Pub Date : 2018-07-31DOI: 10.25148/CRCP.6.2.008308
Steven E. Alford
Abstract The movement of people and settlement of the American west has been psychologically and sociologically represented as engendered by a sense of Manifest Destiny. Yet, the western migration was fueled by capitalist corporations seeking profit by exploiting international markets for goods through extractive practices (principally animal pelts, fish, and lumber): the Hudson's Bay Company, the North West Company, and millionaire American capitalist John Jacob Astor. The economic foundations of settlement have, however, been erased in cinematic representations of this history, replaced first by the Hollywood Western and its myth of frontier individuality, and subsequently by the Hollywood road movie, concerned largely with an existential quest for personal value and meaning. Hence, the extractive corporate industries of the nineteenth century have been replaced by the corporate entertainment industry, the latter selling American myths in place of American pelts.
{"title":"Easy Riders Lost in America: Marx, Mobility and the Hollywood Road Movie","authors":"Steven E. Alford","doi":"10.25148/CRCP.6.2.008308","DOIUrl":"https://doi.org/10.25148/CRCP.6.2.008308","url":null,"abstract":"Abstract The movement of people and settlement of the American west has been psychologically and sociologically represented as engendered by a sense of Manifest Destiny. Yet, the western migration was fueled by capitalist corporations seeking profit by exploiting international markets for goods through extractive practices (principally animal pelts, fish, and lumber): the Hudson's Bay Company, the North West Company, and millionaire American capitalist John Jacob Astor. The economic foundations of settlement have, however, been erased in cinematic representations of this history, replaced first by the Hollywood Western and its myth of frontier individuality, and subsequently by the Hollywood road movie, concerned largely with an existential quest for personal value and meaning. Hence, the extractive corporate industries of the nineteenth century have been replaced by the corporate entertainment industry, the latter selling American myths in place of American pelts.","PeriodicalId":415971,"journal":{"name":"Class, Race and Corporate Power","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131902114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-07-31DOI: 10.25148/crcp.6.2.008309
E. Santos
Though their conclusions are radically different, defenders of both “socialist” and “neither socialist, nor capitalist” theories about Cuba and other statified societies nevertheless coincide in the view that the nationalization of private enterprises constitutes a partial, or perhaps even wholesale, negation of capitalism and its laws of motion. Throughout this essay, I will attempt a critical analysis of the aforementioned theories employing an approach that is methodologically Marxist and forthright in its commitment to workers’ self-emancipation. I will argue, moreover, that “socialist” Cuba is really a society based on wage labor and capital accumulation. The defining characteristics of this society, to which we will assign the designation ‘state-capitalism’, are the hyper-concentration of capital and collective exercise of de facto control over the means of production by a state bourgeoisie.
{"title":"Sugarcane Stalinism: State-Capitalism and Development in Cuba","authors":"E. Santos","doi":"10.25148/crcp.6.2.008309","DOIUrl":"https://doi.org/10.25148/crcp.6.2.008309","url":null,"abstract":"Though their conclusions are radically different, defenders of both “socialist” and “neither socialist, nor capitalist” theories about Cuba and other statified societies nevertheless coincide in the view that the nationalization of private enterprises constitutes a partial, or perhaps even wholesale, negation of capitalism and its laws of motion. Throughout this essay, I will attempt a critical analysis of the aforementioned theories employing an approach that is methodologically Marxist and forthright in its commitment to workers’ self-emancipation. I will argue, moreover, that “socialist” Cuba is really a society based on wage labor and capital accumulation. The defining characteristics of this society, to which we will assign the designation ‘state-capitalism’, are the hyper-concentration of capital and collective exercise of de facto control over the means of production by a state bourgeoisie.","PeriodicalId":415971,"journal":{"name":"Class, Race and Corporate Power","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130251599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}