{"title":"Theorising Digital Self-Mediation and the Smartphone as Filmic Apparatus after 6 January, 2021","authors":"J. Gunn","doi":"10.15664/fcj.v18i1.2255","DOIUrl":"https://doi.org/10.15664/fcj.v18i1.2255","url":null,"abstract":"","PeriodicalId":423883,"journal":{"name":"Frames Cinema Journal","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131998532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Smartphone Camera and Radical Urban Imaginaries in the (Post-)Pandemic City: The Patio 108 Initiative","authors":"Samuel Fernández-Pichel","doi":"10.15664/fcj.v18i1.2251","DOIUrl":"https://doi.org/10.15664/fcj.v18i1.2251","url":null,"abstract":"","PeriodicalId":423883,"journal":{"name":"Frames Cinema Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128863134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Returning to your Roots: Use of Mobile Shooting in an Ethnomediaology case study with the Tejon Native American Tribe in California","authors":"Iakovos Panagopoulos","doi":"10.15664/fcj.v18i1.2252","DOIUrl":"https://doi.org/10.15664/fcj.v18i1.2252","url":null,"abstract":"","PeriodicalId":423883,"journal":{"name":"Frames Cinema Journal","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114688027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Phone Footage and the Social Media Image as Global Anonymous Cinema","authors":"Tanya Shilina-Conte","doi":"10.15664/fcj.v18i1.2248","DOIUrl":"https://doi.org/10.15664/fcj.v18i1.2248","url":null,"abstract":"","PeriodicalId":423883,"journal":{"name":"Frames Cinema Journal","volume":"231 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134090408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Selfie-Portraits: Agnès Varda, JR, and the Politics of Sharing","authors":"Tomas Elliott","doi":"10.15664/fcj.v18i1.2256","DOIUrl":"https://doi.org/10.15664/fcj.v18i1.2256","url":null,"abstract":"","PeriodicalId":423883,"journal":{"name":"Frames Cinema Journal","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114334111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Death Image as Commodity","authors":"S. Makki","doi":"10.15664/fcj.v18i1.2254","DOIUrl":"https://doi.org/10.15664/fcj.v18i1.2254","url":null,"abstract":"","PeriodicalId":423883,"journal":{"name":"Frames Cinema Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114339044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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