{"title":"The History of Jazz","authors":"I. Gitler","doi":"10.2307/44758092","DOIUrl":"https://doi.org/10.2307/44758092","url":null,"abstract":"","PeriodicalId":423598,"journal":{"name":"International Jazz Archive Journal","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122178278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article considers the historic collaboration between classical music’s preeminent, cosmopolitan twentieth century composer, Igor Stravinsky, and American big band auteur, Woody Herman. Emblematic of a nascent artistic cross-fertilization at the dawn of postwar "postmodernism," the Ebony Concerto’s fusion of "serious" music and American jazz prefigured contemporary discourse concerning "high" and "low" culture, elite and popular expressive modes, and music as a site of contestation, wherein attempts at "top down" cultural definition are opposed by demotic values signifying democratic thought and action. Of particular importance to the first-hand, authoritative nature of this account is its telling in the words of those involved, most notably, the late Woody Herman. Participants’ interviews with the author give voice and authenticity, rather than interpretation and mystification, to a unique dialogical achievement in American music and culture.
{"title":"Rite of Swing: Stravinsky, Woody Herman, and the Ebony Concerto","authors":"Peter Hollerbach","doi":"10.2307/44758069","DOIUrl":"https://doi.org/10.2307/44758069","url":null,"abstract":"\u0000 This article considers the historic collaboration between classical music’s preeminent, cosmopolitan twentieth century composer, Igor Stravinsky, and American big band auteur, Woody Herman. Emblematic of a nascent artistic cross-fertilization at the dawn of postwar \"postmodernism,\" the Ebony Concerto’s fusion of \"serious\" music and American jazz prefigured contemporary discourse concerning \"high\" and \"low\" culture, elite and popular expressive modes, and music as a site of contestation, wherein attempts at \"top down\" cultural definition are opposed by demotic values signifying democratic thought and action. Of particular importance to the first-hand, authoritative nature of this account is its telling in the words of those involved, most notably, the late Woody Herman. Participants’ interviews with the author give voice and authenticity, rather than interpretation and mystification, to a unique dialogical achievement in American music and culture.","PeriodicalId":423598,"journal":{"name":"International Jazz Archive Journal","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115818199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In The U.S.A., It’s Users First and Foremost While the Protection of the Creators Is Increasingly Undermined","authors":"Michael Hennessey","doi":"10.2307/44758071","DOIUrl":"https://doi.org/10.2307/44758071","url":null,"abstract":"","PeriodicalId":423598,"journal":{"name":"International Jazz Archive Journal","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117053340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Aria by Grover Washington, Jr.","authors":"Emmett G. Price","doi":"10.2307/44758083","DOIUrl":"https://doi.org/10.2307/44758083","url":null,"abstract":"","PeriodicalId":423598,"journal":{"name":"International Jazz Archive Journal","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121830786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Composing and Arranging For Film and Television","authors":"Benny Golson","doi":"10.2307/44758076","DOIUrl":"https://doi.org/10.2307/44758076","url":null,"abstract":"","PeriodicalId":423598,"journal":{"name":"International Jazz Archive Journal","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126401646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Late Night Alone with Monk","authors":"George Looney","doi":"10.2307/44758079","DOIUrl":"https://doi.org/10.2307/44758079","url":null,"abstract":"","PeriodicalId":423598,"journal":{"name":"International Jazz Archive Journal","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125471559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Brief Analysis of \"Roots, Branches, Shapes, and Shades (Of Green)\", as Composed and Arranged by Wendell Logan for Piano and Chamber Orchestra","authors":"Emmett G. Price","doi":"10.2307/44758078","DOIUrl":"https://doi.org/10.2307/44758078","url":null,"abstract":"","PeriodicalId":423598,"journal":{"name":"International Jazz Archive Journal","volume":"54 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113985293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：