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Hegel's Logic as Presuppositionless Science 作为无预设科学的黑格尔逻辑
IF 0.3 3区 哲学 Q2 Arts and Humanities Pub Date : 2019-11-07 DOI: 10.5840/idstudies2019115107
Miles Hentrup
In this article, I offer a critical interpretation of Hegel’s claims regarding the presuppositionless status of the Logic. Commentators have been divided as to whether the Logic actually achieves the status of presuppositionless science, disagreeing as to whether the Logic succeeds in making an unmediated beginning. I argue, however, that this understanding of presuppositionless science is misguided, as it reflects a spurious conception of immediacy that Hegel criticizes as false. Contextualizing Hegel’s remarks in light of his broader approach to the problem of beginning, I contend that Hegel’s Logic is presuppositionless not in the sense that it satisfies a formal epistemological demand to begin free from all mediation, but in that its self-mediating structure facilitates an immanent deduction of the categories.
在这篇文章中,我对黑格尔关于逻辑学无预设地位的主张进行了批判性的解释。对于逻辑学是否真的达到了无预设科学的地位,评论者们意见不一,对于逻辑学是否成功地创造了一个无中介的开端,他们意见不一。然而,我认为,这种对无预设科学的理解是错误的,因为它反映了一种虚假的即时性概念,黑格尔批评这种概念是错误的。根据黑格尔对开始问题的更广泛的方法,将黑格尔的言论置于语境中,我认为黑格尔的逻辑是无预设的,不是因为它满足了从所有中介开始的形式认识论要求,而是因为它的自我中介结构促进了对范畴的内在推导。
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引用次数: 1
Organic Harmony and Ernst Cassirer’s Pluralism 有机和谐与卡西尔的多元主义
IF 0.3 3区 哲学 Q2 Arts and Humanities Pub Date : 2019-11-01 DOI: 10.5840/idstudies20191023105
Shuchen Xiang
This article argues that Cassirer’s thinking about the relationship between the different symbolic forms is best elucidated via the paradigm of “organic harmony.” Although Cassirer did not use the term himself, the harmonious cooperation between the parts found in the organic world provided him with a welcome alternative to traditional accounts of order (i.e., identity or hierarchy). This article gives three examples of “organic harmony” from which Cassirer drew inspiration: Goethe’s idealistic morphology, Wilhelm von Humboldt’s account of language, and Herder’s account of history. Through “organic harmony” we can make better sense of and better articulate the pluralism of Cassirer’s PSF. Finally, this article shows how the motif of organic harmony is the normative moment in Cassirer’s own challenge to twentieth-century fascism and argues that the Cassirerian emphasis on finding a coherence which does justice to the uniqueness of particulars—harmony—is an ethical injunction relevant for our times.
本文认为,卡西尔对不同象征形式之间关系的思考最好通过“有机和谐”的范式来阐明。尽管卡西尔自己没有使用这个词,但有机世界中各部分之间的和谐合作为他提供了一个受欢迎的替代传统秩序(即身份或等级)的方法。本文列举了三个“有机和谐”的例子,卡西尔从中获得了灵感:歌德的理想主义形态,威廉·冯·洪堡对语言的描述,以及赫尔德对历史的描述。通过“有机和谐”,我们可以更好地理解和表达卡西尔PSF的多元化。最后,本文展示了有机和谐的主题是卡西尔自己对20世纪法西斯主义的挑战中的规范时刻,并认为卡西尔强调寻找一种公正对待细节独特性的连贯性——和谐——是一种与我们时代相关的伦理禁令。
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引用次数: 2
Boredom and Wonder in the Work of Arthur Schopenhauer 阿瑟·叔本华作品中的无聊与惊奇
IF 0.3 3区 哲学 Q2 Arts and Humanities Pub Date : 2019-11-01 DOI: 10.5840/idstudies2020220109
Luke Wadhams
This article examines Arthur Schopenhauer’s theory of boredom. In traditional interpretations of this theory, boredom is understood to be a form of suffering and a key component in Schopenhauer’s argument for the claim that all life is suffering. While such interpretations are correct, I argue that they only capture a single feature of the experience that Schopenhauer describes. Schopenhauer also understands boredom to occasion a unique insight into the nature of reality, and boredom should thereby additionally be thought of as an epistemically significant emotion. To elucidate this epistemic quality, I interpret Schopenhauer’s concept of boredom as revealing the miserable condition of the world, where such revelation compels one to wonder about the nature of this condition, thereby founding a philosophical attitude. Through an evaluation of Schopenhauer’s conceptions of boredom and wonder, I demonstrate that Schopenhauer ultimately conceives boredom as crucial for the development of a philosophical attitude toward existence.
