of Theology and Philosophy","volume":"2012 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121682490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.24193/diakrisis.2022.2
Daniela Dumbravă
Towards the end of the 1960s, in the well-known Enrico Castelli (1900-1977) colloquia, while intensively discussing the topic of demythologization, scholars concluded that theological language is fundamental in exploring it. Thus, the topic of the analysis of theological language: the Name of God, became prevalent for them and they began to think that a distinction between the terms religious and theological would be desirable, avoiding scandalous formulas for the field of theology. According to Karl Jasper, God is just a chest of something indicible. André Scrima presents himself in the debate with an original proposal, namely to think of theological language, in the broadest sense of this concept, as enclosing religious discourse. In the beginning, speaking theologically should happen in the Name of God, Scrima asserts; at Jasper’s antipodes, he places the Name of God as the origin and mystery that generates speaking theologically. This article aims first of all to bring the question of theological language back into the academic space that is more interested in the phenomenological issues promoted in Enrico Castelli’s thought laboratory in Rome.
{"title":"Open Hermeneutics: André Scrima’s «éclatement de la parole “en moi”» (I)","authors":"Daniela Dumbravă","doi":"10.24193/diakrisis.2022.2","DOIUrl":"https://doi.org/10.24193/diakrisis.2022.2","url":null,"abstract":"Towards the end of the 1960s, in the well-known Enrico Castelli (1900-1977) colloquia, while intensively discussing the topic of demythologization, scholars concluded that theological language is fundamental in exploring it. Thus, the topic of the analysis of theological language: the Name of God, became prevalent for them and they began to think that a distinction between the terms religious and theological would be desirable, avoiding scandalous formulas for the field of theology. According to Karl Jasper, God is just a chest of something indicible. André Scrima presents himself in the debate with an original proposal, namely to think of theological language, in the broadest sense of this concept, as enclosing religious discourse. In the beginning, speaking theologically should happen in the Name of God, Scrima asserts; at Jasper’s antipodes, he places the Name of God as the origin and mystery that generates speaking theologically. This article aims first of all to bring the question of theological language back into the academic space that is more interested in the phenomenological issues promoted in Enrico Castelli’s thought laboratory in Rome.","PeriodicalId":413875,"journal":{"name":"Diakrisis Yearbook of Theology and Philosophy","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114120492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.24193/diakrisis.2022.1
Bogdan Tătaru-Cazaban
This article aims to analyse Fr André Scrima’s interpretation of the resurrection of Lazarus in his commentary on the Gospel of John and in a homily dedicated to the miracle that Christ performed at Bethany. The texts we take into consideration are particularly relevant for a Christian reflection on the relationship between God’s word and human language. Scrima’s hermeneutics is traditional as well as oriented to a modern audience. Speaking about Lazarus, he chooses to focus on three aspects of the divine language: compassion, truth, and restoration of man. Scrima’s reflections illustrate a possible dialogue between the long and rich reception of the raising of Lazarus in the Christian tradition and the Lazarus motif in modern culture.
