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The Bloomsbury Handbook to Sylvia Plath最新文献

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“God’s Lioness” and God’s “Negress”: The Feminine and the Figure of the African American in Plath “上帝的母狮”与“上帝的黑女人”:普拉斯笔下非裔美国人的女性与形象
Pub Date : 2012-06-21 DOI: 10.5040/9781350119253.ch-8
Jerome Ellison Murphy
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引用次数: 0
Lucent Figs and Suave Veal Chops: Sylvia Plath and Food 朗朗的无花果和温和的小牛肉排:西尔维娅·普拉斯和食物
Pub Date : 2010-02-01 DOI: 10.1525/GFC.2010.10.1.79
Lynda K. Bundtzen
In popular mythology, poet Sylvia Plath is regarded as a tragic suicide and/or a feminist martyr. If you read her journals and letters, though, you learn that she loved to cook, loved to eat, and often devoted as much time to preparing meals for her husband Ted Hughes as she did to her writing. Cooking was, in fact, often a convenient distraction when she had writer's block, or did not want to prepare classes for teaching, or when she was pregnant and longed for no more intellectual challenge than reading recipes from her beloved Joy of Cooking or The Ladies’’ Home Journal . Plath's huge appetite and enjoyment of food and eating are evident in her sensuous descriptions of meals that sometimes resemble Keats's poetry for their voluptuous appreciation of textures, shapes, colors, tastes, and ambiance. Plath's investment in the role of domestic goddess came to an abrupt end with the breakup of her marriage. The final pages of the article explore Plath's underlying skepticism toward the traditional role of women she had outwardly seemed to embrace so enthusiastically. The Bell Jar 's heroine, Esther Greenwood, has a jaundiced view of love and marriage and falls ill of food-poisoning at a banquet prepared by Food Testing Kitchens at a magazine that sounds suspiciously like The Ladies’’ Home Journal . Poems in Ariel portray cooking as dangerous and kitchens as either scary or suffocating for women. In conclusion, the article looks at what we know about Plath's final days, where testimony confirming her hearty appetite seems oddly incongruous with evidence about the depth of her despair.
在流行的神话中,诗人西尔维娅·普拉斯被认为是一个悲惨的自杀和/或女权主义烈士。然而,如果你读过她的日记和信件,你就会知道她爱做饭,爱吃,经常花同样多的时间为她的丈夫泰德·休斯准备饭菜,就像她写作一样。事实上,当她有写作障碍时,或者不想准备教学课程时,或者当她怀孕时,除了阅读她心爱的《烹饪的乐趣》或《妇女家庭日记》中的食谱之外,她渴望更多的智力挑战时,烹饪往往是一种方便的消遣。普拉斯对食物和饮食的巨大胃口和享受在她对食物的感性描述中显而易见,这些描述有时类似于济慈的诗歌,因为它们对质地、形状、颜色、味道和氛围的放纵欣赏。普拉斯对家政女神角色的投入随着她婚姻的破裂戛然而止。文章的最后几页探讨了普拉斯对女性传统角色的潜在怀疑,她表面上似乎非常热情地接受了女性的传统角色。《钟形罩》的女主角埃丝特·格林伍德对爱情和婚姻抱有偏见,她在一家杂志《食品测试厨房》(Food Testing Kitchens)准备的宴会上食物中毒,这家杂志听起来很像《妇女家庭杂志》(The Ladies’Home Journal)。《阿里尔》中的诗歌将烹饪描绘成危险的,厨房对女性来说要么可怕,要么令人窒息。最后,这篇文章回顾了我们对普拉斯最后几天的了解,在那里,证实她胃口旺盛的证词似乎与她极度绝望的证据奇怪地不协调。
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引用次数: 3
“I am a miner”: Long Poems and Literary Succession in Ariel and Crow “我是矿工”:艾瑞尔与克劳的长诗与文学继承
Pub Date : 1900-01-01 DOI: 10.5040/9781350119253.ch-15
Jennifer Ryan-Bryant
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引用次数: 0
Plath and Media Culture 普拉斯与媒体文化
Pub Date : 1900-01-01 DOI: 10.5040/9781350119253.ch-20
N. Presley
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引用次数: 0
Sylvia Plath’s “The Jailor” as Radical Feminist Text 作为激进女权主义文本的西尔维娅·普拉斯的《狱卒》
Pub Date : 1900-01-01 DOI: 10.5040/9781350119253.ch-23
Bethany Hicok
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引用次数: 0
“Get bathrobe and slippers and nightgown & work on femininity”: Sylvia Plath, Self-Identity, and Sleepwear “穿上浴袍、拖鞋和睡衣,展现女性气质”:西尔维娅·普拉斯,《自我认同和睡衣》
Pub Date : 1900-01-01 DOI: 10.5040/9781350119253.ch-2
Rebecca C. Tuite
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引用次数: 0
Sylvia Plath in the Round 西尔维娅·普拉斯
Pub Date : 1900-01-01 DOI: 10.5040/9781350119253.ch-26
Karen V. Kukil
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引用次数: 0
Sylvia Plath’s “Three Women”: Producing a Poetics of Listening at the BBC 西尔维娅·普拉斯的《三个女人》:在BBC创作一种倾听的诗学
Pub Date : 1900-01-01 DOI: 10.5040/9781350119253.ch-22
N. Williams
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引用次数: 0
Psychiatric Disability and Asylum Fiction: From The Snake Pit to The Bell Jar 精神残疾和庇护小说:从蛇坑到钟罩
Pub Date : 1900-01-01 DOI: 10.5040/9781350119253.ch-3
Elizabeth J. Donaldson
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引用次数: 0
Sylvia Plath’s Cambridge 西尔维娅·普拉斯的剑桥
Pub Date : 1900-01-01 DOI: 10.5040/9781350119253.ch-4
Di Beddow
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引用次数: 0
期刊
The Bloomsbury Handbook to Sylvia Plath
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