本文考察了叔本华的无聊理论。在对这一理论的传统解释中,无聊被理解为痛苦的一种形式,也是叔本华关于所有生命都是痛苦的论点的关键组成部分。虽然这样的解释是正确的,但我认为它们只捕捉到叔本华所描述的经验的一个单一特征。叔本华也将无聊理解为对现实本质的独特洞察,因此无聊应该被视为一种具有认识意义的情绪。为了阐明这种认识性质,我将叔本华的无聊概念解释为揭示了世界的悲惨状况,这种揭示迫使人们思考这种状况的本质,从而建立了一种哲学态度。通过对叔本华关于无聊和惊奇的概念的评价,我证明了叔本华最终认为无聊对哲学生存态度的发展至关重要。
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引用次数: 0
The Individual as System 个人即系统
IF 0.3 3区 哲学 Q2 Arts and Humanities Pub Date : 2019-11-01 DOI: 10.5840/idstudies2020113108
S. F. Kislev
In British Hegelianism we find, forgotten, a weighty theory of individuality. This theory remains one of the most sustained attempts in the history of philosophy to analyze the individual, not in the social or psychological sense, but as a logical-metaphysical category. The Idealist conceptualization of the individual is bound with their unconventional theory of universals, for they argued that any individual is a “concrete universal,” and vice versa. This article reconstructs the British Idealist theory of individuality, highlighting its key insights: (a) the individual is not a simple unit, but a small system with interrelated parts; (b) the individual is not simply given, but is mediated by thought; (c) the individual is the conceptual glue holding the parts together and assigning them their respective places; (d) the conceptualization of the individual lies at the intersection of logic, aesthetics and systems theory.
在英国黑格尔主义中,我们发现了一种被遗忘了的重要的个体性理论。这个理论仍然是哲学史上分析个人的最持久的尝试之一,不是在社会或心理意义上,而是作为一个逻辑形而上学的范畴。唯心主义者对个人的概念化与他们非传统的共相理论紧密相连,因为他们认为任何个人都是“具体的共相”,反之亦然。本文对英国唯心主义的个性理论进行了重构,突出了其重要见解:(a)个人不是一个简单的单位,而是一个由相互关联的部分组成的小系统;(二)个体不仅是被给予的,而且是被思想所中介的;(c)个人是概念上的粘合剂,将各个部分粘合在一起,并赋予它们各自的位置;(d)个体的概念化是逻辑学、美学和系统论的交叉。
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引用次数: 0
Are the Frühromantiker Platonists? 早期浪漫主义的柏拉图主义者吗?
IF 0.3 3区 哲学 Q2 Arts and Humanities Pub Date : 2019-10-22 DOI: 10.5840/idstudies20191016104
Fiacha D. Heneghan
How to classify the artistic and philosophical movement of Early German Romanticism (die Frühromantik) remains a topic of ongoing disagreement. I consider the views of two of the leading interpreters—Frederick Beiser and Manfred Frank—and argue that the latter’s are closer to the truth. Beiser, however, has noticed a lacuna in the literature surrounding the metaphysics and epistemology of the Romantics, namely their debt to an ascendant Plato during their intellectual development. This is right, but Beiser’s idealist reading of the Romantics leans heavily on Platonic sources that are fundamentally incompatible with a consistent anti-foundationalist strain in Romantic thought. I argue that it is unlikely that Plato influenced the Romantics in the way Beiser suggests.