{"title":"« Ce Dieu terriblement humain ». Reflexions on language in André Scrima’s interpretation of the Resurrection of Lazarus","authors":"Bogdan Tătaru-Cazaban","doi":"10.24193/diakrisis.2022.1","DOIUrl":"https://doi.org/10.24193/diakrisis.2022.1","url":null,"abstract":"This article aims to analyse Fr André Scrima’s interpretation of the resurrection of Lazarus in his commentary on the Gospel of John and in a homily dedicated to the miracle that Christ performed at Bethany. The texts we take into consideration are particularly relevant for a Christian reflection on the relationship between God’s word and human language. Scrima’s hermeneutics is traditional as well as oriented to a modern audience. Speaking about Lazarus, he chooses to focus on three aspects of the divine language: compassion, truth, and restoration of man. Scrima’s reflections illustrate a possible dialogue between the long and rich reception of the raising of Lazarus in the Christian tradition and the Lazarus motif in modern culture.","PeriodicalId":413875,"journal":{"name":"Diakrisis Yearbook of Theology and Philosophy","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130771082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-31DOI: 10.24193/DIAKRISIS.2021.5
Andreea Stoicescu
The aim of this article is to present a personal reflection regarding the theoretical/philosophical relation between the generally accepted theological grounding of icon painting and other contemporary artistical endeavours to integrate the religious feeling – of Christian-Orthodox inspiration. This reflection is based on a mixture of ideas from different thought-frameworks which have as common ground the need for speculating on issues such as ‘tradition understanding’, ‘personal expression’, ‘art and religiousness’, exactly those key-themes that are constituting the fundamental threads of my argumentation. Hence, my appeal to authors like Lucian Blaga, Leonid Uspensky, Martin Heidegger, Paul Evdochimov, and Christos Yannaras. The point of departure for my study is the powerful and unavoidable conflict between the need for personal artistic interpretations of religious themes – expressed through contemporary artistic techniques and the application of contemporary metaphysical modelings – and the need for attaching oneself to an ‘authentic’ tradition of religious experience and to a community with deep roots in history. My all-round thesis is that this conflict cannot be, at least, clarified by choosing, from the artistic point of view, between two extremes: contemporary secular art on the one hand, and sacred, canonical art on the other hand, but by finding conceptual common pathways.
{"title":"Sacred Art Between Tradition and Personal Expression: The Orthodox Icon and Artistical Transgressions of the Canon","authors":"Andreea Stoicescu","doi":"10.24193/DIAKRISIS.2021.5","DOIUrl":"https://doi.org/10.24193/DIAKRISIS.2021.5","url":null,"abstract":"The aim of this article is to present a personal reflection regarding the theoretical/philosophical relation between the generally accepted theological grounding of icon painting and other contemporary artistical endeavours to integrate the religious feeling – of Christian-Orthodox inspiration. This reflection is based on a mixture of ideas from different thought-frameworks which have as common ground the need for speculating on issues such as ‘tradition understanding’, ‘personal expression’, ‘art and religiousness’, exactly those key-themes that are constituting the fundamental threads of my argumentation. Hence, my appeal to authors like Lucian Blaga, Leonid Uspensky, Martin Heidegger, Paul Evdochimov, and Christos Yannaras. The point of departure for my study is the powerful and unavoidable conflict between the need for personal artistic interpretations of religious themes – expressed through contemporary artistic techniques and the application of contemporary metaphysical modelings – and the need for attaching oneself to an ‘authentic’ tradition of religious experience and to a community with deep roots in history. My all-round thesis is that this conflict cannot be, at least, clarified by choosing, from the artistic point of view, between two extremes: contemporary secular art on the one hand, and sacred, canonical art on the other hand, but by finding conceptual common pathways.","PeriodicalId":413875,"journal":{"name":"Diakrisis Yearbook of Theology and Philosophy","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125759599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-31DOI: 10.24193/DIAKRISIS.2021.6
Alina Elena Turcescu
Nietzsche is one of the most controversial and disputed philosophers, especially because of his association with Hitler and Nazism, but also through his upsetting philosophical decisions that deny the possibility of any morality centered on good and evil as absolute values in themselves. As for his association with Hitler, the sources prove that Nietzsche’s philosophy has nothing to do with the justification or support of the nationalist-socialist dictatorship. In addition, any connoisseur of his work can easily see that Hitler does not fit at all with the description of the overman that Nietzsche conceptualizes and identifies with. As for morality, it seems to support a relativization of the values of good and evil until their dissolution, but a closer look can see that the morality of the masters accredited by Nietzsche is one of austerity, balance, respect, honor, dignity, of preferring loneliness to the amusement of the crowd. All these are values that even Christianity proposes. Lonely and incomprehensible, the master, Nietzsche lives a lifestyle similar to Christian ascetics. And just as the philosopher claims that the life of the masters should not be passed through the sieve of ordinary moral evaluations, who could judge in terms of “good” or “bad” the way the austere ones lived?
