{"title":"Within the Prism of Film Noir : An interview with Adrian Wootton","authors":"Theresa Rodewald","doi":"10.1386/fint_00126_7","DOIUrl":"https://doi.org/10.1386/fint_00126_7","url":null,"abstract":"","PeriodicalId":41745,"journal":{"name":"Film International","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83589379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Big Grab of a Heist : Any Number Can Win, from page to screen","authors":"Brian Greene","doi":"10.1386/fint_00115_1","DOIUrl":"https://doi.org/10.1386/fint_00115_1","url":null,"abstract":"","PeriodicalId":41745,"journal":{"name":"Film International","volume":"19 9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82901108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Whispers in the Mind’s Eye : Reginald Le Borg’s Calling Dr. Death (1943)","authors":"G. Rhodes","doi":"10.1386/fint_00117_1","DOIUrl":"https://doi.org/10.1386/fint_00117_1","url":null,"abstract":"","PeriodicalId":41745,"journal":{"name":"Film International","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77355509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ten Reasons Not to Announce Your Movie Deal","authors":"Ken Bruen","doi":"10.1386/fint_00123_1","DOIUrl":"https://doi.org/10.1386/fint_00123_1","url":null,"abstract":"","PeriodicalId":41745,"journal":{"name":"Film International","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80685281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cover Girls : A conversation with Hard Case Crime’s Charles Ardai","authors":"Jake Rutkowski","doi":"10.1386/fint_00124_7","DOIUrl":"https://doi.org/10.1386/fint_00124_7","url":null,"abstract":"","PeriodicalId":41745,"journal":{"name":"Film International","volume":"148 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73685100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Moon Makes One Mad : The Moon in the Gutter (La Lune dans le caniveau, 1983)","authors":"R. Leatherwood","doi":"10.1386/fint_00114_1","DOIUrl":"https://doi.org/10.1386/fint_00114_1","url":null,"abstract":"","PeriodicalId":41745,"journal":{"name":"Film International","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73736211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editorial Issue 97 : Noir Now More Than Ever","authors":"M. Sorrento","doi":"10.1386/fint_00106_2","DOIUrl":"https://doi.org/10.1386/fint_00106_2","url":null,"abstract":"","PeriodicalId":41745,"journal":{"name":"Film International","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84122854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Return from Neo-Oblivion : Richard Fleischer’s Trapped (1949) from Flicker Alley","authors":"Tony Williams","doi":"10.1386/fint_00109_1","DOIUrl":"https://doi.org/10.1386/fint_00109_1","url":null,"abstract":"","PeriodicalId":41745,"journal":{"name":"Film International","volume":"97 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73420904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Where Emotions Roil but Are Not Revealed : Ossie Davis’s Cotton Comes to Harlem","authors":"Joseph Hirsch","doi":"10.1386/fint_00110_1","DOIUrl":"https://doi.org/10.1386/fint_00110_1","url":null,"abstract":"","PeriodicalId":41745,"journal":{"name":"Film International","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85254432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Philly to the Steel Pier : David Goodis’s The Burglar from novel to shooting script","authors":"Jay A. Gertzman","doi":"10.1386/fint_00113_1","DOIUrl":"https://doi.org/10.1386/fint_00113_1","url":null,"abstract":"","PeriodicalId":41745,"journal":{"name":"Film International","volume":"59 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85809151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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