如何对德国早期浪漫主义的艺术和哲学运动(die Frühromantik)进行分类仍然是一个争论不休的话题。我考虑了两位主要口译员弗雷德里克·贝瑟和曼弗雷德·弗兰克的观点,并认为后者更接近事实。然而,贝瑟尔注意到,围绕浪漫主义者的形而上学和认识论的文献中存在一个空白,即他们在智力发展过程中对占优势的柏拉图的亏欠。这是对的,但贝瑟尔对浪漫主义的理想主义解读在很大程度上依赖于柏拉图主义的来源,这些来源与浪漫主义思想中一贯的反基础主义风格根本不兼容。我认为柏拉图不太可能像贝瑟所说的那样影响浪漫主义。
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引用次数: 0
The Coincidence of the Finite and the Infinite in Spinoza and Hegel 斯宾诺莎与黑格尔有限与无限的重合
IF 0.3 3区 哲学 Q2 Arts and Humanities Pub Date : 2019-09-12 DOI: 10.5840/IDSTUDIES201989100
J. L. Serrano, Noa Shein
This paper proposes a reassessment of Hegel’s critical reading of Spinoza and of the charge of acosmism, for which this reading is known. We argue that this charge is actually the consequence of a more fundamental criticism, namely Spinoza’s presumable inability to conceive the unity of the finite and the infinite. According to Hegel, the infinite and the finite remain two poles apart in Spinoza’s metaphysics, which thus fails to be a true monism, insofar as it contains an irreducible duality. Against this reading, we argue that Spinoza’s conception of the causal co-determination of finite modes entails the acknowledgment of their essentially infinite nature. The study of this particular instance of coincidentia oppositorum enables to counter some of Hegel’s criticisms as well as to illuminate a fairly unexplored aspect of Spinoza’s substance monism.
本文提出了对黑格尔对斯宾诺莎的批判解读,以及对这种解读所熟知的听觉主义指控的重新评估。我们认为,这种指责实际上是一种更根本的批评的结果,即斯宾诺莎无法想象有限和无限的统一。黑格尔认为,在斯宾诺莎的形而上学中,无限和有限是两极的,因此,在包含不可约的二元性的情况下,这并不是一个真正的一元论。与此相反,我们认为斯宾诺莎关于有限模式的因果共同决定的概念需要承认其本质上的无限性。对这一特定的矛盾重合现象的研究能够反驳黑格尔的一些批评,并阐明斯宾诺莎物质一元论的一个相当未探索的方面。
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引用次数: 5
Immaterial Mechanism in the Mature Leibniz 成熟莱布尼茨的非物质机制
IF 0.3 3区 哲学 Q2 Arts and Humanities Pub Date : 2019-09-12 DOI: 10.5840/IDSTUDIES201971897
Christopher P. Noble
Leibniz standardly associates “mechanism” with extended material bodies and their aggregates. In this paper, I identify and analyze a further distinct sense of “mechanism” in Leibniz that extends, by analogy, beyond the domain of material bodies and applies to the operations of immaterial substances such as the monads that serve, for Leibniz, as the metaphysical foundations of physical reality. I argue that in this sense, Leibniz understands “mechanism” as an intelligible process that is capable of providing a sufficient reason for a series of changes. I then apply these findings to enrich our understanding of Leibniz’s well-known mill argument in Monadology ¶17: although material machines and mechanisms cannot produce perceptions, the perceptual activity of immaterial monads is to be understood as “mechanical” according to this analogical sense.
莱布尼茨标准地将“机制”与扩展的物质体及其聚集体联系起来。在本文中,我识别并分析了莱布尼茨进一步明确的“机制”意义,通过类比,它延伸到物质物体的领域之外,并适用于非物质物质的操作,例如对莱布尼茨来说,作为物理现实的形而上学基础的单子。我认为在这个意义上,莱布尼茨将“机制”理解为一个可理解的过程,能够为一系列变化提供充分的理由。然后,我应用这些发现来丰富我们对莱布尼茨在Monadology¶17中著名的磨坊论证的理解:尽管物质机器和机制不能产生感知,但根据这种类比意义,非物质单子的感知活动可以被理解为“机械的”。
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引用次数: 1
Adorno on Kierkegaard on Love for the Dead 阿多诺论克尔凯郭尔论对死者的爱
IF 0.3 3区 哲学 Q2 Arts and Humanities Pub Date : 2019-08-22 DOI: 10.5840/IDSTUDIES2019820102
Dylan Shaul
This article employs Freud’s distinction between mourning and melancholia to clarify Adorno’s reading of Kierkegaard. Adorno finds in Kierkegaard’s view of love for the dead both the consummate reified fetish of our instrumentalizing exchange society, and the only unmutilated relation left to us in our otherwise thoroughly damaged lives. Adorno’s negative dialectics emerges as the melancholy science resulting from a disfigured mourning’s present impossibility, upholding a material moral motive rooted in the unmournability of historical catastrophe. Yet this very melancholia also proves to be the last unlikely refuge of hope—in a Kierkegaardian sense—for a future redemption.