{"title":"Beyond good and evil, Nietzsche is the atheist version of the Christian ascetic","authors":"Alina Elena Turcescu","doi":"10.24193/DIAKRISIS.2021.6","DOIUrl":"https://doi.org/10.24193/DIAKRISIS.2021.6","url":null,"abstract":"Nietzsche is one of the most controversial and disputed philosophers, especially because of his association with Hitler and Nazism, but also through his upsetting philosophical decisions that deny the possibility of any morality centered on good and evil as absolute values in themselves. As for his association with Hitler, the sources prove that Nietzsche’s philosophy has nothing to do with the justification or support of the nationalist-socialist dictatorship. In addition, any connoisseur of his work can easily see that Hitler does not fit at all with the description of the overman that Nietzsche conceptualizes and identifies with. As for morality, it seems to support a relativization of the values of good and evil until their dissolution, but a closer look can see that the morality of the masters accredited by Nietzsche is one of austerity, balance, respect, honor, dignity, of preferring loneliness to the amusement of the crowd. All these are values that even Christianity proposes. Lonely and incomprehensible, the master, Nietzsche lives a lifestyle similar to Christian ascetics. And just as the philosopher claims that the life of the masters should not be passed through the sieve of ordinary moral evaluations, who could judge in terms of “good” or “bad” the way the austere ones lived?","PeriodicalId":413875,"journal":{"name":"Diakrisis Yearbook of Theology and Philosophy","volume":"132 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130587936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-31DOI: 10.24193/DIAKRISIS.2021.3
Călin Emilian Cira
For mankind, death is a great mystery. Throughout history, numerous opinions about death have been issued, in search of its cause, and many ways and means to defeat it have been attempted. Recent scientific developments have not stayed back from the challenge of studying biological life and attempting technological solutions to help people reach an advanced age that is not subject to decrepitude, and perhaps even to achieve immortality. This idea is also present in the transhumanist movement that aims to change human nature through technology and supports the possibility of obtaining a lifespan capable of far exceed the current one. In this text, we attempt to give a possible answer to this transhumanist challenge from an orthodox Christian point of view.
{"title":"The Orthodox Church and the Transhumanist Ideas on Overcoming Death","authors":"Călin Emilian Cira","doi":"10.24193/DIAKRISIS.2021.3","DOIUrl":"https://doi.org/10.24193/DIAKRISIS.2021.3","url":null,"abstract":"For mankind, death is a great mystery. Throughout history, numerous opinions about death have been issued, in search of its cause, and many ways and means to defeat it have been attempted. Recent scientific developments have not stayed back from the challenge of studying biological life and attempting technological solutions to help people reach an advanced age that is not subject to decrepitude, and perhaps even to achieve immortality. This idea is also present in the transhumanist movement that aims to change human nature through technology and supports the possibility of obtaining a lifespan capable of far exceed the current one. In this text, we attempt to give a possible answer to this transhumanist challenge from an orthodox Christian point of view.","PeriodicalId":413875,"journal":{"name":"Diakrisis Yearbook of Theology and Philosophy","volume":"147 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117166280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-31DOI: 10.24193/DIAKRISIS.2021.1
D. Dumbravă
The proposal for an extremely original lecture – La mort: passage or limit? – will be developed in the classroom of the Faculty of Religious Studies, in the academic year 1978, at Saint Joseph University, Beirut. This course was transcribed by students of the Department of Religious Studies in Beirut in 1978. The recent discovery of this unpublished manuscript in the Augustin Dupré La Tour S.J. archives prompts me to make its first presentation to the academic world here. The Orthodox monk, from Romanian origins, André Scrima basically suggested that the theme of death should develop into various elements of reflection related to the comparative study of religions and modern thought in comparison to the Christian faith. Therefore, if the theme of death arises in a historiographical context related to the study of the History of Religions, the history of reflection on death in Western philosophical thought also plays its interpretative part. Finally, with respect to the two perspectives a third one is instilled: the problem of death for man from the point of view of Christian anthropology. The article also aims to contextualize the conceptual diagrams with which André Scrima works in his exposition on death through two parameters: the limit of the discourse on death – frontière logique – and the limit of death for itself – frontière existentielle. The subject is divided by Scrima into two conceptual diagrams: a. en deçà – death both as a subject within a discourse, of an observed fact, and as part of a noetic, reflexive exposition and questioning within consciousness and by our consciousness; b. au-delà – death as a mystery: the non-talking of death in itself; the invention of a “grammar” of the death of the human being.
{"title":"«La mort: passage ou limite ?» Introductory note on the methodology of an unpublished lecture offered by André Scrima at the Saint-Joseph University in Beirut (1978)","authors":"D. Dumbravă","doi":"10.24193/DIAKRISIS.2021.1","DOIUrl":"https://doi.org/10.24193/DIAKRISIS.2021.1","url":null,"abstract":"The proposal for an extremely original lecture – La mort: passage or limit? – will be developed in the classroom of the Faculty of Religious Studies, in the academic year 1978, at Saint Joseph University, Beirut. This course was transcribed by students of the Department of Religious Studies in Beirut in 1978. The recent discovery of this unpublished manuscript in the Augustin Dupré La Tour S.J. archives prompts me to make its first presentation to the academic world here. The Orthodox monk, from Romanian origins, André Scrima basically suggested that the theme of death should develop into various elements of reflection related to the comparative study of religions and modern thought in comparison to the Christian faith. Therefore, if the theme of death arises in a historiographical context related to the study of the History of Religions, the history of reflection on death in Western philosophical thought also plays its interpretative part. Finally, with respect to the two perspectives a third one is instilled: the problem of death for man from the point of view of Christian anthropology. The article also aims to contextualize the conceptual diagrams with which André Scrima works in his exposition on death through two parameters: the limit of the discourse on death – frontière logique – and the limit of death for itself – frontière existentielle. The subject is divided by Scrima into two conceptual diagrams: a. en deçà – death both as a subject within a discourse, of an observed fact, and as part of a noetic, reflexive exposition and questioning within consciousness and by our consciousness; b. au-delà – death as a mystery: the non-talking of death in itself; the invention of a “grammar” of the death of the human being.","PeriodicalId":413875,"journal":{"name":"Diakrisis Yearbook of Theology and Philosophy","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122715191","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-30DOI: 10.24193/DIAKRISIS.2021.4
Paul Siladi
"Witness through holiness of life" is a phrase often used in theological texts. This study analyses the origin of this concept and identifies a series of reference points in its intellectual biography in Romanian theology (with special emphasis on the developments brought about by mission theologians from Cluj-Napoca). The two final sections try to enlarge upon the reflection on the witness through the holiness of life by considering the phrase in a biblical and spiritual context.
{"title":"Witness through holiness of life: A quick look into the biography of a concept","authors":"Paul Siladi","doi":"10.24193/DIAKRISIS.2021.4","DOIUrl":"https://doi.org/10.24193/DIAKRISIS.2021.4","url":null,"abstract":"\"Witness through holiness of life\" is a phrase often used in theological texts. This study analyses the origin of this concept and identifies a series of reference points in its intellectual biography in Romanian theology (with special emphasis on the developments brought about by mission theologians from Cluj-Napoca). The two final sections try to enlarge upon the reflection on the witness through the holiness of life by considering the phrase in a biblical and spiritual context.","PeriodicalId":413875,"journal":{"name":"Diakrisis Yearbook of Theology and Philosophy","volume":"113 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115644184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-30DOI: 10.24193/diakrisis.2020.5
Piero Coda
{"title":"Manifest","authors":"Piero Coda","doi":"10.24193/diakrisis.2020.5","DOIUrl":"https://doi.org/10.24193/diakrisis.2020.5","url":null,"abstract":"","PeriodicalId":413875,"journal":{"name":"Diakrisis Yearbook of Theology and Philosophy","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130244064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}