本文运用弗洛伊德对哀悼与忧郁的区分来阐明阿多诺对克尔凯郭尔的解读。阿多诺在克尔凯郭尔对死者的爱的观点中发现,这既是我们工具化的交换社会中完美的物化的恋物,也是我们在彻底受损的生活中留给我们的唯一完好无损的关系。阿多诺的否定辩证法作为一种忧郁的科学而出现,这种忧郁的科学源于一种毁容的哀悼的现在的不可能性,它坚持一种植根于历史灾难的不可悲悼性的物质道德动机。然而,这种忧郁也被证明是最后一个不太可能的希望避难所——在克尔凯郭尔的意义上——为了未来的救赎。
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引用次数: 0
The Reality of Modes in Spinoza’s Philosophy 斯宾诺莎哲学模式的现实性
IF 0.3 3区 哲学 Q2 Arts and Humanities Pub Date : 2019-08-21 DOI: 10.5840/IDSTUDIES2019816101
N. Whitman
In the history of philosophy, two standard critiques of the reality of modes in Spinoza’s philosophy come from Pierre Bayle and Georg Wilhelm Hegel. Both philosophers in some way assume that attributes and relations among modes constitute a shared reality in which modes participate. As a result, they assert that Spinoza’s monism leads either to an over-identification of God with contingent modes or to a limited God. In this paper, I will show how attributes and relations among modes in Spinoza’s work simply explain an active modal reality; modes do not depend upon or participate in ideal relations and attributes for their existence. The result is that in Spinoza’s philosophy attributes must be seen as unreal and modal reality must be understood as primary.
在哲学史上,对斯宾诺莎哲学模式现实性的两种标准批判分别来自皮埃尔·贝勒和黑格尔。两位哲学家在某种程度上都认为,模式之间的属性和关系构成了一个共同的现实,模式参与其中。因此,他们断言斯宾诺莎的一元论要么导致对上帝的过度认同,要么导致对有限上帝的过度认可。在本文中,我将展示斯宾诺莎作品中的属性和模式之间的关系如何简单地解释一个活跃的模式现实;模式的存在并不依赖或参与理想的关系和属性。结果是,在斯宾诺莎的哲学中,属性必须被视为不真实的,模态现实必须被理解为首要的。
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引用次数: 1
Wittgenstein, Peirce, and Death 维特根斯坦,皮尔斯与死亡
IF 0.3 3区 哲学 Q2 Arts and Humanities Pub Date : 2019-08-08 DOI: 10.5840/IDSTUDIES20198699
Marco Stango
The paper presents a Peircean criticism of Wittgenstein’s views on death. By exploring the notion of ‘limit’ central to both Wittgenstein and Peirce, the paper claims that a Peircean pragmatic notion of death can retain the advantages of Wittgenstein’s ‘limit’ notion of death without incurring the shortcomings of the latter, which I identify with semantic and metaphysical externality. I conclude by sketching out some consequences of the Peircean view for a metaphysics of death.
本文对维特根斯坦的死亡观提出了一种皮尔式的批判。通过探索维特根斯坦和皮尔斯的核心“极限”概念,本文声称,皮尔斯的实用主义死亡概念可以保留维特根斯坦的“极限”死亡概念的优点,而不会引起后者的缺点,我认为后者是语义和形而上学的外部性。最后,我概述了一些关于死亡形而上学的皮尔斯观点的结果。
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引用次数: 0
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